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In a Dark Dream
Charles L. Grant
i
"[In a Dark Dream is a] nifty little exercise in surreal spookiness [by]
one of the genre's more literate practitioners."
- Kirkus Reviews
"Grant's style of horror takes hold of your spinal cord and plays it
like a violin. His books are addictive."
- Charles de Lint in Mystery Scene
"There are few pleasures as delightful or rare as an exciting and
well-written horror novel. Charles L. Grant always provides that pleasure."
- Whitley Strieber
ii From Tor books by Charles L. Grant
After Midnight (editor)
For Fear of the Night
In a Dark Dream
Midnight (editor)
The Pet
Oxrun Station
The Bloodwind
Dialing the Wind
The Grave
The Hour of the Oxrun Dead
The Last Call of Mourning
Nightmare Seasons
The Orchard
The Sound of Midnight
The Chronicles of Greystone Bay (editor)
Greystone Bay
Doom City
The SeaHarp Hotel
forthcoming
 
iii
TOR
A torn DOHERTY ASSOCIATES BOOK NEW YORK
iv This is a work of fiction. All the characters and events portrayed in
this book are fictitious, and any resemblance to real people or events
is purely coincidental.
IN A DARK DREAM
Copyright ©1989 by Charles L. Grant
All rights reserved, including the right to reproduce this book or
portions thereof in any form.
A TOR Book
Published by Tom Doherty Associates, Inc.
49 West 24 Street
New York, NY 10010
Cover art by Lee MacLeod
ISBN: 0-812-51844-6
Library of Congress Catalog Card Number: 88-29167
First edition: February 1989
First mass market edition: April 1990
Printed in the United States of America
0987654321
v This is for Jill,
Through the Looking-Glass,
With love
vi
There was sunlight and laughter
And moonlight and shadow;
While Sleep crooned with Screaming,
Love waltzed with the Dead.
vii Charles L. Grant
viii Charles L. Grant
 
1
I
The dream when it comes ...
... the spectered shadow of a cloud crawling westward off the summit of
a dark forested hill, sliding down the slope where it deepens the
shadows and stains the bark and swings the leaves to a deep deathly
gray, causes birds to stir and huddle, a raccoon to hiss and snap, then
slips across the road and through trembling bushes to the surface of a
lake where ripples abruptly calm and reflections no longer matter; it
bulges; it shrinks; it moves to the opposite shore and through the trees
again, and the road, and up the blunt wedge of a high rock, pausing at
the edge, shifting slightly to one side, shifting again and sliding on,
filling the cracks with black, covering a hunched man with winter, and
taking the upward slope, leaving the black behind ...
the shadow of a cloud in a cloudless blue sky.
2 Charles L. Grant
2
3
ONE
The outcropping was massive on the side of the hill, and rose a straight
and full hundred feet above the road that followed the contours of the
lake. Even in the clear light, the morning's soft and warming light, the
rock was deep black, the leading edge of a prow, a petrified galleon
forever trapped in escape. And a squint of an eye caused the striations
and cracks to reform into timbers, the moss and clumps of grass into
seawater stains, while embedded strips of ore reddened and ran into
strips of dried blood. Its top was flat and angled slightly lakeward,
its sides thrusting from the forest floor to bull the trees aside. But
not the trees behind it.
They rose thickly and darkly to the top of the uneven ridge that formed
a semicircle rim around the lake's deep basin; and when the foliage was
thick, the summer wind
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still, the water calm and empty, it was easy to imagine that no one
lived there on the slopes, and no one lived along the shore, and there
was no town to the south, beyond the sagging stone bridge that spanned
the creek the lake fed. There were too many leaves and too many gullies
and too many dips where a house could be hidden and lie unseen from the
road.
From the rock.
The black rock where Glenn held his breath and concentrated on a stone
loosely cupped in his left hand. He blinked against the water's glare
that only moments before had made him think there'd been a cloud, then
dropped the stone and watched it wobble away. His right hand snatched at
it. And missed. And he lost it over the edge and groaned.
 
A mild gust pushed him gently.
He shifted.
Slow; he was getting slow.
In days past he would have grabbed it without looking, tossed it once,
and grabbed it again. Big ones. Small ones.
Slow; he was getting slow.
He shifted again, wondering what it was that made him sit on his heels
instead of his rump, as if his legs wouldn't protest and his knees pop
when he moved. The perversely tempting feeling, perhaps, of falling,
nearly falling, because of the angle, and because of the trees that
poked their way up from the narrow shoulder below, tops straining, boles
twisting, leaves hissing at him to come on, come on, it won't hurt if
you jump.
Hypnotic; it was hypnotic, and sounded perfectly
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reasonable-like standing on the edge of an impossibly high cliff and
thinking you had wings unflexed but ready.
Come on, Glenn, come on; it won't hurt; you can fly.
From the rock.
To the ground.
He shivered and sank back until his buttocks touched the ground; he
stretched his legs out and his arms out behind him. His hat, a western
hat battered and grey and long without form, prevented the sun's water
ricochet from blinding him directly; his jacket, dark denim, was zipped
to his neck, collar snapped up, the too-long sleeves rolled back at the
cuffs; and his jeans almost too snug, flaring to slip over the tops of
black boots.
"You know," his wife had said the night before, for at least the
hundredth time since the beginning of the year, "you really ought to
live in Montana or something."
It wasn't the way he dressed, clearly not an affectation; it was, he was
told, the attitude he no longer had the patience to hide-too damn many
people and too damn little land and too damn much government and too
damn little time.
"Right," he'd answered. "And would you come with me?"
"Are you kidding?" Marjory said, one hand waving his attention to the
mess in the kitchen. "And leave all this?"
They had laughed, and had made love, and when he woke up this morning
his hat was on the bedpost and his boots were on his chest.
He lowered his chin and stared at his lap. Then he yawned and laughed
aloud, and suggested he best get on
 
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his horse and ride into town before someone got the idea the bad guys
had nabbed him and had chained him in a cave.
Or onto the rock.
The laugh drifted away with the breeze when he rose and dusted off his
legs, his smile replaced by a slight puzzled frown as he slipped one
hand into a hip pocket and stared out over the water. The shadow of the
hill to his left slipped back toward its shoreline as the sun rose
toward nine, letting loose the green and the blotches of flower color.
Hunter Lake was a surprise for most visitors to the county. Most of the
others were blobs and circles and ovals and blots, half of them manmade.
This one resembled nothing more than a bloated horseshore, the black
rock dead center on its upper rim and visible all year round. From where
he stood it was almost exactly two miles down to West Point on his
right, and another two miles to East Point by the twisting road. The
land that split the water into its uneven arms came to a virtual point
and rose two dozen feet above the surface, poor land for a lawn unless
you wanted to mow straight down.
Despite its length, Point to Point, the lake was only a few hundred
yards across at its widest-from the shore below the rock to the land
that he faced.
And beyond, due south, was the village.
Once, it had been only a few houses, a general store for the local
farmers, and an inn that had provided rooms for travelers who'd gotten
lost and were too weary to complain and move on; the houses along the
shoreline had been merely cabins and cottages for fishermen and
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hunters and a handful of the wealthy who didn't want company.
But that, he thought sourly, was then; unfortunately this was now, and
the village of his childhood was a village no longer. There were streets
and sewers and reservoir water, a high school, a junior high, and a
grade school that was demanding either a twin or a huge addition.
And on the lake ...
He couldn't help grinning again-too damn many people and too damn little
land and too damn little time left to stop the place from exploding.
You, he told himself, are getting too damn cranky for this job.
A shrug. It was a fact, unfortunately, that some of those people living
down there, hidden under the trees and hiding in town, would just as
soon see him vanish into the woods, or wander into a desert, if such a
thing could be found in this part of New Jersey. They didn't care about
the way he dressed; they just wanted to replace him with someone who
liked the way the community was growing.
Glenn Erskine, he was positive they said in quiet corners and whispers,
was a reactionary, not a progressive; he couldn't handle the job anymore.
 
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