script22.pdf

TWIN PEAKS #22

(Episode 2.015)

Harley Peyton

Robert Engels

Scanned by runningdog.

Original formatting duplicated as closely as possible. For

clarification all duplicate pages removed. Special note: this is a

faithful duplication that includes the original spelling, formatting and

series related errors.

FIRST DRAFT DATE: November 20, 1990

SECOND DRAFT: November 26, 1990

GENERAL DISTRIBUTION: November 27, 1990

REVISED: December 4, 1990 - BLUE

REVISED: December 5, 1990 - PINK

REVISED: December 6, 1990 - GREEN

REVISED: December 7, 1990 - YELLOW

REVISED: December 11, 1990 - CHERRY

Lynch/Frost Productions, Inc.

7700 Balboa Boulevard

Van Nuys, CA 91406

(818) 909-7900

#2.015

ACT ONE

FADE IN:

1. EXT. MARSH HOUSE - NIGHT

POLICE CARS in the driveway.

CUT TO:

2. INT. MARSH HOUSE, VESTIBULE IN FRONT OF THE STAIRS - NIGHT

A COP stands at the door with MALCOLM. A few other COPS look around the house.

EVELYN MARSH sits on the steps behind them playing the grieving widow.

COP

His room is completely empty.

MALCOLM

He's a drifter. I'm sure he was long gone once Mr. Marsh

pulled out of the driveway.

COP

Would you know his full name?

MALCOLM

I barely knew the kid. Jim... ah, Jim -

EVELYN

(from across the room)

James Hurley. He said he was from Twin Peaks.

COP

Work here long?

MALCOLM

Mrs. Marsh hired him to fix the Jaguar.

COP

How did you meet him, Mrs. Marsh?

EVELYN

Jeffrey's Jaguar broke down near Wally's. I went inside

to use the phone and he offered to help.

COP

We'll check there.

(moves to the door)

Thanks.

Malcolm shows them out. Closing the door he walks to Evelyn.

(CONTINUED)

2. CONTINUED:

Revised 12-4-90, BLUE

2.015 2.

MALCOLM

And so we bid adieu to James Hurley.

Give it a rest.

EVELYN

MALCOLM

Careful, Evelyn. I really couldn't tolerate a nervous co-

conspirator.

EVELYN

I just want it over with, alright?

MALCOLM

Whatever you say, Mrs. Marsh.

Evelyn turns her back on him. Malcolm laughs and walks up the stairs.

3. INT. WALLY'S BAR - NIGHT

CUT TO:

JAMES and DONNA slide quietly, nervously into a booth in the bar.

DONNA

We can't get out of this by ourselves, James. We've got

to get someone to help us.

JAMES

But I didn't do anything. Malcolm killed Mr. Marsh.

I'm being framed

DONNA

It doesn't make any difference. We can't just wait for

cops to catch us. I think you should call Big Ed.

JAMES

No, my only chance is to talk to Evelyn. If she told me

this was a set up, maybe she'll tell the police, too.

DONNA

You wouldn't have a chance. The police will be waiting

for you. We've got to keep moving.

JAMES

But she'd listen to me. I know she would.

DONNA

(suspecting it all)

Would she? Why?

(CONTINUED)

Revised 12-4-90, BLUE

2.015 3.

3. CONTINUED:

His look tells her about his relationship with Evelyn.

DONNA

I'm gonna call Ed. Stay here.

Donna moves quickly to the phone. Dials. It takes awhile for ED to answer.

DONNA

Ed, it's Donna. I don't have much time. James is in lots

of trouble. He was working for this woman, repairing a

car and there was an accident - James thinks -

The COP from the Marsh House enters the bar. Donna stares at the cop and then at James who

also watches the cop. James slides out of the bar. Donna is about to run after him when the

Cop moves suspiciously towards her. She changes the subject.

DONNA

- so, tell me about your new boyfriend, Janie - he's

really cure, isn't he? He lettered in football? What

position does he play?

The cop walks over to the bartender. They are obviously talking about James. MOVE BACK

to the receiver sitting on top the pay phone. Donna is gone. On the other end is Ed's voice.

ED'S VOICE

Donna, Donna -

CUT TO:

4. OMITTED

5. INT. SHERIFF'S STATION, CONFERENCE ROOM - DAY

Shelly and Bobby sit in chairs across the table from Cooper and Truman. Mid-interrogation

with Bobby getting steamed.

TRUMAN

What were you doing at Shelly's house last night, Bobby?

BOBBY

I almost get killed and suddenly I'm on trial.

TRUMAN

We just want to know why Leo would attack you?

(CONTINUED)

Revised 12-4-90, BLUE

5. CONTINUED:

BOBBY

Here's the deal. Shelly and I are together, okay? We

have been for a long time, since before Laura died.

Before and after Leo went into his drool mode.

COOPER

(sees an opening)

Bobby, where were you the night the mill burned?

BOBBY

What's that got to do with this?

TRUMAN

Leo tried to kill you. Maybe you shot him that night.

BOBBY

No way. I went to Shelly's house the night of the fire

because I was worried about her. Leo was waiting for

me. He was about to play Paul Bunyan on me when Hank

Jennings shot him through the window.

TRUMAN

You sure it was Hank?

Absolutely.

BOBBY

COOPER

Is this true Shelly?

Yes.

SHELLY

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