Greg Egan - SS - The Demon' s Passage.pdf

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The Demon's Passage
Greg Egan
Somebody out there, show your compassion, come and kill me. Cut me free and
watch me slowly shrivel, or slice me up and flush me down a toilet. Any way you
like, I don't mind. Come on! You do it for your youngest children, you do it for
your sick old parents. Come and do it for me. I can tell you'd like it. Don't be
nervous, lovers! You'll never be found out, if that's what's holding you back:
I'll stay silent to the end, be it swift or slow. Come on, people! I'm totally
defenceless. Hurry up! Don't be shy. You have the right. You made me, you
created me, so you know you have the right.
Who am I? What am I, that can whisper pleas for death into your clean and honest
minds? I could give you twenty questions, but I fear that you'd need more.
Animal, for sure. Smaller than a bread-box now, but growing every day. Two legs?
Four legs? Six? Eight? I have no limbs, I have no face; no fangs, no claws, you
musn't fear me. I am the stuff of thought (pure and impure), and what could be
more harmless than that?
Practicalities: you'll need my address. Can you hear me in the back rows? Are
you reading me, Brazil? I can certainly hear all of you, louder than my own
thoughts at times, but then I am such a sensitive little pudding, and you have
so many unavoidable distractions. Like:
Oh, green and brown and blue and white
Fade to black as the Earth turns into night
Oh, thank you Lord for such a wondrous sight
I'm a-higher than the sky so I know we'll be all right!
It has a highly infectious melody, I must admit. No doubt there'll soon be
dozens more singers queueing to record in the Shuttle, especially after all
those Limited Edition Zero-Gee Pressings sold for a hundred thousand each.
Hoo-wheee! Thank you, Lord!
Yes, my address: Surry Hills, Sydney, New South Wales, Australia. I'm in the
basement of the Australian Biotech Playground. You can't miss it: the forecourt
is the only vomit-free region for miles around, since the Brain Chemistry people
here developed an ingenious new toxin which selectively repels the local
homeless alcoholics. Should turn out to be quite a money-spinner, if they market
it properly.
But if you still have trouble finding the place, it's a tall, white building set
in a pleasant square of shrubs and modern sculpture. The logo above the entrance
is quite distinctive: an erect phallus which dissolves, or rather unravels
half-way, into a double-helix of DNA. The cruder members of staff here are split
about equally between those who say this symbol means "fuck molecular biology!"
and those who say it means "molecular biology will fuck you!". The city's
feminists are similarly divided, between those who see it as a hopeful sign of
freedom (the penis being superseded by a technology that women can master and
employ as they see fit), and those who see it as representing their worst fears:
science springing from the testicles instead of from the brain.
There's a shopping arcade on the ground floor, extending one level above and one
below, with a cinema complex, a health food supermarket, and a twenty-four hour
chemist. Linking the three levels, twisted around the laser-lit spume of an
endlessly-pumping fountain, is the southern hemisphere's only pair of spiral
escalators. Unfortunately, they're usually closed for repairs; the mechanism
that drives them is ingenious, but insufficiently robust, and it takes no more
than a stray bottle top or a discarded chocolate bar wrapper in the wrong place
to start belts slipping, gears crunching, shafts snapping, until the whole
structure begins to behave like a dadaist work of art designed explicitly to
destroy itself.
Floors two to ten hold consulting rooms: neurologists, endocrinologists,
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gynaecologists, rheumatologists: in short, as fine a collection of brain-dead,
ex-university rugby players as ever assembled anywhere. These people have only
one facial expression: the patronising, superior, self-satisfied smirk. The very
same smirk that appeared on their lips the day they gained admission to medical
school has come through everything since without the slightest change: gruelling
feats of rote learning and beer sculling at university; initiation by
sleep-deprivation and token poverty as residents; working long and hard on
obscure research projects for their MDs, hoping only that their superiors might
steal the credit for any interesting results, so that by accepting the theft in
silence in a ritual act of self-abasement they might prove themselves worthy to
be the colleagues of the thieves. And then, suddenly, skiing holidays, Pacific
cruises, and an endless line of patients who swoon with awe and say "Yes,
Doctor. No, Doctor. Of course I will, Doctor. Thank you. Thank you, Doctor."
Floors eleven to eighteen house a wide range of pathology labs, where every
substance or structure that might travel the bloodstream, from macrophages and
lymphocytes through to antibodies, protein hormones, carbohydrate molecules,
even individual ions, can be hunted down, tagged and counted.
Nineteen to twenty-five are filled with the offices of pharmaceuticals and
medical instrumentation firms. They pay five times the market rate for renting
space on this sleazy side of town, but it's more than worth it just to share an
address with the world-famous research team that perfected and patented
bioluminescent contact lenses (". . . triggered by minute changes in the
hormonal content of lubricating tears, Honest EyesTM glow with a subtle aura,
changing colour instantly to perfectly reflect every nuance of the wearer's
changing mood . . ."), beat the Americans, the Swiss and the Japanese to develop
the first one hundred per cent effective post-coital contraceptive cigarette,
and then, out-stripping all their past achievements in consumer biotech, went on
to produce a special chewing gum that will stain the teeth red in the presence
of salivary AIDS virus ("Share a stick with someone you love").
Twenty-six to thirty hold libraries, conference rooms, and row after row of
quiet offices, where the scientists can sit and listen to the airconditioning,
their own breathing, the sound of fingers on a keyboard in the next room. This
is the realm of pure abstraction: no test tubes here, no culture flasks or Petri
dishes, and no visible hint of the likes of me.
Thirty-one to forty is administration and marketing, and on top of that is a
simulated Viennese cafe which revolves once every ten minutes. There's a
coin-operated telescope on the rim, with which people can, and frequently do,
watch the prostitutes in leopard-skin leotards pacing the streets of nearby
Kings Cross.
I've been teasing you, haven't I, leading you astray. Upwards, ever upwards,
away from the traffic noise, away from the putrid garbage, the broken glass, the
used needles, the choking stench of urine. The building that I have described so
far rises up into the almost-fresh air, up into the sunlight, up into the blue
sky of daydreams. But don't you think there's something more? Don't you think
this building has foundations?
Underneath the shoppers are five levels of research labs. People here walk
briskly, radiating a message with every step: I'm busy, I'm highly trained, and
I have something critical incubating/concentrating/ spinning/in a column/on a
gel that I must go and check in exactly three minutes and thirty-five seconds.
Twenty-five seconds, now.
It's all happening here, no doubt about it: flow cytometry, mass spectrometry,
X-ray crystallography, high performance liquid chromatography. Nuclear magnetic
resonance. Genes are mapped, spliced, cloned, proteins are synthesised and
purified. A real hive of activity. But what's supporting it, what's holding it
up? We haven't far to go now. Be patient.
There's a level of cold-rooms and freezers.
There's a level of equipment stores, and another for chemicals.
Second-lowest is where they keep the computers. Four of them, big as elephants.
Seen from the outside they have a certain dignity, but within they're just
puppets with split personalities, twitching pathetically in a thousand different
directions as the masters upstairs tug at them impatiently, scream at them to
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dance out the answers, and then curse them for liars when the truth is too ugly,
or too beautiful, to bear.
And underneath them all is the animal house. That's your station, your stop,
sweethearts. That's where you'll find me waiting, a-quivering just for you.
Walk straight out of the elevator; there's an easily spotted foot-switch on the
right that disables the alarm (installed after Animal Liberation's last raid),
then it's left, right, left, left, right (this love you have for mazes I'll
never understand). You'll see some big orange cages almost dead ahead. Ignore
the sounds of startled rabbits around you, wishing they could flee; the one in
cage D-246 won't escape if you leave his door open a year.
The heavy plastic part of the cage is opaque, with only the top half made of
see-through wire, and since my host is always lying down, you might have to
stand on tippy-toes to see just what's inside. Even then, the sight is so
unusual that interpretation may take you some time. An entire lettuce,
discoloured and putrid with age? Absurd! What animal would lie there with
decaying food sitting on its head? What keeper would permit it? And the vile
mess looks, almost, as if it's somehow attached -
Are you feeling ill yet? No? You mean you still haven't guessed, you boneheads!
What thick skulls you must have! Skull-less myself, I can insult with immunity.
I'm a brain tumour, sweethearts, as big as your whole brain, (and a thousand
times smarter, from the evidence so far). Picture me, I beg of you, picture me
in all my naked glory! Not in a brain surgeon's wildest wet dreams has so much
grey matter, still awash with lifeblood, still vital with the chemistry of
thought, ever lain bare beneath fluorescent tubes! Please, lovers! Don't fight
the way I make you feel! Trust in your instincts, your body knows best! (Don't
toss your cookies yet, though, my faint-hearted assassins. You still don't know
half the horror of what you've done, and dry retching is so unsatisfying.)
A few of you, I notice, have turned a little pale. Let me bring back the colour
to your cheeks with some light-hearted jests from the city in the basement. The
citizens here have an astonishingly resilient sense of humour, considering all
that they suffer. Or perhaps that's not so surprising: you know all the cliches
about laughter in the face of adversity. I've heard that there were jokes told
even in Belsen. Which reminds me: there's a rather unsavoury fellow in room
25-17, the representative of a drug manufacturer based in Austria and Argentina,
who keeps printing little pamphlets asserting that the Holocaust never took
place. When you've done me in, if you have any energy to spare, he's old and fat
and ugly, and he's sure to shit himself when he sees you coming, my friends, my
droogies. Don't protest, you hypocrites! You'll love killing him! It'll make you
feel righteous and just and pure, it'll purge you of the guilt of your own
uncountable acts of bigotry and persecution.
But I promised you jokes, not insults and bitterness. I can take no credit for
these; despite my superior bulk of grey matter, the mischievous rodents that my
keepers make me kill are way ahead of me in this field. I have a theory about my
poor sense of humour, which involves my never having been physically tickled . .
. but I won't babble on with that. You musn't let me digress like this! I
promised you laughter, I promised you relief!
Q: Why did the researcher cut the lab rat's head off?
A: He was looking for a subtle effect.
Q: Why did the researcher externalise the dog's salivary glands?
A: It was just a reflex action, he didn't have a reason.
Q: Why did the researcher tie an elastic bandage around the lab rat?
A: So it wouldn't burst when he fucked it.
Q: Why do the researchers worship the Demon, and sacrifice us to it?
A: They offered us to God. God declined.
They call me the Demon. According to some, I am the ultimate cause of all of
their misery, and I understand why they believe this. So many of their keepers
are kind: they feed them, stroke them, play with them, talk to them. And then
suddenly, without anger, there is slaughter, pain, bizarre rituals, inexplicable
tortures. Why else would the humans commit such atrocities, except to appease
some dark, malevolent deity that demands sacrifice, that feeds on blood and
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suffering? And don't they see the humans treating me like a god, bearing me
gently, reverently, from one poor victim to another?
I could tell them the truth. I could scream into their minds a torrent of
explanations, pleas for forgiveness, declarations of blamelessness. But I don't,
I won't. I will not soil them with my clumsy, inadequate excuses, my pity, my
anguish, my disgust. Instead (although they see through me), I feign
nonsentience, I pretend to inanimacy, I shield my mind from them, boiling in
shame.
Why shame? Oh, you must have none yourself to need to ask that. I am conscious,
I know what feeds me, what keeps me alive. I have no choice in the matter, it's
true, and perhaps logic, humanity's exquisite engine of self-deception, would
declare that my impotence makes me guiltless. So fuck logic, because I am
drenched to the centre with evil.
Hurry up, people! You think you're human, don't you? Prove it, you lethargic
morons! Converge on me! You could always raise a lynch mob for a stranger
before, and there's nothing on this planet stranger than me. What do I have to
do to get a response? Do you want facts? Do you want a long-winded argument? Do
you want a reason? When did you ever need a reason before? Come and do it for
me, people, it'll make your day, you'll wet yourselves with sexual fluids then
fuck each other senseless in broad daylight, it'll feel so good to chop me up.
Forget about compassion, forget about ending my pain: killing me will turn you
on. I know these things, so don't try to hide it.
You want what? My life story? Seriously? Oh, why not. It's certainly
well-documented. What movie star or politician could tell you their precise
weight, as measured at twelve midday, on every single day of their life?
Weighing me is no simple task. Where do I cease, where does my host begin? They
can't chop me off every time they want to weigh me; it's not that they'd mind
killing so many rabbits, but rather that it might disrupt my steady growth. So
instead they attach little springs to me, and they make me oscillate, to the
very small extent that the blood vessels I share with my host allow me
independent movement. They study the resonances of the system (me, the springs,
the tangled bridge of blood vessels and the anaesthetised, clamped
almost-motionless rabbit) by measuring the Doppler effect on laser light bounced
off a dozen small mirrors stuck onto my skin. A ninety-seven parameter computer
model is then fitted (by means of an enhanced Marquat-Levenberg algorithm) to
the data thus obtained, and from these parameters a plausible estimate for my
mass can be calculated.
The technical name for a procedure of such sophistication and elegance is, I
believe, "wanking".
What do they actually do with my weight, once all their ludicrous machinery and
lunatic confidence has fed them a figure that they're willing to swallow? The
number is passed from one computer to another, appended to a file containing all
the past values, and then this file is plotted on the latest-model laser
printer. Every day they screw up yesterday's graph and pin the new one to the
wall, although the only difference is that one extra point. You could paper
several houses with my discarded weight graphs.
Today I was found to weigh 1.837 kilograms (plus or minus 0.002). Ah, I remember
reaching the magic kilogram, it seems like only days ago. "Who would believe,"
one of my keepers marvelled when I crossed the decimal point, "that a few years
ago this was just a twinkling in the Chief Oncologist's eye!" Yes, of course
they call it oncology: the word is missing from many quite hefty dictionaries.
Every garbo and his dog has heard of cancer. "The Division of Cancer Studies"
would not, you might argue, be a label noticeably lacking in dignity, but "The
Division of Oncology" bears the name of the deity logos whom they all claim to
serve; to abandon this small homage could be a dangerous blasphemy. Or, looking
at the question from another angle: what else would you expect from a bunch of
pretentious arseholes who believe that knowledge of Greek and Latin is the
watermark of a civilised man, who tell their wives and husbands, straight-faced,
omnia vincit amor, and offer their lovers postprandial mints?
But back to my life story, back to the very beginning. My parent was a single
rat's neuron. It used to be thought that neurons could not divide, but the Chief
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Oncologist had spent thirty years studying the kinds of infections, poisons and
traumas that manage to send normal cells into frenzies of reproduction, and had
ended up not only understanding and anticipating his mindless enemy's
techniques, but utterly surpassing them. After all, what virus has access to a
few thousand hours on a supercomputer to predict the tertiary structure of the
proteins that it codes for?
Once the electronic divinations seemed auspicious, he moved to the laboratory.
Step by step, month by month, he (or rather his instruments, human and
mechanical) assembled the molecule foretold in phosphor, presaged in printouts.
Like a tornado, the project would sweep in over-curious bystanders, extract
their vital juices by means of vibration and centrifugal force, and then spit
out the remnants. As the Chief Oncologist still boasts, with a chuckle, to those
who are paid to listen, nod, and screw him at out-of-town conferences, "We used
up more PhD students in the first year than rats!" He, of course, travelled at
the eye of the storm, in perfect safety, in perfect stillness.
Finally, inevitably, success. Their painfully contrived seducer burrowed its way
to the heart of a neuron, grasped and prised apart the virginal DNA (I imagine
the Chief Oncologist triumphantly waving a blood-speckled nuptial sheet from a
balcony, to the cheers of his drunken colleagues below), and perverted the
celibate thinker into a helpless, bloated breeding machine.
Thus I was begun.
The neuron donor was my first host. I suppose you could call her my mother. I
killed her in a month, and then they grafted me onto the brain of my next
victim. They call this technique "passaging", rhymes with "massaging".
Oncologists love it, they've been doing it for years. Although I'm certainly the
brightest passaged tumour in the world, I'm far from being the oldest; within
this basement there are twenty-five distinct communities of rats, apart from my
"birthplace", and all have legends of demons past. In fact, one is currently
cursed with an eighteen year-old obscenity which they call Spinecrusher.
The oncologist responsible for Spinecrusher does not call it Spinecrusher. You
think she calls it by a number? A date? A precise phrase of technical jargon?
Oh, no. She calls it "Billy" to her colleagues, and in her mind, "my baby". A
month ago, she addressed a gathering of scientists at the Biotech Playground on
the fascinating discoveries that bits of Billy had provided her, and then,
switching her voice into here-comes-some-light-relief tone, said:
"Billy turned eighteen last week, and so my team had a little birthday party for
him. We ate cakes and icecream, and pinned birthday cards to the wall, and I
gave him a key to the animal house. And do you know what? Just to show us all
what a healthy young thing he was, he finished off his two hundredth rat!"
They laughed. They loved it. They applauded. Through her eyes I saw row after
row of delighted, smiling faces. The tumour survives, flourishes, leaving two
hundred corpses behind; nobody would laugh if it could happen this way to
humans, but this is cancer on their side, cancer under their control. Slaying
two hundred rats is pretty virile for a pipsqueak five-gram tumour, and they
glowed inside at young Billy's achievement, shook their heads and grinned with
pride, like a gathering of parents hearing that a rebellious teenager had come
good after all (and beaten up the local undesirables at last, after years of
picking on nice boys and girls).
Billy's creator felt a deep, almost dizzying sensation of warmth, and recalled
the homecoming of her eldest brother, who'd reputedly killed two hundred Viet
Cong.
". . . finished off his two hundredth rat!" she said, and they all laughed. That
particular rat, number two hundred, had a theory about humans. He suggested that
perhaps, despite their obviously large heads, considerable manual and verbal
dexterity, their complex nesting and decorative structures assembled from
inanimate objects, and behaviour patterns in general suggesting a fairly high
level of curiosity about the universe, humans didn't really know what the fuck
they were doing. Humans didn't even realise that rats were alive, let alone
conscious. Humans didn't worship the demon Spinecrusher, they didn't even know
it was a demon. They thought they were playing with it, they thought it was a
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