Meg Cabot - Underworld Chapter 1 (rozdział 1).pdf
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“Before me there were no created things,
Only eternal, and I eternal last.
All hope abandon, ye who enter in!”
DANTE ALIGHIERI
,
Inferno
, Canto III
P
ierce keeps having the most terrible nightmares.” My mom
used to say this to all the doctors we saw right after the accident.
“She talks in her sleep — sorry, sweetheart, but you do — about a
boy following her. Sometimes she even wakes up crying. It doesn’t
seem normal. I’ve never had dreams that vivid.”
That’s because the worst thing that’s ever happened to you, Mom
,
I’d wanted to tell her,
is your divorce from Dad. You never died,
got resuscitated, then had a boy follow you back from the realm of
the dead.
Only I couldn’t say this to my mother. Nothing good ever
seemed to happen to anyone who found out about my problems,
which had more or less caused my parents’ divorce, even if Mom
didn’t know it.
1
“Often while we’re sleeping, our mind is busy working out
solutions to problems about which we’ve felt stressed while we
were awake, though our dreams might seem completely unrelated
to what’s really bothering us,” the doctors explained, one by one.
“In Pierce’s case, of course she isn’t
actually
being followed by any-
one in real life.” This showed how much the doctors knew. “That’s
just how whatever is causing her anxiety manifests itself in her
subconscious . . . the way some of us will dream that we’re late for
a class, for instance. It’s perfectly healthy, and a sign that Pierce’s
subconscious is functioning normally.”
You know what I’d like? To dream that I’m late for a class.
Instead, I’m always dreaming that someone is trying to kill
me, or someone I care about. That’s because people
are
trying to
kill me, as well as the people I care about, in real life . . . so often,
as a matter of fact, that there are times I can’t tell when it’s really
happening, and when I’m only dreaming about it.
Like now, for instance. For a dream, this one felt pretty realistic.
I was clinging to the wooden railing of an old-fashioned sailing
ship. High winds whipped my dark hair, causing loose tendrils to
stick wetly to my face and neck. They tugged at the long white
skirt of the silk ball gown in which I’d somehow become dressed,
tangling it around my legs, making it hard for me to keep my
footing on the rain and salt spray-slickened surface of the deck.
The sky above me was black as night . . . except when lightning
sliced through the thick dark clouds, revealing the frighteningly
whitecapped ocean waves crashing against the ship’s hull below
me, churned by a violent storm.
2
My heart pounded as I held the railing, but not with fear for
my own safety. I knew I could turn around and go below, where
it was warm and dry. Only I didn’t want to. Because every time
another bolt of lightning illuminated the sky, I saw
him
in the
water, being cast about like a piece of driftwood. With every surge
of the rough waves, he was pulled farther and farther out to sea,
away from the boat.
Away from me.
“John,” I cried. My voice was hoarse with emotion, and from
overuse. It seemed as if I’d been screaming his name for hours,
but no one would come to our aid. It was just us, and the storm,
and the seething sea.
“Swim,” I begged him. “Just
swim
to me.”
For a moment it seemed as if he was going to make it. He was
close enough to the side of the ship that I could see the single-
minded determination in those gray eyes, mingled with the fear
each of us was trying not to show the other. His strong, muscular
arms rose from the ink-black water as he tried desperately to make
his way back to the side of the ship.
For every stroke he took forward, however, the angry waves
pushed him another two strokes back.
I looked around frantically for a rope, something, anything, to
throw to him, but there was none. So instead I leaned out as far
as I could, reaching down to him with one hand while gripping
the railing with the other.
“I can pull you up,” I assured him. “Just take my hand.”
He shook his head, his dark hair slick with rain and seawater.
3
“I don’t want to take you with me.” His voice was as deep and
rough as the ocean. “I’d rather die than let you die.”
I’ d rather die than let you die.
This made no sense. John Hayden
was
Death. He couldn’t die.
And every single one of his previous actions had indicated that he
most certainly
did
want to take me with him, to the Underworld,
over which he ruled. Why else had I spent so much time running
from him?
Persephone, the girl in the myth the ancient Greeks used to
explain the seasons, hadn’t run fast enough from Hades, the
Greek god of death, so he was able to chase her down in his char-
iot when he came across her hanging out with some nymphs in a
field one day, and take her to the Underworld to be his queen.
Persephone was lucky. Her mother happened to be Demeter,
the goddess of the harvest. Demeter went on strike, refusing to
allow anything on earth to grow until her daughter was released.
What fun is it being a god or goddess if all the humans are too
busy starving to death to worship you? Hades was forced to let
Persephone go, and after the longest winter imaginable, spring-
time finally blossomed across the land.
In reality, spring doesn’t come because of some girl being released
from the Underworld. It comes because of the earth moving into
the astronomical vernal equinox.
But I get it. People have always been desperate for stories that
explain why bad things happen to good people, myths with happy
endings to give them hope. They don’t want to know that when
we die, what lies beyond may not be all harps and halos. No one
wants to listen to someone like me, who comes back from the dead
4
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