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Chain-Saw Lumbeg
Fall
1977
, $2.50
Vol. 2, No.2
V.
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The Fine Woodworking Biennial Design Book
makes a nice git anytime, to anyone...
ing
magazine, and show the highly creative and in
credibly varied work being done today. From an
tique interpretations to ultramodern fantasies, these
striking photographs show the state of the art in all
of its fantastic diversity. This unique book is a source
of inspiration for today
and a record for tomorrow.
176 pages, printed on paper the same quality and size as this maga
8000
sent to the editors of
Fine Woodwork
600
photographs are the
pick of
TO ORDER:
$8.00
postpaid.
To order your copy, send your maIling address and check or money
orderfor $8 to The Taunton Press, BiennialDesignBook, Box
355,
Biennial Design ook
Newtown, CT
06470.
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If you love fine woodworking, you'll treasure this
superb collection of the best designs in wood by
present-day craftsmen. The
zine, bound in soft cover.
g
Fall
1977,
Volume 2, Number 2
Ine
qi
4 Letters
18 Methods of Work
24 Books
32 Questions
&
Answers
35 Comment
by Stanley Niemiec : Medieval woodworking
Editor and Publisher
Paul Roman
Managing Editor
John Kelsey
Contributing Editors
Tage Frid
R. Bruce Hoadley
Alastair A. Stair
Corespondents
David Landen (South)
Alan Marks (West)
Jim Richey (Texas)
Rosanne Somerson (New England)
Colin Tipping (England)
Stanley N. Wellborn (Washington, D. C.)
Editorial Assistants
Ruth Dobsevage
Vivian Dorman
Barbara Hannah
JoAnn Muir
Art Consultant
Roger Barnes
36 Addenda, Erata
38
Out West
byJohn Kelsey : Diverse woodworking businesses
40 Steam Bending
by William A. Keyser,]r.: Heat, moisture plasticize wood
46 Triangle Marking
by Adrian C. van Draanen : A simple, reliable system
48 Painted Funiture
by Stanley N. Wellborn : Decoration always popular
50 Chain-Saw Lumbering
by Robert Sperber : Cut your wood where it falls
53 Rip Chain
55 Getting Lumber
byJoyce & Edgar Anderson : Take log to mill, mill to log
56 Sawing by Hand
by Tage Frid : Bowsaw is best ; keep it sharp
60 Ga.ing Tables
by Alastair A. Stair: Multi-purpose antique furniture
63 Two Contemporary Tables
64 Wooden Clamps
by Richard Showalter: Strong, handsome and cheap
70
Elegant Fakes
by George Frank: 34 chairs fo r the palace at Alexandria
72
Aztec Drum
by Ray Nitta: Resonating tongues produce sound
Advertising
Janice A. Roman, manager
Lois Beck
74 Gout Stool
by H. G. Carter : Double ratchet adjusts height
77 Two Tools
by Jim Richey : Small saw , marking gauge
Advertising Representative
Granville M. Fillmore
78 Measuring Moisture
by R. Bruce Hoadley: Meters prevent guesswork, grief
80 The Flageolet
by Kent Forrester : Woodwind is turning, drilling exercise
Subscrptions
Carole E. Ando, manager
Gloria Carson, Nancy Knapp
Viney Merrill
82 Young Americans:
A prestigious show
83 Hardwood Sources
(continued)
83 Sources of Supply
(continued)
Business Manager
Irene Arfaras
84 Winners
Cover: Walnut crotch sawn into 6/4 boards
with 36-in. chain-saw mtll by Robert Sp er
ber where the tree was feled. Th e lame
pattened fig ure results from cutting both
branches through the center, a cut virtualy
unobtainable with conventional circular
sawmtlls. Sp erber discusses chain-saw lum
FineWoodworking
is published quarterly, March,June, September, and December, by The
Taunton Press, Inc., Newtown, CT 06470, Telephone (203) 426-8171. Second-class postage
paid at Newtown, CT
06470
and additional mailing offices. Postal Service Publication
Number 105190. Copyright 1977 by The Taunton Press, Inc. No reptoduClion without
permission of The Taunton Press, Inc. ISSN 0361-3453.
bering on page
50.
Postmaster:
Send notice of undelivered copies on form 3579 to The
Taunton Press, PO Box 355, Newtown, CT 06470.
3
Subscnption rates:
United States
and possessions, $9.00 for one year, $16.00 for two years, $23.00 for three years; foreign
rate, add $1.00 per year. Single copy, $2.50. Address all
correspondence
to: Subscription,
Editorial or Advertising Dept., The Taunton Press, 52 Church Hill Rd., PO Box 355,
Newtown, CT 06470.
____________________
I was delighted to read "Cooperative Woodshop"
(Summer '77) . I am a member of a similar shop, called
Heartwood, in Berkeley, Calif. We have 10 members in a
2,400-sq.-ft. space. We each pay a fixed amount, currently
$80, to cover rent, utilities, basic supplies such as glue and
sandpaper, maintenance and repair, and some major im
provements. Some tools are collectively owned, though most
are owned individually. All are shared freely. For the most
part we each do our own jobs and handle our finances sepa
rately. The exchange of skills and knowledge is crucial and
beneficial to all of us. I am a successful custom cabinetmaker,
and I feel the setup of this shop has been essential to my
being able to establish myself on limited finances and ex
perience. The more shops like this, the better.
-Liz Brown, Berkeley, CalIf
might be 10° negative. If properly sharpened, both tools
produce shavings of similar appearance : with scrapers, a little
thinner ; with cutters, thicker and more curled.
From a standpoint of sharpening, contrary to what the
author implies, scrapers need a higher degree of skill than do
gouges. In order for a scraper to cut eficiently, the top (broad
side of the cutting edge) must be polished to dissipate the
heat generated from the edge's contact with the wood at a
negative angle.
-Lyle Terel, New Oleans,
a.
In reply to Blake Emerson's letter (Summer '77) about
articles on women woodworkers, I do not now feel , nor have I
ever felt, that woodworking has political implications. When
I enter my workshop, I leave the world behind and enter into
my own little world, where I design and build what I please
and how I please. And somehow in this act of pleasing my
self, I leave my woodshop enriched by the experience, and in
the process, make the world a better place not only fo r myself,
but fo r everyone who comes in contact with me. And the
work I create makes life a little more pleasant fo r all who see
and use the things I make.
When I read your magazine, I am interested in expanding
my knowledge of woodworking and finding solutions to
problems I have in my woodshop. It has never entered my
mind... to realize or determine whether the woodworkers
you write about are men or women ...
Peter Child's article (Summer ' 77) states that scraping tools
scrape, not cut. I suggest that scraping is a fo rm of cutting.
Other fo rms are shredding, shearing and slicing.
To suggest that scrapers do not cut is a falsehood that
should be corrected. The diference between shearing and
scraping is arbitrary, being no more than the angle at which
the edge of the tool is inserted into the wood while it is ro
tating to produce a " scraping" cut (negative rake angle) or a
shearing cut (positive rake angle) , regardless of the tool used.
The distinction should be based solely on the rake of the tool,
e.g., the angle that the upper face ofthe tool makes with the
work. This rake with regular skew chisels and spindle gouges
might be as high as 70° positive. But with faceplate scrapers it
I
think most of us share the concerns and work for the
political and social rights of women ...If we suffer guilt from
34 Lumber Samples in One Lumber Sample Pack.
Our sample pack will not only introduce you to all the
cabinet lumber we ofe, but may introduce you to some woods
you may never have �uorked before.
Now, you can experiment with
and compare the color and grain of Ash with
Benge, Birch, Bubinga, Wormy Chestnut,
Cherry, Coco Bola, Black Ebony, Macassar
Ebony, Ekki, Green Heart, Holly, Honduras
Mahogany, Hard Maple, Soft Maple,
Narra, English Brown Oak, Red Oak (plain
sliced and rift cut), White Oak (plain
sliced and rift cut), Padouk, Poplar, Purple
Heart, East Indian Rosewood, Honduras
Rosewood, Sugar Pine, Teak, Brazilian
Tulip, American Walnut, French Walnut,
Nicaraguan Walnut, Wenge and Zebra
Wood.
J)�-----------g
Barra
39
West
19
Street. New York. N Y
10011
$18.00.
Send me your lumber
sam pic pack plus your ncw catalog.
Hcre·s a dollar. Just send me your new catalog plus a two
dollar credit on my first order.
D
D
Here·, my check for
name
I
J
I
��
2
by
6
inches.
These are not veneers but lumber
samples
4
by
L;.
•••__
._ ._ st_te••
______
_,
Zi._.
4
LETBRS
WOD & SUPPLY o.
MEASURE TWICE
-
CUT ONCE
ADJUSTABLE
TRIANGLE
BOW
COMPASS
{
This useful layout device combines the
functions of a triangle and protractor in
one easy to read tool. Two of the ixed
sides form a
90
angle. Graduations for
the adjustable hypotenuse are in one-half
degrees. 12" clear plastic with knurled
adjusting screw.
01031-10
Capable of drawing 1/16"-13" circles,
this ine compass is made of stainless
steel to provide a tol that is both light
in weight and able to withstand the
stress necessary
e
made by loosening
the clamp screws and sliding the bars to the desired
ratio. The bars are calibrated for 26 ratios, but an
ininite number of ratios can
o
produce sharp, dense
pencil lines. Adjustments can be made
by turning the centrally located knurled
wheel. Satin inish is glare-free and
smudge resistant. Overall length is 62".
01P41-1O
e
created by setting
between the graduations. 21" long metal bars, %"
wide and 3/16" thick. An extra steel point is included
for technical work. Clear and complete instructions.
01061-IN
$12_35
6
$6_80
Replacement leads for 01P41-ID
01P42-ID Package of
01P42-ID 6 Replacement leads for
01061-IN
$
.75
$ _75
$21.45
ARCHITECT'S
All Prices Include Postage
-o
Formed of interlocking layers of
I
'bl d
Mass. Res. add
510
Sales Tax
SCALE
u ra e p as!C, ese eXl e ra w-
This scale is made of solid white
ing instruments are inger-shaped to
SEND
FOR
NEW
FALL CATALOG
plastic with black engraved graduations
the desired curve and held in position
and color-coded center grooves for
SO¢ or Free with Order
by friction. The user does not need
easy reference. 12" long, with the
to search through numerous rigid
edge ,'s lat for use with a pencil and
W®DCRAFT
V2
",
1",
%",/8",
1V2
",
3"
,
3/32",
f
II
owing
gra uatlOns: 1/8"
, I",
d'
curves to ind a suitable one. One
one edge has a bead for use with a
Dept.
W
97,313 Montvale
Ave., Woburn, M
s
s
.
01801
-
3/16"-1"; and full 12" by 1/16"_
C
cao
sm
e.plete with rigid plastic storage
ruling pen.
0INII-IH 12" French Curve $4_60
01P51ID
$4.35
01N21-IH
24"
Ship Curve $8.30
Here's A Better Way To Mill Difficult Lumber
Exotic wood stock comes in a variety of challenging shapes
and sizes. Milling this rough stock has always been a prob
lem. Now, Granberg Industries, manufacturer of chain
saw equipment, has an accessory that makes the job easier
and faster.
It's the Alaskan MK
14"
to
56".
There are no holes to drill; the mill adjusts downward for
shorter length saws.
MK
111
is a rugged, precision tool that will help specialty
craftsmen mill those "almost impossible" pieces. It's avail
able in a broad range of sizes.
hard, driedBlackAcacia.
See your equipment dealer or write:
�
JJ
T
n
I.D-T
U
Richmond, CA
94804
AI
D-J
.
202
South Garrard Blvd.,
Granberg Industries, Inc.
AlaskanMK
111,
Model
776-30.
J
5
�
PANTOGRAPH
The pantograph is used for enlarging, reducing and
reproducing. Woodcarvers ind it ideal for transferring
design pattens onto wood for relief carving. Adjust
ments for diferent ratios can
b ty t I t· th
a
�-
111,
a versatile tool that clamps on the
bar of the chain saw and fits bar lengths from
Bob Stocksdale, widely known
saw through a log of extremely
wood craftsman, uses a
MK
111
to
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