Dawn Of The Artifacts 2 - Midnight.pdf - Shadowrun - mylnypozor

There are deep secrets in the Sixth World, and there

are people who will do anything to uncover them.

Some secrets reach into the ancient past, but they still

have the power to shake the world. What they will do

depends on whose hands they fall into …

dusk was only the beginning. Jane “Frosty” Foster is back and ready to

continue her artifact hunt. If they’re game, runners will join her in a chase

across North America, from the frozen, bug-illed wastes of Chicago to the

political hotbed of Denver to the Deep Lacuna lurking under Los Angeles.

Midnight is the second adventure in the dawn of the artifacts

series, giving skilled runners the chance to find a second powerful

artifact—and perhaps uncover clues about what makes these treasures

so valuable.

under License from

Artifacts, Shadowrun and WK Games are registered trademarks

and/or trademarks of WizKids, Inc. in the United States and/or

other countries. Catalyst Game Labs and the Catalyst Game Labs

logo are trademarks of InMediaRes Productions, LLC.

. . . table of contents . . .

introduCtion

Credits:

dawn of the artifaCts: midnight

PreParing the adventure

adventure struCture

Writing: Jennifer Harding

Editing: Jason Schmetzer

Development: Jennifer Harding and Jason Hardy

Art Direction: Randall Bills

Interior Layout: Adam Jury, Phaedra Weldon

Cover Design: Matt Heerdt

Illustration: Florian Stitz

Maps: Sean Macdonald

Playtesters: Ross Cottrell, Christopher Maley, Ronnee Edwards, Geof Edwards,

Stephen McQuillan, Michael Nieder, Torrey Stouder-Studenmund, Larry Stouder-

Studenmund, William Stouder-Studenmund, Bruce Ford, Steve Caroll, Eugen

Fournes, Joanna Fournes, Stephen C. King, John Unchelenko, Andy Coen, Jeremy

Weyand, Cullen Erbacher, Craig Engle, Rachel Engle, James O’Laughlin, Richard

Riessen, Leland Zavadil, Michael Waldschlager, George Veeneman, Paul Jensen,

Earl Hollar, , Chris Maxfield, Mark Somers, Natalie Aked, Rob Aked, David

Lundquest, Suzanna Powell, Andrew Moore, Jon Naughton, Peter Leitch, Michael

Wich, Michael Hoover, Rob Oliver, Siin Crawford, Jon Brizzee, Grant Robinson,

Nick Garden, Bryan Pow, Lyall Pow, , Timm Vowinkel, Christian Puschmann,

Christoph Osterwald, Sina Schindler, Stei Schmidt, homas Klemann, Chuck

Burhanna, Pat Smith, Doug Smith, Doug Fleming, Tom Tuckerman, Ryan Cobb,

Doug Vetillaro, Michael Polowy, Greg Danielson, Jordan Frame, Brent Coomes,

David horton, Miguel Martinez, Chris Hanlon, Duncan McNeill-Burton, Chad

Parker, Dylan Stevens, Paul Sartain, Ian Watstein, Yosef Roth

Proofreaders: Mason Hart, Jeremy Weyand, Carl Schelin, Mark Dynna

main seCtions

adventure sCenes

BaCkground

Plot synoPsis

Dusk: Dawn of the Artifacts Summary

Bridging the Adventures

rememBer me?

on arrival

stand-off

road triP!

denver layover

too little, too late

turning the taBles

enemy of my enemy

the end of the road

aftermath

legwork

Cast of shadows

Jane “Frosty” Foster

Samriel

Vigilia Evangelica

Artifacts: Midnight, Matrix, and WK Games are registered trademarks and/or

trademarks of WizKids, Inc. in the United States and/or other countries. No part

of this work may be reproduced, stored in a retrieval system, or transmitted in any

form or by any means, without the prior permission in writing of the Copyright

Owner, nor be otherwise circulated in any form other than that in which it is pub-

lished. Catalyst Game Labs and the Catalyst Game Labs logo are trademarks of

InMediaRes Productions, LLC. Printed in Canada

Sonora

Itztli

handouts

Chicago

Denver

Flashpoint: Denver

First Printing by Catalyst Game Labs,

an imprint of InMediaRes Productions, LLC

PMB 202 • 303 - 91st Ave. NE, G-701

Lake Stevens, WA 98258.

Mile-High Underworld

San Bernardino

Find us online:

info@shadowrun4.com

(Shadowrun questions; please check the website FAQ irst!)

http://www.shadowrun4.com

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http://www.holostreets.com

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http://www.catalystgamelabs.com

(Catalyst Game Labs website)

http://www.catalystgamelabs.com/catalog

(online Catalyst/Shadowrun store)

Dawn of the Artifacts: Midnight

Crossing Borders

. . . midnight . . .

“ W e l o s t t h e i r t r a il. ”

A i n a l o o k e d u p a t t h e b l a c k - h a i r e d e l f a n d s c o w l e d . H e d i d n ’ t l i n c h , j u s t s h r u g g e d a n d w a n d e r e d o v e r t o h e l p h i m s e l f

t o t h e h o t c o f f e e s h e k e p t o n a s i d e b o a r d . S h e h a d a n e l e g a n t o f i c e s h e u s e d t o m e e t w i t h t h o s e s h e w i s h e d t o i n t i m i d a t e

o r i m p r e s s . T h i s o f i c e , w i t h i t s c o m f o r t a b l e l e a t h e r c o u c h e s a n d b a t t e r e d d e s k , w a s w h e r e s h e d i d h e r r e a l w o r k .

“ H o w ? ” s h e a s k e d , l e a n i n g b a c k i n h e r c h a i r, h e r t e m p e r s i m m e r i n g .

“ T h e y d i s a b l e d t h e t a g s i n t h e c a s e i m m e d i a t e l y — b u t t h e y d i d n ’ t i n d t h e s t e a l t h t a g . S o w h e n w e p i n g e d i t , w e

l o c a t e d t h e m . M o v e d t o i n t e r c e p t . T h e r e w a s a … a n … i n c i d e n t , ” h e s a i d . H e c l e a r e d h i s t h r o a t , t o o k a q u i c k s i p o f c o f f e e .

S h e k n e w t h e “ i n c i d e n t . ” T w o s m a ll s h i p p i n g v e s s e l s , o n e e x p l o d i n g , t h e o t h e r s i n k i n g w i t h l a m e s s h o o t i n g u p t o t h e

s k y — i t h a d b e e n t h e l e a d i n g s t o r y t w o w e e k s a g o o n t h e e v e n i n g n e w s .

“ U n f o r t u n a t e l y , m y h a c k e r w a s f o r c e d t o d e a l w i t h t h e f a ll o u t o f t h e , a h , i n c i d e n t . W h e n h e r e s u m e d p i n g i n g f o r t h e

t a g , i t ’ d g o n e n o n - r e s p o n s i v e . T h e t e a m ’ s r i g g e r w a s k ill e d i n t h e e x p l o s i o n , a n d I k n o w a t l e a s t o n e o t h e r w a s i n j u r e d . A n d

t h e i r t r a n s p o r t a t i o n p l a n s w e r e s c r e w e d , ” h e s a i d w i t h a s li g h t s m il e . “ W e s t a r t e d w o r k i n g o n u s i n g m a g i c t o t r a c k t h e

i t e m , a n d a l s o t r i e d t o I D t h e r i g g e r. T o o k a w h il e . ”

A i n a r a i s e d o n e w h i t e e y e b r o w , g i v i n g h i m a l o o k . H e s h r u g g e d .

“ B o d y w a s a b i t c r i s p y . H a d t o b r i n g i n a n e x p e r t . ”

“ I n d e e d . A n d t h e r i t u a l t r a c k i n g ? ”

“ T h e i r m a g e i s g o o d . S h e k e p t i t o n t h e m o v e , k e p t i t w i t h i n w a r d s , d i d e v e r y t h i n g r i g h t t o s l o w u s d o w n . W h e n w e

i n a ll y t r a c k e d i t d o w n , s h e w a s r e a d y . W e e n g a g e d t h e m o u t s i d e o f C h a r l e s t o n , b u t t h e y , ” t h i s t i m e , h e s c o w l e d . “ T h e y

g o t a w a y a g a i n . ”

“ Y o u ’ r e l o s i n g y o u r t o u c h , T a g g e r t , ” A i n a s a i d . “ W h y C h a r l e s t o n ? ”

“ T h e y w e r e h e a d i n g f o r C A S , m a k i n g a r u n f o r N e w O r l e a n s — o r a t l e a s t , t h a t ’ s w h a t t h e s m u g g l e r w e q u e s t i o n e d

s a i d , ” h e s h r u g g e d a g a i n , a n d A i n a d i d n ’ t a s k h o w t h e y ’ d q u e s t i o n e d t h e s m u g g l e r. “ W e ’ v e b e e n t r a c k i n g t h e m a c r o s s

U C A S . L e x i n g t o n , S t . L o u i s , S p r i n g i e l d . T h e n t h e y j u s t … d i s a p p e a r e d . ”

A i n a g r o u n d h e r t e e t h t o g e t h e r.

“ W e d i d i n a ll y g e t a n I D o n t h e r i g g e r, t h o u g h , ” h e s a i d . “ W o r k e d f o r a t e a m h e a d e d b y a m a g e n a m e d S o n o r a . S h e ’ s

k n o w n t o w o r k f o r A z t e c h n o l o g y . M y g u e s s i s s h e w a s s u p p o s e d t o g e t i t t o A z t l a n . W e ’ v e m a d e g e t t i n g o u t o f U C A S h a r d

f o r h e r, b u r n i n g h e r c o n t a c t s . S h e ’ s o n h e r o w n — w h e r e v e r s h e i s . ”

“ A z t e c h n o l o g y ? A s s h o l e s . T h e y ’ v e b e e n p i s s e d e v e r s i n c e t h e w ill c a m e o u t . ” A i n a r a n h e r h a n d s t h r o u g h h e r s h o r t

w h i t e h a i r. “ Y o u ’ v e g o t g o o d i n s t i n c t s , T a g g e r t . W h a t d o y o u t h i n k ? ”

“ I t h i n k s h e ’ s g o n e t o g r o u n d . R e g r o u p i n g . T r y i n g t o i g u r e o u t w h a t t o d o . A n d i f I w a n t e d t o d i s a p p e a r, o f f t h e g r i d ,

h i d e f r o m p e o p l e t r a c k i n g m e w i t h m a g i c , w i t h t e c h , t h e r e ’ s o n e p l a c e I’ d g o . ”

A i n a s i g h e d .

“ C h i c a g o . ”

Dawn of the Artifacts: Midnight

Dawn Of The Artifacts 2 - Midnight.pdf

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