081663355X.University.of.Minnesota.Press.High.Techne.Art.and.Technology.from.the.Machine.Aesthetic.to.the.Posthuman.Nov.1999.pdf

High Techn¯

Electronic Mediations

Katherine Hayles, Mark Poster, and Samuel Weber, series editors

Volume 2. High Techn¯ : Art and Technology from the Machine

Aesthetic to the Posthuman

R. L. Rutsky

Volume 1. Digital Sensations: Space, Identity, and Embodiment in

Virtual Reality

Ken Hillis

Art and

Technology

from the

Machine

Aesthetic

High Techn¯

Posthuman

Art and

Technology

from the

Machine

Aesthetic

to the

Posthuman

Art and

Technology

from the

Machine

Aesthetic

to the

Posthuman

Art and

Technology

from the

Machine

University of Minnesota Press

Minneapolis • London

Aesthetic

to the

Posthuman

Art and

to the

Chapter 2 was previously published as “The Mediation of Technology and Gender:

Metropolis, Nazism, Modernism,” New German Critique 60 (fall 1993); reprinted

with permission.

retrieval system, or transmitted, in any form or by any means, electronic, mechanical,

photocopying, recording, or otherwise, without the prior written permission of the

publisher.

Published by the University of Minnesota Press

111 Third Avenue South, Suite 290

Minneapolis, MN 55401-2520

http://www.upress.umn.edu

Library of Congress Cataloging-in-Publication Data

Rutsky, R. L.

High techn¯ : art and technology from the machine aesthetic to the

posthuman / R. L. Rutsky.

p. cm. — (Electronic mediations ; v. 2)

Includes index.

ISBN 0-8166-3355-X (HC) . — ISBN 0-8166-3356-8 (PB)

1. Art and technology—Philosophy. 2. Technology—Aesthetics.

I. Title. II. Series.

N72.T4R87 1999

701’.05—dc21 99-31609

Printed in the United States of America on acid-free paper

The University of Minnesota is an equal-opportunity educator and employer.

11100908070605040302010099

10987654321

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