Taboo 09.pdf

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7 CHAIN MAIL
Comix Kudos, Toon Tirades
8 STARFUCKERS
Graphic Novel by Roberts–Part Five
14 GALLERY: TIM – TRANSPORTED
Squalid Servitude for Indentured Innocents
24 STRIPPER
Graphic Novel by Lesbi K. Leih–Part Two
34 JOHN WILLIE – GODFATHER OF BONDAGE ART
The Original and Still the Best
Special Feature by Ernest Greene
40 THE GREAT REBELLION
Graphic Novel by Fernando–Part Two
78
52 ROOMMATES
Graphic Novel by Erenisch–Part One
62 THE CONVENT
Graphic Novel by Templeton–Part Two
72 KINK IN INK
Roberts’ Nazi Nastiness, Doval’s Pitiful Ponies,
Ferres’s Harem Hotties
78 HORROR HUNT
Graphic Novel by Wayne Wine–Part One
NO ACTUAL TOONS WERE HARMED IN THE MAKING OF THESE COMICS.
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HUSTLER HONEY BUNS PRESENTS: HUSTLER’S TABOO ILLUSTRATED, No. 9 is published by LFP Publishing Group, LLC at 8484 Wilshire
Boulevard, Suite 900, Beverly Hills, CA 90211. Copyright © 2009 LFP Publishing Group, LLC. All rights reserved. Nothing herein may be repro-
duced in whole or in part without written permission of the publisher. Return postage must accompany all manuscripts, drawings, photographs,
etc., if they are to be returned, and LFP Publishing Group, LLC assumes no responsibility for unsolicited material. All letters sent to
HUSTLER’S TABOO ILLUSTRATED will be treated as unconditionally assigned for publication and copyright purposes and as subject to
HUSTLER’S TABOO ILLUSTRATED ’s right to edit and comment editorially. Any similarity between persons and places in fictional portions
of this magazine and any real persons or places is purely coincidental.
PRINTED IN CANADA
The publisher maintains the records relating to images in this periodical required
by 18 U.S.C. §2257, which records are located at the office of the manufacturer,
8484 Wilshire Blvd., Beverly Hills, CA 90211, D. Carrillo, custodian of records. All
nude models are 18 years of age or older. Date of publication is February 10, 2009.
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TABOO
TM
LARRY FLYNT
, Editor and Publisher
MICHAEL H. KLEIN,
President
ROBERT GADDIS,
Chief Financial Officer
DONNA HAHNER,
Corporate Vice-President
LIZ FLYNT,
Vice-President, Administration
BRUCE DAVID
Editorial Director
ERNEST GREENE
Executive Editor
LISA BEATTIE
Art Director
PHILIP SANGUINET
Copy Chief
ARTWORK
Roberts, Leih, Erenisch, Templeton, Wine, Tim
STRICTLY
WRITE TO US AT:
HUSTLER’S
TABOO
ILLUSTRATED
NETWORK SYSTEMS
Andrea Landrum, network systems director
Lisa Jones, network systems administrator
SPEAKING
8484 WILSHIRE BLVD.
SUITE 900
BEVERLY HILLS, CA 90211
PRODUCTION
Brian Sturzenacker, production manager
Rustin Knudtson, traffic coordinator
E-mail: taboo@lfp.com
D
ADVERTISING
Mickey Puyda, national advertising director
(323) 951-7907
Fearl S. Chatman, advertising coordinator
Gina J. Lee, ad production/pre-press director
Wendy Camacho, advertising production coordinator
wight Worley deserves every minute of his twenty-year stretch in the federal slammer
on seventy-four counts of trafficking in kiddie porn. However much we loathe Worley,
his case raises troubling questions we can’t afford to ignore. Not only was he
accused of exchanging photographic child pornography, the possession of which is
necessarily criminal, he was also convicted of something new and ominous: receiving obscene
visual representations of the sexual abuse of children. Specifically, he got some extra time for
having downloaded twenty anime images of young girls having sex with older men. They bust-
ed him for, among many real offenses, looking at cartoons. Doubtless, if he’d created them,
they’d have nailed him for that too.
But either way, there’s a vast gulf between visual evidence of a heinous crime and the wholly
unreal invention of someone’s imagination. Offending the sensibilities of society may be com-
pulsive pathology, or it may be art, but it’s not a matter for the criminal courts, which have
proven remarkably unreliable art critics over many centuries. Museums are full of art that was
deemed scandalous, obscene or sacrilegious in its own time. Unfortunately, a three-judge panel
of the 4th U.S. Circuit Court of Appeals, though divided and obviously much troubled by the
implications, recently chose to uphold Worley’s conviction on the visual representations beef,
per a piece of Bush-era legislation called the PROTECT Act, which chips away at Amendment
One by asserting that, where depictions of minors are concerned: “it is not a required element
of any offense under this section that the minor depicted actually exists.” Drawn, rendered, vir-
tual or written in text, the content of an individual’s mind, if made public, is legally indistin-
guishable from an actual act of violence.
Orwell had a name for this kind of incorporeal offense. He called it thoughtcrime. We don’t think
any society benefits, or any innocent lives are protected, by this kind of hysteria-driven lawmak-
ing. It isn’t just a few Japanese cartoons it puts on the block, but a potential Lolitaor Pretty Baby
as well. Let’s leave art to artists and law to lawyers and keep them as far apart as possible.
Gerry Awang, vice-president, circulation & distribution
Artur Elizarov, vice-president, human resources
LFP Publishing Group, LLC does not endorse
and assumes no liability for any of the products or claims
of service advertised in this magazine.
COVER ART BY TEMPLETON
—Ernest Greene, Executive Editor
Illustrated
STRICTLY
SPEAKING
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Do you have a
comment
on this issue?
WE WANT TO HEAR FROM YOU .
Please write to us at: CHAIN MAIL ,
c/o TABOO, 8484 Wilshire Blvd., Suite 900,
Beverly Hills, CA 90211
Or e-mail us at
taboo@lfp.com
STRIPPER TRIPPER
I think Stripper is the most beautiful comic your magazine has ever run, and that’s saying
a lot. The combination of Japanese and Western drawing styles, the ultra-fine renderings of
distressed damsels and the elaborate bondage-sex set pieces make it a superior offering.
And thanks for introducing us to the artist, Lesbi K. Leih in your interview (Cruel Beauty,
TABOO ILLUSTRATED #8). She comes across with the same passion and originality as her
work. Let’s have more Lesbi!
–Charles M., Madison, Wisconsin
NUN’S THE WORD
When it comes to inspiring impure thoughts, Templeton’s The Convent is as reliably effec-
tive as a short, plaid skirt. The idea of a religious institution fronting for a sadistic sex-slave
ring is as old as Sade, but Templeton’s sinful sisters and angelic, suffering novices give it
a new life. And while he gets a lot of well-deserved praise for his renderings of teary-eyed
submissives, his cruel, cat-like mistresses, unlike his lecherous male patrons, are a pleas-
ure to behold. You can bet I’ll make sure not to miss a single episode of this strip.
–J. Morris, via e-mail
SUPERB SHIPWRECKED
Tim’s Shipwrecked(TABOO ILLUSTRATED #8) is this superior artist’s finest work yet. Much
as I love the period feeling of his previous sepia-toned efforts, the full-color images add a
lushness and a delicacy to the nastiness of the situations he portrays that’s simply breath-
taking. His enslaved sisters, with their innocent faces and big, juicy bits are even more deli-
cious in all their rosy pinkness. I don’t think I could ever get enough of this work
–Jerome Walton, Livingston, Montana
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STARFUCKERS
Episode 1
STARFUCKERS
by Roberts
Britney
Part 1
DOFANTASY.COM
BOUNDNAKED.COM ROBERTS-ARTWORK.COM
8
TABOO ILLUSTRATED ISSUE #9
STARFUCKERS
Britney
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