00:00:01:/SubEdit b.3875 (http://alfa.icis.pcz.czest.pl/~subedit)/ 00:00:14:Argos, Svenskfilmindustri,|Sandrews, Anouchka... 00:00:17:...present in light and shadow... 00:00:20:...one of the 121 French language|films of which only 3 or 4 get made 00:00:28:MASCULIN FEMININE 00:00:32:Never do... 00:00:38:...two glances meet... 00:00:42:...no trace... 00:00:48:...of life, silence... 00:00:54:...emptiness... 00:00:57:...burning... 00:01:00:The light dims 00:01:23:Nowhere... 00:01:25:...does the setting of this story... 00:01:31:...without end... 00:01:35:...tell of the monotony... 00:01:40:...tell of the toil... 00:01:46:...every day... 00:01:54:Nameless this boy from Marseilles... 00:01:59:...tells it twenty-four hours a day... 00:02:04:...tells it with others... 00:02:12:...sharing life... 00:02:17:...unable to be alone... 00:02:24:No trace anywhere... 00:02:56:Excuse me, but aren't you|Madeleine Zimmer? 00:02:59:Yes, why? Do you know me? 00:03:01:I've seen you here before 00:03:04:Could be 00:03:10:A friend of mine, Robert Poiccard... 00:03:14:...knows someone called Dumas|who knows you 00:03:18:Yes, Marcel 00:03:36:He said this Dumas might find me a job 00:03:40:- On the magazine?|- I didn't know he worked on a magazine 00:03:44:If it's Marcel Dumas you mean, he does 00:03:58:Do you work for this magazine, too? 00:04:02:I used to be in the picture department,|but now I want to be a singer 00:04:06:Why, are you looking for work? 00:04:10:Well, I've just finished my|military service 00:04:14:Did you enjoy it? 00:04:16:Sixteen months without comfort,|money, love or leisure 00:04:19:Subjected to absolute authority|twenty-four hours a day 00:04:24:Just like modern society,|in other words 00:04:27:Sixteen months which confirm that|for a young Frenchman... 00:04:30:...even relative freedom is|difficult to achieve... 00:04:33:...in the face of established authority|when he's had the wrong education 00:04:39:Sixteen months of obedience|likely to become permanent... 00:04:42:...since the military and industrial|systems co-exist happily 00:04:46:Discipline and finance|share the same logic 00:04:50:It doesn't sound much fun.|Now you're at a loose end? 00:04:56:Not exactly, but I'd like a change 00:05:02:I often have to work under adverse|conditions. I'm at Napthachemicals now 00:05:08:What's that? 00:05:10:It's the big white building|near Citro�n's 00:05:13:I've met some great guys there;|the working class in Paris is O.K. 00:05:19:They talk a lot; maybe that's|what's wrong with the Party 00:05:24:There aren't all that many militants,|really 00:05:28:Working conditions are to blame 00:05:32:The bosses have cut down on breaks,|to step up production 00:05:37:So a worker isn't his own man any more 00:05:41:It's work, eat, sleep, and|that's my lot, thank you 00:05:46:I'm meeting Marcel here, actually;|what's your friend called? 00:05:52:You're a bitch! 00:05:54:I'm sick of your insults! 00:05:56:That's your look-out, you slut;|you don't know what you want 00:06:01:Yes, I do! 00:06:03:Let go of Patrick, I'm taking him! 00:06:09:Find someone else to slave for you 00:06:58:- Everything O.K.?|- No 00:07:00:- What's wrong?|- Everything's wrong till ten o'clock 00:07:10:- It's five past ten now|- Everything's O.K., then 00:07:19:Still on night shift? 00:07:20:Haven't you seen the papers?|We're on strike 00:07:27:- With union backing?|- The communists, anyway 00:07:31:What do the anti-communist creeps say? 00:07:35:I know... the same as the Catholics 00:07:40:While I think of it, sign this 00:07:49:"The undersigned, deeply concerned|at the imprisonment... 00:07:53:"...of eight members of the world of|arts and letters in Rio de Janiero... 00:07:59:"...for expressing their disagreement|with official policy... 00:08:04:"...protest against this violation of|freedom of thought in Brazil... 00:08:10:"...and demand the liberation of|the eight prisoners" 00:08:17:Last week it was Madrid. What next? 00:08:23:Athens, Baghdad, Lisbon 00:08:25:What do you earn now? 00:08:28:HUMAN LABOUR 00:08:29:MAKES THINGS RISE 00:08:32:FROM THE DEAD 00:08:36:Have you asked about the room? 00:08:41:I can't; I was meaning to tell you 00:08:47:Still sleeping in your car? 00:08:51:Yes, I'm still at Soissons 00:08:54:Did you see me the other day in|the Place Clichy? I shouted 00:09:01:Yes, but I was with my cousin 00:09:04:- Making out?|- It's pretty heavy going 00:09:09:Have you seen that girl again? 00:09:12:Madeleine? I can't be bothered|with her any more 00:09:16:Given up screwing, have you? 00:09:24:- The Sports Palace?|- The other side of town 00:09:34:- The Sports Palace?|- The other side of town 00:09:39:- What are you doing?|- Putting myself in his place 00:09:46:Nothing happened 00:09:52:So to put yourself in his place|doesn't make you understand someone 00:10:01:Watch this 00:10:07:May I take some sugar? 00:10:25:Not bad 00:10:27:What, her breasts? 00:10:29:I'll try 00:10:35:May I take some sugar? 00:10:46:Fantastic! 00:10:50:- I'm off|- See you on Friday 00:11:15:Paris today; what do young girls|dream about? 00:11:19:But which girls? 00:11:21:The checkers at Simca who are|too tired after work to make love? 00:11:27:Eighteen-year-old manicurists and|hairdressers whoring in posh hotels? 00:11:34:Schoolgirls who know their Bergson|and Sartre and nothing else... 00:11:39:...because their parents|shut them up at home? 00:11:43:The average Frenchwoman doesn't exist 00:12:22:Marcel told me it was all right 00:12:32:- How about the pay?|- He said he'd see on Tuesday 00:12:43:It's the twenty-third today 00:12:46:So what? 00:12:50:What about the twenty-third? 00:12:54:You said we could go out on|the twenty-third 00:12:57:I never said that 00:13:10:I never said that 00:13:15:I think you're an awful liar 00:13:20:I don't agree 00:13:24:- Why "Ha-ha"?|- I don't know; don't you ever lie? 00:13:30:Never? 00:13:32:Well, sometimes, naturally,|but not often 00:13:36:How come? 00:13:44:With you, sometimes 00:13:46:Why do you lie to me? 00:13:59:Don't I appeal to you? 00:14:03:It isn't that 00:14:08:Do you think my nose is too big? 00:14:12:Not at all 00:14:21:Why do you want to go out with me? 00:14:26:Because you're pretty,|because of tenderness... 00:14:34:Doesn't anything else about me|interest you? 00:14:39:Yes, everything 00:14:42:Your hair, eyes, nose, mouth, hands... 00:14:48:By going out, you mean|sleeping with me? 00:14:55:Tell me the truth 00:15:05:How old are you? 00:15:08:Twenty-one 00:15:17:Are your parents alive? 00:15:25:- Do you see them often?|- Now and again 00:15:42:- Do you often go out with girls?|- Now and again 00:15:45:Yes, I'd really like to sleep with you 00:15:51:- How about you?|- I've never thought about it 00:15:55:But now that I've asked you? 00:16:01:Why did you say we'd go out|on the twenty-third? 00:16:05:That was a lie 00:16:07:Why? I believed you 00:16:11:I know it wasn't nice, but... 00:16:21:Do you sometimes go out with girls|at night? 00:16:24:I told you I did 00:16:31:- What kind of girls?|- Girls I like 00:16:35:Girls like me? 00:16:42:Have you been with whores, too? 00:16:45:Once in a way; but I find them cold|and depressing 00:16:50:- I don't want to know|- I didn't mean anything 00:16:54:Why say it, then? 00:16:56:I don't know; it's what I think 00:17:01:What do you do when you're alone in|the evenings? What about tonight? 00:17:07:I've a whole lot of photographs|to sort for the magazine 00:17:17:- What kind of photographs?|- Some fashion shots we took 00:17:27:You said you were trying to become|a singer now 00:17:32:I can do both, can't I? 00:17:35:I still sort and classify photographs 00:17:38:- Of you?|- No, never 00:17:46:Are you going out with somebody|tonight? 00:17:49:I saw you with a big, tall bloke|the other night 00:17:53:I just happened to run into him 00:17:57:That's not true 00:18:00:It is true... it is 00:18:02:- Where did you go?|- Just to a caf� 00:18:08:- What did you talk about?|- My record 00:18:17:Are you afraid I'll make love to you? 00:18:22:- Is that why you won't go out with me?|- Could be 00:18:27:Why should you be afraid?|I think you're lovely 00:18:32:It makes me uneasy 00:18:36:I think you have very classy breasts 00:18:42:It's important, you know 00:18:51:Look me in the eyes 00:18:55:What are you thinking of|at this very moment? 00:18:59:Nothing 00:19:02:You have to be thinking something.|Now, looking at me? 00:19:06:- I'm looking|- But what are you thinking? 00:19:12:What is the centre of the world|for you? 00:19:15:The centre of the world? 00:19:18:Our first real conversation, and|you ask such amazing questions 00:19:25:It's quite an ordinary question.|What's your answer? 00:19:31:Love, I suppose 00:19:37:That's odd. I'd have answered: Me 00:19:46:Does that seem funny to you? 00:19:54:Don't you feel you're the centre|of the world? 00:19:58:Yes, of course, in a way 00:20:01:In what way? 00:20:03:Living, being, seeing|with your own eyes... 00:20:07:...speaking with your own mouth,|thinking with your own head 00:20:20:Do you think one can live alone?|Always alone? 00:20:24:No, I don't think one can,|it's impossible 00:20:29:Without tenderness you'd|shoot yourself 00:20:41:Look me in the eyes 00:20:50:Would it please you if I said|I might love you some day? 00:20:55:Of course it would 00:21:06:The coming December elections|raised great hopes on the Left 00:21:11:I was now twenty-one. Robert and I|stuck posters everywhere 00:21:17:Meantime, I made progress|with Madeleine 00:21:20:She introduced me to Elisabeth 00:21:22:Robert was interested in Catherine... 00:21:25:...probably a virgin, but|good militant material 00:22:33:Great guns in Vietnam, eh? 00:22:37:Killing lots of communists there? 00:22:42:Burning the place with napalm?|Terrific! 00:22:50:Peace in Vietnam 00:23:...
AnastazjaBrzydula