Action Check 03.pdf

Pu blis h ed by J ef f Ibach

Act ion Ch eck ’s

Dis claim er s

Ac tion Che c k is a n on-line e le c -

tronic ma g a zine d e d ic a te d to the

Alte rnity Role -Pla ying G a me .

T a b l e o f C o n t e n t s

Cov er Ar t : “ Don ’t Blin k ” by Scot t Th om as . An d ou r excellen t

New cov er des ign by Dar y l Blas i [ DBlas i @s cit or .com ]

Page 3 Edit or ial [ J ef f Ibach ]

G ENCON (or, The re a nd Ba ck Ag a in).

This work is offe re d fre e of c ha rg e

to a ll inte re s te d p a rtie s a nd is not

to b e s old in a ny form. It ma y b e

p rinte d if d istrib ute d fre e of

c ha rg e .

Page 4 M u t at ed Plan t Her oes [ Neil Spicer ]

The d e finitive work on p la ying m uta te d p la nt he roe s in Alte rnity

G a m ma World .

This work s up p orts the Alte rnity

role p la ying line , s p e c ific a lly the

Alte rnity Pla ye rs Ha nd b ook a nd

G a me ma s te r G uid e . In a d d ition it

s up p orts the Ca mp a ig n S e tting s

S ta r*Drive , G a mma World , S ta r-

Cra ft, a nd Ta ng e nts b y Wiza rd s of

the Coa s t, Inc .

Page 13 Fu t u r et ech [ St eph en Du n aw ay ]

The Bla c kha wk, a Da rks ta r-c la s s milita ry s c out for S ta r*Drive .

Page 14 Su ppor t in g Cas t [ J am es Sh ar k ey , Fabi an Ben av en t e]

Ms . Fixit, The Wra ith, a nd Kukorho the We re n s c out for

S ta r*Drive c a mp a ig ns .

Alte rnity is a re g is te re d tra d e ma rk

of Wiza rd s of the Coa s t, Inc .

Page 18 Gr ids it es [ J ef f Ibach ]

Roc’s Pa g e , Ha rve s t Moon, The Ma trix, a nd Ma ryb e lle .

S ta rCra ft is a re g is te re d Tra d e -

ma rk of Blizza rd Ente rta inme nt.

Page 19 Tan gen t s Tr an s m is s i on s (Ch r is Wes t ]

Eve rything will b e come cle a r in time . Until it d oe s , you ma y

c a ll me “Tra ve le r.”

This work is not a uthorize d b y Wiz-

a rd s of the Coa s t, Inc . The s ta ff is

not a s s oc ia te d with Wiza rd s of the

Coa s t, Inc .

Page 2 1 Su ppor t in g Cas t : Su per Her oes ! [ Scot t i M u llen ]

The a uthor of the FX S up e r Powe rs Book p uts his own work to

us e .

S TAFF

Pub lis he r/La yout: Je ff Ib a c h

Ed iting : Jim S ha rke y

Cove r De s ig n: Da ryl Bla s i

HO W TO S UBS CRIBE

S TAFF

Page 2 3 St ar * Dr iv e Tr an s m is s i on s [ Fabian Ben av en t e]

S tud ying d a ng e rous fa una in the world of S ta r*Drive .

Page 2 5 Gam m a Wor ld Tr an s m i s s ion s [ J ef f Ibach ]

An e xp los ive c onfronta tion in this G a mma World s toryline .

HO W TO S UBS CRIBE

Page 2 6 Fut ur et ech [ Scot t Th om as & J ef f Ibach]

A S te a lth G a untle t FX d e vic e & Tra ns mis s ion a d ve nture hook.

Ma il: a c tionc he ck@hotma il.c om

We b S ite :

Chris We s t’s Alte rnity G M

Re s ourc e Ce nte r

http ://home .e a rthlink.ne t/

~ we s twind s /

Da vid Brin ha s g ra nte d us re voc a -

b le p e rmis s ion to us e c e rta in a s -

p e c ts of his UPLIFT

We b S ite

Page 2 7 Uplif t : Th e Galact ic Ins t it ut es [J im Sh ar k ey ]

S e c ond in a s e rie s d e ta iling the Up lift unive rs e for Alte rnity.

Page 2 8 Th e Neo-Ch im [ J im Sh ar k ey ]

A ne w PC ra c e for Up lift.

UPLIFT unive rse for

s ma ll-s c a le p la y b y s ub s c rib e rs of

Ac tion Che c k, on a n a ma te ur a nd

a s tric tly non-fe e , nonp rofit b a s is .

He re ta ins a ll rig hts to the c on-

c e p ts a nd c ha ra c te rs in his works .

To le a rn more a b out the m, p le a s e

s e e the UPLIFT nove ls , or g o to

http ://www.d a vid b rin.c om/ for

more informa tion.

UPLIFT

Action Che ck O n-Line Ma g a zine is p ub lis he d monthly b y the Ne w Je rs e y

Role -Pla ying G a me As s oc ia tion Ne twork s a nc tione d c lub

“The Third Floor Fe llows hip ”. http ://www.third floor.8m.c om

Is s ue # 3, Aug us t 2000

http ://www.wiza rd s .c om/rp g a

Action Che ck Ma g a zine is not a p ub lica tion of the RPG A Ne twork.

Wiza rd s of the Coa st, Inc .:

http ://www.wiza rd s .c om

S TAFF

Ma il

E-Ma il

We b S ite

GENCON (or , Ther e and Back Again)

Ac tion Che c k

S ub mis s ions

Onc e a g a in this ye a r I’m g oing to G ENCON. As a me mb e r of the RPG A it’s c om-

monly thoug ht b y the ma s s e s tha t I mus t a tte nd a conve ntion a month throug hout

the ye a r to ma ke my me m b e rs hip work, b ut tha t’s not true . In fa c t with the od d

e xc e p tion onc e e ve ry two ye a rs or s o I only a tte nd one othe r, S hore Con he re in

New Jersey. My first GENCON expe rie nce wa s in 1990, a nd a s folks the re ca n a t-

te s t to, it’s the b ig g e s t a nd the b e s t. I’ve g one e ve ry e ve n numb e re d ye a r s ince

1994 a nd it ne ve r fa ils to imp re s s me . S o, wha t a b out it?

We ll, s ome folks g o for the g a me s . Ac tua lly, MO S T folks g o for the g a me s , b ut

the n the re ’s my wife a nd me . We g a me cons ta ntly. We ’ve b e e n p la ying D&D e ve ry

Frid a y s inc e 1989, a nd on S und a ys we ha ve d iffe re nt op e n Alte rnity nig hts . S ome

mig ht e ve n s a y we g a me too muc h, s o we d on’t look to “g a me till we d ie ” a t G EN-

CO N, we g o the re to le a rn lore , ming le , a nd s e e k tre a s ure .

Le a rn Lore ? Ye p . I’ve b e e n g a ming s inc e 1980 a nd my wife s inc e 1981, b ut I’ve

ne ve r c ome b a c k from G ENCO N not le a rning d oze ns of ne w tric ks , p ic king up

tons of lore , or e ve n jus t g ood old -fa s hione d a d vic e from the p ros . Eve n up to the

time thre e ye a rs b a ck whe n p ra ctica lly my whole g a me g roup we nt a nd we a t-

te nd e d a g a ming s e mina r b y Dra g onla nc e co-a uthor Tra ce y Hickma n who ta ug ht

us to “Kick the da mn door in! Ta ke cha nce s ; give your PC the life of a he ro. Ca u-

tion is a ll we ll a nd fine , b ut s ome time s jus t g e t up a nd g o!” The lore p a rt come s in

whe n you ha ve a truly c ha ris ma tic s p e a ke r (like Hic kma n) re la te fond ta le s of his

own g a m e e xp e rie nc e s whic h c a n op e n your e ye s to d iffe re nt p la y s tyle s . Da wn

g oe s s o fa r a s to a tte nd the writing s e mina rs e a ch ye a r hos te d b y ma g a zine e d i-

tors to hone he r s kills (s he ’s a re g ula r c ontrib utor to Dra g on Ma g a zine ).

S e e k Tre a s ure ? O ne of my fa vorite p a s time s ! Whe the r it’s s c roung ing throug h

the myria d tom e s of old g a me s tha t lurk within the a uc tion room or vis iting the

b ooths of hund re d s a nd hund re d s of c omp a nie s s e lling the ir la te s t wa re s a nd

ha nd ing out fre e s tuff, it’s like a tre k for los t g old . It’s more s a tis fying tha n you

know to s tumb le a cros s a mis s ing a d ve nture or s ource b ook in a n a uction for $5

tha t you s a w on e -b a y the we e k b e fore for $50. And with d is trib utors b e ing only

huma n (us ua lly) you will find p rod ucts tha t your loc a l g a me s tore ne ve r ca rrie d

a nd you would ha ve mis s e d othe rwis e .

I’ve a ls o ma na g e d to g a the r my own colle ction of G ENCO N s torie s tha t will live

with m e for a life tim e . My wife a nd I onc e took our 3 month-old d a ug hte r Va le rie

with us one ye a r whe n we could n’t find a b a b ys itte r to ta ke b oth kid s (we g ot he r a

che wy fis t-s ize d d 20). My frie nd C he ryl a nd I wa lking for mile s a nd mile s from a

hote l outs id e Milwa uke e to the Conve ntion Ce nte r a nd the la ke , our fe e t s o tire d

the y we re s m oking . Ma rve ling a t the 3D s ta rs hip s a nd p rop s for the the n s oon-to-

b e -re le a s e d S ta r*Drive s e tting . Arg uing with my b ud d ie s ove r if we s hould le a ve

a wa itre s s in a Chine s e Re s ta ura nt a tip a fte r s he s p ille d ice wa te r ove r a ll of us,

a nd le a ving the Cop p e r Pe nny Dine r a fte r the owne r comp la ine d a b out how the re

we re too ma ny g a me rs in town.

In a fe w ye a rs G ENCO N will move to Ind ia na , whic h will c ut my d rive b y ove r 6

hours , s o I’m a ha p p y c a mp e r, b ut it won’t b e Milwa uke e . It’s a the ory of mine

tha t I mig ht not e ve n vis it Milwa uke e a g a in a fte r 2003 with G ENCON not b e ing

the re , b ut s ome thing te lls me tha t won’t hold throug h re tire me nt; the re ’s too ma ny

g ood me morie s the re !

At c onve ntions (e s p e c ia lly loc a l one s ), ta ke the time to volunte e r to run Alte rnity

g a me s . If you’re like me , you’ve m e t folks re s is ta nt to the s ys te m , b ut onc e the y

p la y the y a re hooke d ! Pa rt of ke e p ing Alte rnity fre s h a nd c urre nt is a d d ing ne w

b lood , a nd wha t b e tte r e xp os ure tha n on the s c he d ule s of g a m e c onve ntion c a l-

e nd a rs a ll ove r? Alte rnity offe rs infinite p os s ib ilitie s whe n it c ome s to d e s ig ning

the type of sci-fi ga me you wa nt to pla y from Ta nge nts dime nsiona l tra vel to post-

a p oc a lyp tic G a mma World , to hom e -ma d e c onve rs ions of Ba ttle s ta r G a la c tic a

a nd me d ie va l fa nta s y...le t’s s how the m wha t Alte rnity’s g ot!

To s ub mit a n a rticle to

Action Che ck ma g a zine :

a ctionche ck@hotma il.

c om

And we ’ll b e in conta c t a s

to the p a rtic ula rs .

Re g ula r Fe a ture s :

Tra ns missions : a d ve nture

hooks , a long the line s of

thos e p re vious ly found in

Dra g on Ma g a zine for the

va rious ca mp a ig n s e t-

ting s .

G rid s ite s : Alte rnity We b

s ite s tha t d e s e rve re c og -

nition a nd s e rve a s p e -

c ific p urp os e .

Cre a ture Fe a ture : Alie ns ,

C re a ture s , Xe noforms ,

e tc . for the Alte rnity g a m e

ca mp a ig n s e tting s .

Future te c h: g e a r, e q uip -

me nt, ve hicle s , we a p ons ,

a rmor a nd othe r ha rd -

wa re for the Alte rnity

g a me .

S up p orting Ca s t: NPC

s ta ts for ins e rtion in your

own g a me s . All s ub mis -

s ions m us t follow the S up -

p orting Ca st Te mp la te in

the Alte rnity G MG !

S ys te m of the Month: a

fully d e ta ile d s ta r s ys te m.

Re vie ws : of Alte rnity or

re la te d -us e p rod uc t.

S kills /FX/Ps i/Muta tions

Plus c a rtoons , d e ta ils of

ca mp a ig n id e a s , e tc .

c tion Che c k

a ctionche ck@hotma il.

Tra ns mis s ions

G rid s ite s

Cre a ture Fe a ture :

Future te c h

S up p orting Ca s t:

S ys te m of the Month

Re vie ws

M ut at ed Plant Her oes

By Neil Spicer

Muta te d Pla nts for the Alte rnity G a mma World G a me

a flowe ring s hrub or a b rus h-s ize d b ra mb le . Alwa ys

c ons ult your G a m e ma s te r to d e te rmine the p rop e r

ca te g oriza tion of a ny p la nt. He s hould ha ve the fina l

s a y in the ma tte r.

The la te s t rule s a d d e nd um to the G a m ma World role -

p la ying g a me p rovid e d the m e a ns for c re a ting mu-

ta te d a nima l he roe s . Thos e rule s we re p rovid e d in

a n e ffort to e xp a nd the c hoice s a va ila b le to p la ye rs of

the g a m e . None the le s s , one s p e c ia l c la s s of muta nts

ha s b e e n ne g le cte d in b oth the ne w re le a s e of

G a m ma World (5 th e d ition) a nd the s up p le me nta l

rule s e t (Dra g on Ma g a zine # 272). He re , the n, a re

g uid e line s for c re a ting your own m uta te d p la nt he -

roe s for the G a mma World c a mp a ig n s e tting , a c c ord -

ing to the Alte rnity g a me me cha nic.

Your c hoic e from a mong the op tions lis te d a b ove will

limit s om e of your op tions for a muta te d p la nt c ha ra c-

te r, b ut it will a ls o op e n up ma ny othe rs . The S p e c ie s

Note s s e c tion a t the e nd of this a rtic le will p rovid e a

numb e r of s p e c ie s of p la nts to work with, b ut you

s hould a lwa ys fe e l fre e to d e fine s ome thing tha t mig ht

b e mis s ing . Ag a in, work with your G a me ma s te r d ur-

ing this p roc e s s . Ple a s e note a ny s p e c ia l c ha ra c te ris -

tics about your chosen species, both from the Spe-

cie s Note s s e ction a s we ll a s Ta b le 1: Muta te d Pla nt

S p e c ie s

The re a re more va rie tie s of p la nt life tha n e ve n a ni-

ma l life in a lmos t a ny loca le of the world . De p e nd ing

on the typ e of e c os ys te m in whic h your G a m e ma s te r

d e cid e s to s e t the ca mp a ig n, a ne a rly unlimite d a rra y

of op tions e xis t for muta te d p la nts . In g e ne ra l, a ll m u-

ta te d p la nt he roe s s hould fa ll into one of the s p e c ie s

c a te g orie s lis te d b e low (with e xa mp le s ):

Ta b le 1: Muta te d Pla nt

Tra its .

De s p ite the s ize of the b a s e s p e c ie s , a ll muta te d p la nt

cha ra cte rs a re a minimum of 1 me te r in he ig ht.

Thos e typ e s lis te d a s S m a ll in Ta b le 1

Ta b le 1 a re a p p roxi-

ma te ly 1 m e te r ta ll; thos e lis te d a s Me d ium a re b e -

twe e n 1.5 a nd 2.5 me te rs ta ll, while thos e lis te d a s

La rg e a re a p p roxima te ly 3 to 4 me te rs ta ll. Ap p rop ri-

a te p e na ltie s to a b ility s c ore s a nd move me nt ra te s

a re a lre a d y p a rt of e a c h b a s e typ e ’s a ttrib ute s on Ta -

Ta b le 1

Brus h/S hrub : Holly b us he s , Aza le a p la nts , a nd

He d g e s .

Flowe r: Da ffod ils , Lilie s , a nd Ros e s .

Fung i: Mus hrooms of a ny kind .

S uc c ule nt: Aloe Ve ra a nd Ca c tus p la nts of a ny

kind .

Tre e : O a ks , Pine s , Fruit Tre e s , a nd We e p ing Wil-

lows .

Vine : Ivy, Kud zu, a nd Cre e p e rs of a ny kind .

We e d : Bra mb le s , Da nd e lions , a nd G ra s s p la nts

of a ny kind .

a -

b le 1.

All muta te d p la nt he roe s a re a ss ume d to b e g e ne ra lly

b ip e d a l a nd ca p a b le of wa lking e re ct, thoug h most

s p e cie s d on’t move a t the full norma l ra te (b e ca us e of

s ize a nd /or d iffic ulty in wa lking ). S e e “Move m e nt”

b e low for m ore on this . Muta te d p la nts a re a ls o a s-

s um e d to ha ve e ye s , e a rs , a nd voic e s , a s we ll a s

“ha nd s ” c a p a b le of g ra s p ing ob je c ts a nd us ing tools.

At the p la ye r’s op tion, the c ha ra c te r c a n b e c re a te d

without the a b ility to wie ld tools e a s ily (s e e

“Dra wb a cks ,” b e low).

While othe r op tions c e rta inly e xis t, a lmos t a ny p la nt

fits into the s e ca te g orie s . S ome time s , it ca n b e d iffi-

c ult to d e c id e on one or the othe r, s uc h a s the c a s e of

Table 1: M u t at ed Plan t Tr ait s

Move me nt

Typ e

Tra its

S ize

G round

Fly

S wim

Brus h

Imp rove d Dura b ility, Na tura l Armor

Me d ium

None

Flowe r

Phe romone s /Blooms , Toxin Intole ra nce

S ma ll

None

Fung i

Emp a thic S hie ld , The rma l Vis ion, Lig ht S e ns itivity

S ma ll

None

S uc c ule nt Na tura l Atta c k, Environm e nta l Ad a p ta tion (a rid )

Me d ium

None

Tre e

Imp rove d Dura b ility, Na tura l Armor, S low Re fle xe s

La rg e

Full

None

Vine

Imp rove d Re fle xe s , Inc re a s e d Ba la nc e

Me d ium

None

We e d

Imp rove d Dura b ility, Im p rove d Im munity, Toxin Intole ra nc e S ma ll

None

Ne il S p ice r c a n b e re a c he d for c omme nt a t p ure s tra in@hotma il.c om

uta te d Pla nts for the Alte rnity G a mma World G a me

Tra its

S ize a nd S ha p e

a -

b le 1

Table 2 : M ut at ed Plan t Abilit y Scor es

Typ e

S TR

DEX

CO N

INT

WIL

PER

Brus h

6-14

4-14

6-15

4-12

6-14

4-14

Flowe r

4-11

6-15

4-12

4-14

8-16

Fung i

4-12

6-14

6-15

8-16

4-11

S uc c ule nt

6-14

4-14

6-15

4-12

6-14

4-12

Tre e

9-16

4-11

6-16

4-12

4-14

4-13

Vine

4-11

8-16

4-13

4-14

4-13

4-14

We e d

4-11

6-16

6-15

4-13

6-15

4-12

Table 3 : Plant M u t at ion Point s

+ 2 s te p p e na lty (+ 3 for the mod e ra te d ra wb a ck) to

a ny s kill c he cks re q uiring ma nua l d e xte rity. The s e

s kills inc lud e (b ut a re not ne c e s s a rily limite d to) Ath-

le tic s -throw, He a vy We a p ons , Me le e We a p ons , Ma -

nip ula tion, Ra ng e d We a p ons , Ve hic le O p e ra tion,

Comp ute r S c ie nc e , De molitions , Knowle d g e -firs t a id ,

Me d ic a l S c ie nc e -s urg e ry a nd tre a tm e nt, S e c urity-s e t/

d is a rm tra p s , a nd Te chnica l S cie nc e -inve ntion, ju-

ryrig , a nd re p a ir. (Muta te d vine c ha ra cte rs ca nnot

s e le c t this op tion.)

Type

Points

Brush

Flower

Fungi

Succulent

Tree

Vine

Weed

Ab ility S c ore s

Divid e 60 p oints a mong the s ix Ab ilitie s – S TR, DEX,

CO N, INT, WIL, a nd PER – a nd a s s ig n thos e Ab ility

Scores to your hero. Make sure to arrange them so

tha t your he ro a b id e s b y the minimum /ma ximum fig -

ure s for Ab ility S c ore s for its s p e c ie s b a s e typ e , a s

g ive n in Ta b le 2: Muta te d Pla nt Ab ility S c ore s

Ta b le 2: Muta te d Pla nt Ab ility S c ore s

You ca n a ls o, with the G a me ma s te r’s a p p rova l, s e -

le c t the mod e ra te Photod e p e nd e nc y d ra wb a c k,

whic h g re a tly re s tric ts your he ro’s a b ility to func tion in

tota l d a rkne s s . The muta nt re q uire s c ons ta nt lig ht to

re ma in c ons cious , a nd for e a ch hour s p e nt in lig hting

c ond itions of Moonlig ht or wors e , it will s uffe r 1 p oint

of fa tig ue d a ma g e . This d a ma g e ca n b e re s tore d b y

30 minute s e xp osure to Da ylig ht, or 5 minute s in

Brig ht S unlig ht. (Muta te d fung i c ha ra cte rs ca nnot

s e le c t this op tion.)

Muta tions

Ea c h m uta te d p la nt c ha ra c te r ha s a numb e r of muta -

tion p oints a s lis te d for its typ e in Ta b le 3: Pla nt Mut

Ta b le 3: Pla nt Muta -

a -

La s tly, you ha ve one othe r op tion tha t you ma y s e le c t

a t the b e g inning of cha ra cte r cre a tion, a nd it is the

e q uiva le nt of the s lig ht or m od e ra te Environm e nta l

S e ns itivity d ra wb a c k. O ne of the following e nviron-

me nts mus t b e s e le c te d : hot, cold , we t, or a rid . In tha t

p a rtic ula r e nvironm e nt, the m uta nt op e ra te s with a

+ 2 s te p p e na lty (+ 3 for the mod e ra te d ra wb a ck) to

a ll a c tions . This p e na lty is c umula tive with a ny othe rs

tha t ma y a p p ly. If the s lig ht Environme nta l S e ns itivity

d ra wb a ck is c hos e n you a nd la te r the s lig ht Environ-

me nta l S e ns itivity muta tion is a g a in rolle d or s e -

le c te d , you ma y c hoos e to a utoma tic a lly up g ra d e the

p re vious Environme nta l S e ns itivity to mod e ra te or

choos e a n a d d itiona l e nvironme nt tha t a ls o ind uc e s a

p e na lty to its a c tions .

tion Points . In s om e c a s e s , the p la nt’s p a rtic ula r s p e -

cies might a djust this number up or down. This ca n-

not re d uc e the c ha ra c te r’s s ta rting p ool of m uta tion

p oints b e low 1 or inc re a s e it a b ove 11. Re g a rd le s s of

the c ha ra c te r’s tota l p ool of m uta tion p oints , re m e m-

b e r tha t no c ha ra cte r ca n ha ve more tha n 3 Ord ina ry

muta tions , 2 G ood muta tions , or 1 Ama zing muta tion.

Phys ica l muta tions s hould b e chos e n from the mod i-

fie d ta b le G W35a : Pla nt Phys ica l Muta tions

G W35a : Pla nt Phys ic a l Muta tions in the a p -

p e nd ix of this a rtic le . Me nta l muta tions c a n b e c ho-

s e n from Ta b le G W36

G W35a : Pla nt Phys ica l Muta tions

Ta b le G W36 in the G a m ma World rule b ook.

Muta te d p la nts ha ve only 2 p oints of d ra wb a cks (2

S lig ht d ra wb a cks or 1 Mod e ra te d ra wb a c k). The se

a re s e le c te d in the s a me ma nne r a s lis te d in Cha p te r

4: Muta tions in the G a m ma World Role p la ying G a m e .

In a d d ition, a ll muta te d p la nts , e xc e p t for flowe rs ,

a utoma tic a lly ha ve the Phys ic a l Cha ng e (ma jor)

d ra wb a c k. Thus , the y s uffe r a + 4 s te p p e na lty to Pe r-

s ona lity-b a s e d s kill c he c ks , a s we ll a s a ny othe r s kill

c he c k ma d e to inte ra c t with thos e who mig ht find

s uc h “d e formitie s ” d is ta s te ful. At the G a me ma s te r’s

d is c re tion, the c ha ra c te r c a n re d uc e or ig nore this

p e na lty whe n d e a ling with s imila r s p e c ie s (for in-

You c a n, with the G a me m a s te r’s a p p rova l, s e le c t the

s lig ht or mod e ra te Poor Ma nip ula tion d ra wb a ck,

whic h g re a tly re s tric ts the he ro’s a b ility to us e its

limb s to ma nip ula te ob je cts . The cha ra c te r s uffe rs a

Ta b le 2: Muta te d Pla nt Ab ility S c ore s .

(Muta tions a nd d ra wb a cks ca n ra is e or lowe r a b ility

s c ore s b e yond the lis te d limits .)

Ta b le 3: Pla nt Mut

tion Points

Ta b le G W36

Dra wb a cks

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