Aspects Of Love - Libretto.txt

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Aspects of Love
Music: Andrew Lloyd Webber
Lyrics: Don Black + Charles Hart
Book: Andrew Lloyd Webber
Premiere: Monday, April 17, 1989
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ACT ONE
Scene One 

(Music. A man discovered on stage, singing to a woman. 
Only later are we to identify him as the 34-year-old 
ALEX) 

ALEX 
Love, 
Love changes everything: 
Hands and faces, 
Earth and sky. 
Love, 
Love changes everything: 
How you live and 
How you die. 
Love 
Can make the summer fly, 
Or a night 
Seem like a lifetime. 

Yes, love, 
Love changes everything: 
Now I tremble 
At your name. 
Nothing in the 
World will ever 
Be the same. 

Love, 
Love changes everything: 
Days are longer, 
Words mean more. 
Love, 
Love changes everything: 
Pain is deeper 
Than before. 

Love 
Will turn your world around, 
And that world 
Will last forever. 

Yes, love, 
Love changes everything, 
Brings you glory, 
Brings you shame. 
Nothing in the 
World will ever 
Be the same. 

Why did I go back to see her...? 

WOMAN (GIULIETTA) 
Alex, it's all in the past... 

ALEX 
Off 
Into the world we go, 
Planning futures, 
Shaping years. 
Love 
Bursts in, and suddenly 
All our wisdom 
Disappears. 

Love 
Makes fools of everyone: 
All the rules 
We make are broken. 

Yes, love, 
Love changes everyone. 
Live or perish 
In its flame. 
Love will never, 
Never let you 
Be the same. 

(The number does not finish formally, but cuts into Scene 
Two...) 

ACT ONE
Scene Two 

(A small provincial theatre in Montpellier, France, 1947. 
View from backstage. The closing lines of a poorly 
attended performance of Ibsen's The Master Builder, the 
last of the season. 
Among the cast are MARCEL, the troupe's 
actor-manager, and ROSE, its 25-year-old leading lady, 
who plays HILDE WANGEL) 

A VOICE (down in the garden) 
The master builder is dead! 

OTHER VOICES (nearer) 
His head is all smashed in.... He fell right into the quarry. 

HILDE (ROSE) (turns to RAGNAR and says quietly) 
I can't see him up there now. 

RAGNAR 
This is terrible. So in fact he couldn't do it. 

HILDE (ROSE) (with a kind of quiet, bewildered 
triumph) 
But he got right to the top. 

(waves the shawl upwards and shouts with wild intensity) 

My...my...master builder! 

(Curtain. Limp applause. Curtain call. Curtain falls 
again. ACTORS and STAGE-HANDS mill about. ROSE 
rounds furiously on MARCEL) 

ROSE 
The toast of the town? 
The hit of the year? 
The birth of a star? 
The end of a career! 

MARCEL 
Darling, these things happen... 

ROSE 
You turn round and tell us 
We're closed for two weeks! 

MARCEL 
Rose, I thought of everything... 

ROSE 
You thought of nothing! 

MARCEL 
...There are posters in the streets 
And banners in the squares. 
Scream away, feel free, 
But at Ibsen, not at me... 

ROSE (interrupting) 
Why did I agree 
To accept this bloody tour? 
The only thing in store 
Is two weeks of nothing! 
ACTORS (in the background, to one another) 
Win some, lose some... 
What the hell... 

ROSE 
Working till I drop 
For an audience of four: 
Three nuns and your mother... 

MARCEL 
It's no good complaining... 

ROSE 
And she only bothered 
Because it was raining! 

MARCEL 
Love... 

ROSE 
Don't call me 'Love'! 

MARCEL 
This isn't personal. 

ACTORS (departing, to one another) 
I don't care... 
The theatre's my life... 

MARCEL 
We will start the tour again 
In Lyon in two weeks! 
Rose, the people there 
Are all Ibsen mad, I swear! 
Come on, show me a smile! 

ROSE (turning away) 
God, I'm not in the mood... 

MARCEL 
What's a fortnight or so? 

ROSE 
With no money or food... 

MARCEL 
Don't be glum... 

ACTORS 
Don't let's be downhearted! 

ROSE 
Don't waste your breath. 

ACTORS 
We'll get by... 

(Dodging the issue, MARCEL beckons forward the 
17-year-old ALEX, who has been lurking in the 
background) 

MARCEL 
Now Rose, you must meet this young man! 
He's a dedicated fan -- 
Been in every evening! 

ROSE 
Marcel, don't run away -- 
I can see your little plan. 

ALEX (approaching nervously) 
It's an honor, mam'selle, 
I could watch you for hours... 
You can't have forgotten, 
I threw you the flowers... 
Mam'selle, seeing you on stage 
Has changed my life! 

ACTORS (exiting, to one another and to ROSE) 
Join us in the cafe 
In the square! 

ROSE 
See you... 
The cafe... 
The square... 

ALEX (to ROSE, tentatively) 
Would you let 
Me walk you there...? 

(Disslove to Scene Three...) 

ACT ONE
Scene Three 

(A cafe in Montpellier. Later the same evening. MARCEL, 
MEMBERS OF THE TROUPE, WAITERS. ROSE and 
ALEX in the forefront, alone at a table. A CROONER sings 
on a wireless playing in the background, which is tuned into 
the American Forces Network. ACTORS are occasionally 
heard chatting) 

CROONER
'Parlez-vous
francais?
Je suis sad.
Parlez-vous
francais?
I feel bad.
How do you say
'Ce soir vous etes si
belle?'
I only know
A word or so,
Like 'Cat' and
'School' --
Je suis fool.
ACTOR 1 (to COMPANIONS) 
Death to him 
Who dares mention Ibsen! 
Parlez-vous
francais?
ALEX (to ROSE) 
One day Montpellier's 
Going to scream... 
Please say 'oui'.
ACTOR 2 
Death to all directors! 
ALEX (continuing) 
...To get you back! 
Shall I order? 

Parlez-vous
An espresso? 
francais?
Or cappuccino? 
Speak to me.
ROSE (flatly) 
Armagnac. 
How do you say:
ACTOR 3 
Why we bothered heaven knows. 
'Vous etes jolie,
ACTOR 4 
Marcel's a dreamer. 
ACTOR 1 
Marcel deserves 
The firing squad. 

Mam'sell'?
ALEX (to WAITER) 
Armagnac. 
And a glass of house white for me. 
ACTOR 2 (looking across at ROSE) 
Who's she with? 

(The OTHERS shrug. One of the other ACTORS, exiting, 
takes his leave of ROSE) 

Cherie,
ACTOR 5 
Two weeks 
Before we meet again. 
ROSE (unsmiling) 
Two weeks 
Before we eat again. 

Where do I
commencer,
If you won't parler
WAITER (returning with the ACTORS' bill) 
Is that all? 
francais with me?
ACTORS 1, 2, & 3 (to one another) 
The same again? 
ACTOR 4 (to WAITER) 
The same again. 

(The WAITER goes off, crossing with MARCEL who has just 
arrived. The ACTORS hail him) 

ACTORS 1, 2, 3, & 4 
Here's the man 
Of the hour! 

Parlez-vous
francais?
ROSE (to ALEX) 
Please promise me 
You'll answer... 
Say you do.
MARCEL (to the ACTORS) 
Am I allowed 
To join you? 
(MARCEL sits down with the ACTORS, who are looking 
across at ROSE) 

ACTORS (To MARCEL) 
Who's with Rose? 

ROSE (continuing) 
...Truthfully. 

ALEX 
What's the question? 

ROSE 
You must promise first. 

Parlez-vous
francais?
ALEX 
I promise, I promise. 
MARCEL (replying to the ACTORS) 
Rose's young fan! 

Tell me true.
ROSE 
How old are you? 
How do you say:
ALEX 
In three years 
I'll be twenty. 
'Je suis unhappy
(ACTOR 1, who has sidled up to ROSE, overhears this) 
ACTOR 1 (to ROSE) 
Is this your 
Younger brother, Rose? 

Fella'?
ROSE (ignoring the ACTOR, to ALEX) 
Is that all? 
ACTOR 1 (hisses loudly back to the OTHERS) 
Seventeen! 

WAITER (returning to ROSE and ALEX with their drinks) 
Is that all? 

(ROSE downs the brandy in one and hands the empty glass 
back to the WAITER) 

ROSE 
Another armagnac. 

(The WAITER goes off and ACTOR 1 returns to the 
OTHERS, highly amused) 

Cherie,
ACTORS (shouting across to ROSE) 
You're in with 
Adieu to drinks
A chance there! 
and danser,
(ROSE ignores them. Other ACTORS are by now beginning 
to drift out) 
If you won't parler
francais
ALEX 
I have this theory: 
With me.
Unless you say
'oui'...
If you think 
What those images mean, 
Adieu to drinks
and danser,
Then clearly 
If you won't parler
Most of Ibsen's subtext 
Is obscene... 
francais
With me.'
ROSE (dryly) 
Seventeen... 
ALEX 
It makes one very aware...such frightfully modern ideas... 

(He is interrupted, by MARCEL) 

MARCEL (to ROSE) 
Darling, it's only two weeks... 

(He blows her a kiss and departs. The CROONER's song has 
come to an end. We hear the voice of the RADIO 
ANNOUNCER:) 

ANNOUNCER 
Johnny Lejeune with 'Parlez-vous francais?' Encore, Johnny! 

(The radio orchestra starts up again and we hear the opening 
bars of the song) 

CROONER 
'Parlez-vous francais? 
Je suis sad...' 

ROSE (calling across to the BARTENDER) 
Oh, turn that thing off! 

(The BARTENDER shrugs and turns off the wireless. By this 
time the cafe is more or less deserted) 

I don't need some crooner crooning. 
Or a stage-door Johnny swooning. 
Look, if I'm not very nice to you, 
It's because I have things to worry me. 
But thanks for the flowers every night... 

(A pause. She explains) 

I'm resting again. 
That's what actresses say 
When they're not in a play. 

(Another pause) 

You're a long way from England. 

ALEX 
Yes. 

ROSE 
And what brings you to Montpellier? 

ALEX 
I'm traveling through France 
Until my call-up. 

ROSE 
You mean the army? 

ALEX 
May I ask a stupid question? 
How will you survive for two weeks? 

ROSE 
I'll get along somehow. 

ALEX 
What, with no money? 
May I make a bold suggestion? 

ROSE 
And what kind of 'bold suggestion'? 

ALEX 
Come away with me, Rose... 

ROSE 
With you? Where? 

ALEX 
I have a villa -- 
Don't be suspicious -- 
You won't believe it, 
The view of the Pyrenees! 
I leave this evening -- 
Come with me... 

ROSE (after a pause) 
Are you sure you want me to accept? 

(No reply) 

Very well, then, 
I accept. 

(Still no reply. ALEX is in a daze) 

Here. Have some armagnac. 

(He drinks and returns the glass. She too takes a sip, as if to 
seal th...
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