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welcome
february
It’s the second month in a new year and a new decade, but some things never
change. We’ve all just had to make sure that our tax returns have been
completed, we’re thinking about how to get new clients (and keep the ones
we have!) and are looking forward to the technological developments that
the coming year will bring to help us progress our work.
Ensuring your tax returns are completed correctly and then delivered on time is
an annual headache for many photographers, and especially those who work as
independents on a freelance basis. The reasons why you need an accountant and
understanding how one could help often seems like a black art that no one is willing to explain. Well we are,
and whatever your current financial position, you cannot afford not to read our easy-to-understand guide to tax
and accounting
It Doesn’t Have To Be That Taxing...
on
page 52.
When it comes to getting new clients, it always starts with your book/portfolio. Even in this world of websites,
most clients want to see a well printed and presented set of images. Regular contributor
Clive Booth
decided it
was time to start work on a new book at the end of last year, and he brings us his tips, advice and experiences in a
Dispatches special
Me, Myself, I!
on
page 58.
Two photographers working in very different fields,
Bob Martin
and
Nigel Parry
certainly know how to win
and keep clients. Bob is the only non US-based photographer in the world shooting for the prestigious US
title
Sports Illustrated
. He speaks to us about his career and how to capture the decisive sporting moment in
This Sporting Life
on
page 46. Nigel Parry
left London in the early nineties to live
and work in New York and hasn’t looked back. Now, as one of the leading
portrait photographers in the world, he speaks to us about the need for
consistency and nervousness in
An Englishman in New York
on
page 72.
Someone at the other end of the career spectrum is young
wedding photographer
Kevin Mullins,
who shares his experiences of his
first year in the business on
page 37
in
First Year Report.
If you’re thinking of moving into the world of fine art, auctions and galleries,
there are no better people to hear from than the people to whom we asked
the question:
Who Buys Photography?
on
page 66.
We also speak to the
director of The Photographers’ Gallery in London
Brett Rogers
about the best ways to get exhibited in
Frontline
on
page 29.
As far as technology is concerned, you can’t get
much more cutting edge than the use of CGI in photography.
It’s being used a lot in car photography, but who knows
where it’s going next? Check out the work currently being
created in
Drive-By Shooting
on
page 79.
We also put
the
Leica M9
into the hands of Magnum legend
Ian Berry
for review. All this, plus
editing tips
,
Bruce Weber
and
Guy Gowan.
Surely that’s enough to make your day!
Grant Scott, Editor
THIS IMAGE: CLINT EASTWOOD BY NIGEL PARRY
EDITOR’S IMAGE: MATT HALSTEAD
COVER IMAGE: LAURA CHIATTI BY NIGEL PARRY
contents
february
8
Propower
Legendary Magnum photographer Elliott Erwitt
speaks to us about how he creates images, and
some of his latest projects.
DavidBailey’simageof
SharonTateandRoman
Polanskifrom1969.
12
Portfolio
Your images in your magazine. We bring you
the best of your work posted in the Professional
Photographeronline gallery.
18
Click
This month’s line-up of news, views, gadgets,
exhibitions and interviews.
23
Diary
Our pick of the month’s photographic exhibitions.
24
Feedback
Read a selection of our favourite comments
from readers this month.
26
Subscribe
Check out the latest subscription offer for
ProfessionalPhotographermagazine.
29
Fromthefrontline
Brett Rogers, photographic director at The
Photographers’ Gallery, London, gives us the
inside track on getting exhibited.
34
TheprinceofPhotoshop
Guy Gowan, Photoshop and workflow guru,
answers your post production queries.
52
Itdoesn’thaveto
betaxing!
Whatever the state of your accounts, our easy-
to-follow guide should help you through the year.
the world’s movers and shakers, but as he tells
us, it wasn’t always like that.
79
Drive-byshooting
CGI technology is the latest buzzword in
advertising agencies when it comes to
photography. We find out why.
37
Firstyearreport
Wedding photography novice Kevin Mullins
reports back at the end of his first year as
a professional.
58
Me,myself,I
Regular contributor Clive Booth speaks to the
people who helped him create his personal
brand and latest portfolio and asks them to
pass on their secrets to marketing success.
84
DialMforLeica
Magnum legend Ian Berry takes the Leica M9
for a road test on the streets of London.
43
Objectofdesire
The Dell Adamo XPS is the world’s thinnest
laptop at the moment, and one we’d definitely
like to get our hands on.
66
Whobuys
photography?
With the art market becoming an ever-
increasing temptation for photographers to
enter, we spoke to three of the key decision
makers in the auction market to find out just
who will buy your work and why.
88
Back-uptothefuture
When you put all your faith in a hard drive, you
want to make sure you’ve got the right one.
We round up the current contenders.
45
Exposure
It looks like 2010 will be an important year for
Don McCullin, beginning with a major exhibition
of his work in London.
91
ShineyourLight
Check out the latest lighting kit available on
the market.
46
Thissportinglife
Bob Martin is one of the most respected sports
photographers in the world and a consultant for
the 2012 Olympics in London. We speak to him
about his career and the future of sports
photography in the digital world.
72
AnEnglishman
inNewYork
These days, internationally acclaimed portrait
photographer Nigel Parry gets to photograph
106
Legend
Peter Silverton puts Bruce Weber’s life and
work under the microscope.
www.professionalphotographer.co.uk 5
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