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S ONG OF S ONGS ‘98 – M IKE B ICKLE
SESSION 17: Vindication Of The Persecuted Bride (6:11-7:9)
SONG 6:11-7:9a
11. I went down to the garden of nuts to see the verdure of the valley, to see whether the vine
had budded and the pomegranates had bloomed.
12. Before I was even aware, my soul had made me as the chariots of my noble people.
13. Return, return, O Shulamite; return, return, that we may look upon you! What would you
see in the Shulamite-- as it were, the dance of the two camps?
1. How beautiful are your feet in sandals, O prince's daughter! The curves of your thighs are
like jewels, the work of the hands of a skillful workman.
2. Your navel is a rounded goblet; it lacks no blended beverage. Your waist is a heap of wheat
set about with lilies.
3. Your two breasts are like two fawns, twins of a gazelle.
4. Your neck is like an ivory tower, your eyes like the pools in Heshbon by the gate of Bath
Rabbim. Your nose is like the tower of Lebanon which looks toward Damascus.
5. Your head crowns you like Mount Carmel, and the hair of your head is like purple; a king
is held captive by your tresses.
6. How fair and how pleasant you are, O love, with your delights!
7. This stature of yours is like a palm tree, and your breasts like its clusters.
8. I said, "I will go up to the palm tree, I will take hold of its branches." Let now your breasts
be like clusters of the vine, the fragrance of your breath like apples,
9. And the roof of your mouth like the best wine. The wine goes down smoothly for my
beloved, moving gently the lips of sleepers.
I.
OVERVIEW OF SONG 6:11- 7:9A
A.
In 6:11, she commits herself to serve the whole church. She says, “I will go to the
garden. I will go where He is in the midst of the people of God and work together
with them.” Then in v. 12 she is overcome with passion for the whole church.
The theme of the Song of Solomon is Jesus equipping His Bride to walk in mature
partnership with Him. In 6:13, there is persecution against the Bride as she seeks
to fulfill the great commission. There is a sincere response from the church. In
SONG 7:1-5, God gives discernment to some of the saints and they vindicate her.
They answer the sarcastic question, “Who is she?” Then the Lord Himself
answers who she is. In the larger context, she just received a powerful affirmation
from the Lord. He said, “You are lovely, you are awesome, you are beautiful, you
radiate all of Heaven as well as the earth with the glory that has been given to
you.” She responds, “I want to serve only Jesus. Nothing can stop me now!”
Then Jesus in 7:6-9, vindicates her.
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S ONG OF S ONGS M IKE B ICKLE
SESSION 17 – Vindication of the Persecuted Bride (6:11-7:9)
Page 2
B.
The 4 different themes in this session.
1.
The Bride is overcome with love, concern and desire for the whole church.
(6:11-12).
2.
A sincere response from the church. (6:13a,b) As well as a sarcastic
response from the church (6:13c,d)
3.
The Bride was vindicated by the daughters. The daughters express deep
appreciation for the mature Bride (7:1-5). She is praised in 10 areas.
4.
The Bride is vindicated by Jesus Himself as He releases a full measure of
anointing to endorse her as His partner (7:6-9a).
Verse By Verse Study of Chapter 6:11-7:9a
I.
HER MATURE COMMITMENT TO SERVE THE WHOLE CHURCH
(6:11)
I went down to the garden of nuts (walnut grove) to see the verdure of the valley, to see
whether the vine had budded and the pomegranates had bloomed. (6:11)
A.
The garden of God in the SONG
1.
His garden is described here as including the following three fruits: walnut
groves, budding vineyards and blooming pomegranates.
2.
The garden is mentioned 9 times in the SONG. The first three references
are to her garden (4:12,15,16c) and the last six references are to His
garden (4:16e; 5:1; 6:2, 11; 7:12; 8:13). In the middle of the SONG (4:16)
a major transition takes place, Her garden becomes His garden!
a. Song 4:12,15,16c - The first three mentions of the garden in the SONG
are as "her garden."
b. Song 4:16e - This is the first mention of the garden as "His garden." It
is described as having pleasant fruits. She asks Him to come to her
garden to take possession of it, thus, making it His.
c. Song 5:1 - He actually comes to the garden for this first time. It is
described here as including five items: myrrh, spice, honeycomb, wine
(vineyards) and milk (animals).
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S ONG OF S ONGS M IKE B ICKLE
SESSION 17 – Vindication of the Persecuted Bride (6:11-7:9)
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d. Song 6:2- His garden is described here as including three items - beds
of spices, flocks (provide milk) and lilies.
e. Song 6:11 - It is described here as including the following three fruits -
walnut groves, budding vineyards and pomegranates.
f.
Song 7:12 - It is described here as including the following two fruits -
budding vineyards with blooming grapes and blooming pomegranates.
g. Song 8:13 - The Bride lives in His gardens. She intercedes from the
garden.
B.
She goes down to the garden in determination to serve the purpose of God.
"I went down to the garden of nuts" (6:11a)
1.
She was explaining how Jesus could be found in the midst of this same
garden that had beds of spices (6:2-3). She was telling the daughters that
He could be found feeding His people in the midst of the garden. Then
Jesus suddenly interrupted the conversation to affirm her in 6:4-10. Now,
she goes down to this garden to join Him as a bridal partner. She wants to
be where He is.
2.
She goes to the garden that includes a walnut grove. She desires to serve
the various ministries within the church, those ministries the Lord has
called and set in place.
3.
Four different characteristics related to walnut trees.
a. Under its dense shade, the walnut tree provides a place of refreshing
during the hot summer.
b. The walnut trees were used for cleansing. They were a main source of
oil, which was used in making soap.
c. These trees had fragrant leaves that were medicinal in value.
d. We can glean powerful insights into the symbolism of the walnut
grove s by understanding the fruitfulness of its death. The walnut tree
must be broken before the food and oil can be extracted from it. The
walnut grove is full of potential life, yet, it doesn’t come to feed
anyone, or have economic value, until it is broken and dies.
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S ONG OF S ONGS M IKE B ICKLE
SESSION 17 – Vindication of the Persecuted Bride (6:11-7:9)
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4.
The church is pictured as a grove of walnuts. A walnut is a seed with life
on the inside. This walnut garden speaks of the various ministries within
the church. They must also die to self in order to provide food, cleansing
(soap) and shade for others. Their potential is only manifest after the seed
dies or is broken open. The life within is hidden and isn’t immediately
observable to the undiscerning. Yet when the Lord breaks the seed open,
it reproduces and it brings nourishment and blessing to the people.
C.
She wants to see the vibrant greenness of God's garden.
"To see the verdure of the valley, to see whether the vine had budded and the
pomegranates had bloomed."(6:11b,c,d)
1.
She goes down “to see the verdure of the valley.” Webster defines
verdure as the fresh vibrant greenness of flourishing vegetation. This
speaks of the flourishing work of God in other places.
a. She is going to visit God's vineyard in other places. She invests
herself outside of her own little sphere.
b. This garden is in the valley of this fallen world. In 2:2, the lily was
pictured as also being in the valley of a fallen world. She desires to
see the flourishing of the valley is the darkness of a fallen world.
c. This garden is in the midst of a valley. There is opposition in the
midst of this valley of darkness.
2.
She wants to see whether the vine had budded. The vine through Scripture
speaks of the work of God. Jesus taught that He is the vine and we are the
branches (Jn.15). The vineyard is a picture of the Lord’s purpose. The
budding vineyard speaks of the immature church.
a. She sees the budding and blooming as the Lord said in 2:11-13. He
said the vines were budding as prophetic signs of the visitation of God
being at hand.
b. She goes down to God's garden. In other words she commits herself to
helping the immature ones come forth. She is saying "Yes!” to the
great commission. She embraces the young budding vines without
impatiently despising their immaturity.
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S ONG OF S ONGS M IKE B ICKLE
SESSION 17 – Vindication of the Persecuted Bride (6:11-7:9)
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c. She wants to be connected to the whole church, not just her sphere.
God loves the whole church, not just the part we are involved in. It is
a powerful thing when we begin to love the whole church and not just
the part that looks like us. God loves all the flavors, all the spices in
His garden
3.
"To see" - she desires to be informed about God's work in other places.
She is concerned about other ministries besides her own.
4.
"To see whether...the pomegranates had bloomed" - She wants to see if the
pomegranates have bloomed. The blossoming pomegranates speak of
individual believers.
a. What she wants “to see is if the vine had budded,” as was promised in
2:11-13. The vine speaks of the Word of God. God’s vine is budding
all over the earth. Her desire was to see the Word of God produce fruit
in the people of God throughout the nations of the earth.
b. She embraces budding vines. Mature believers have the wisdom and
patience to reach out to young ministries even in the midst of their
immaturity. Typically when we encounter immature ministries that
have troubles we lack the proper patience with them.
c. She is going down to invest time with the budding vine. She wants to
embrace, nurture and cultivate that which is not yet mature.
II.
MATURE LOVE FOR GOD'S WHOLE CHURCH OVERCOMES HER
(6:12)
"Before I was even aware, my soul had made me as the chariots of my noble
people." (6:12)
A.
While she is down in the valley, working in the budding vineyard and the growing
garden, all of a sudden her soul becomes like a chariot of the noble one. This
metaphor depicts the zeal that she feels for others. Mature love for the entire
church overcomes her.
1.
Her soul is like a swift chariot.
a. In the ancient world, one could walk or ride a horse, but a chariot was
the swiftest way of trave l.
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