Lavie Tidhar - The Gunslinger of Chelem.doc

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The Gunslinger of Chelem

By Lavie Tidhar

Lavie Tidhar (www.lavietidhar.co.uk) was the winner of the 2003 Clarke-Bradbury Prize, the editor of Michael Marshall Smith: The Annotated Bibliography (PS Publishing, 2004) and the anthology A Dick & Jane Primer for Adults (The British Fantasy Society, 2006), and is the author of the novella An Occupation of Angels (Pendragon Press, 2005). His stories have appeared in Sci Fiction, Chizine, Postscripts, Nemonymous, Infinity Plus, Aeon, The Book of Dark Wisdom, Fortean Bureau, Clarkesworld Magazine and many others, and in translation in seven languages.

Lavies story Letters From Weirdside appeared in the Apex Publications Stoker Award nominated anthology Aegri Somnia in 2006.

* * * *

The dream called him to it, sucked him into a maelstrom of swirling colours, hand-drawn clouds, feet stamping, hands clapping, the sound of a siren, the smell of hot mustard, egg yolks, dust devils, the hint of a kiss, a high, yellow sun, sands spreading in the distance, houses made of wood.

High noon. The sun erased all shadows. He stood in the heart of a town, of the kind that appeared in old Westerns. A clock-tower, the hands standing at a minute to twelve. One-storey houses. One long main street: a bank, a bar, a church, a horse trader, a gun shop. In the corner, the prosperous front of the coffin-builder.

Quiet. The town was deserted, a ghost town. Or maybe, he thought, maybe theyre all hiding.

He discovered a pair of guns on his hips. He tried them, one after the other. They were like additional fingers in his hands. He was fast.

Of course.

He remembered now. He practised drawing them and smiled.

He was the best of the best.

And then he saw him.

The gunslinger stood with his back to the clock-tower. A wide-brimmed hat shaded his face. The hands of the clock moved towards the hour, touched it together—

They both drew their guns but there was only one shot.

The dream spat him out, wiped him out, threw him out to a maelstrom of swirling darkness, chalk-marks, clapping hands, a whistle, the taste of blood; at last, the taste of nothing.

* * * *

Chelem.

Yes.

Where is it?

Near Yokneam.

Was.

What?

Was. Where Yokneam was.

For your information, the Society for Bringing Back Yokneam employs several people with the capacity for Deep Dre—

Who?

Aharoni.

Aharoni? The city wont last five minutes and it would be populated by snails. Or bats.

Shimshon.

Not capable of dreaming even one whole street.

Anyway.

Yes.

We want you to go there.

To Yokneam?

To Chelem.

Where is it?

Near Yokneam—

* * * *

Raphael woke up. The alarming clock swore at him in Russian.

Alarm, he thought. Alarm clock.

The crock began to make the sound of ten newborn babies being eaten simultaneously.

Clock, damn it, he thought, and finally heard the normal ring.

Yokneam, he thought. And then—Chelem.

Where is it?

Coffee. He pulled himself towards the kitchen.

Over the course of the night, the espresso machine had turned into a chicken and had just laid a brown egg.

He took the egg. It had no shell. He tasted it carefully, shrugged and ate it whole.

The cigarette pack, he thought. On the table.

When he approached the pack turned into a lizard and moved away with a cough.

I was going to quit anyhow, he said to the air. The air ignored him.

A pat on the chickens back produced another egg, and he took it with him on his way out.

Sum it up for me, Raphael said. He didnt feel so well. The singing birds had almost disappeared to the corners of his eyes and their song—an a capella rendition of The Sea of Wheat—had faded to a whisper.

His names Stephen Cohen, Michal said. Michal drove. Raphael sat in the passenger seat, equipped with dark shades and a headache.

American?

The parents made Aliyah.

Can you turn down the music? Raphael said.

Michal turned her head to him, began to smile, changed her mind and returned her eyes to the road. The radio isnt on.

Oy.

Do you want a pill?

What have you got?

Something thatd wake you up.

He dry-swallowed the pill. It had a bitter, not entirely unpleasant taste. The birds disappeared. Silence settled on the world.

Raphael liked silence. Raphael liked to sleep, and to dream. Raphael liked his job at the REM, but silence wasnt usually a fact of life at the unit. Silence was a thing of luxury, reserved for those regular policemen who only ever dealt with routine murders, robbery and theft, blackmail and kidnapping that were the waking worlds natural lot.

He liked his job, but for those days when he had to get out of bed, get dressed, drink coffee, wear dark shades, take those energy pills of Michals and go to some damned place in the middle of nowhere. Before noon.

So what did he do? he said now. What could be so important that I have to get up for it? My range—

Your range isnt enough, Michal said. You need to be physically close.

What are you trying to tell me? Raphael said, and he smiled.

Dont start, Michal said.

They drove in silence.

So what did he do? Raphael said.

Didnt you see?

What?

The dream. Before you woke up.

He tried to remember. Fragments came back to him, became at last a whole memory. The town, the hour, the sun. The gunslinger.

The shot, and then ... nothing.

He doesnt just shoot people, Raphael said.

No.

Hes good, Raphael said. The town itself wasnt too detailed, more like a blueprint for a building than a building itself, but the focus was extraordinary. Even from a distance, even second-hand, you can feel it. He built that dream carefully, and he has enough power to hold it there. Who are the people he shoots?

You wont believe it, Michal said.

Outside, the view was green; trees and square, blooming fields. A pterodactyl circled high overhead, became suddenly a yellow plastic duck, and disappeared. Raphael cursed all the people who overslept. Apart from him, of course. For him it was work.

He lives somewhere near where Yokneam used to be. He called the place Chelem. The town exists even when hes awake. You could say he is stuck in the dream. And in the dream, hes the best gunfighter there ever was. Better than Billy the Kid, better than Doc Holliday, better than Jesse James, better than—

I get it, Raphael said. Hes good. Nu? It occurred to him that Michal was becoming a little too enthusiastic about her subject.

So people come to him. You understand? They come from all over the country. All over the world. Hes killed more than thirty people so far—at least those we know of. They come to challenge him. Gunfighters. People egg each other on in the pub—lets see you take on the gunslinger of Chelem.

The gunslinger of Chelem? Raphael said. Who came up with that name?

The papers, Michal said, Cohen just doesnt sound the same.

So what do you want me to do, exactly? Fight him? A stand-off at high noon with guns drawn?

Michal smiled and stopped the car. I knew youd understand. She opened the door and got out of the car. Outside, the green had turned to desert.

Were there.

* * * *

Raphael napped. It is a thing different from sleep.

Raphael napped and dreamed of graves. Chelems cemetery spread out before him. Chelems cemetery was wide. Spacious. It had personality.

It had more than thirty graves.

He approached the gravedigger, a short, bald man who lacked distinct facial features. His voice was a kind of faded memory of the way people spoke in the old westerns.

You work here long?

All the time, the gravedigger said.

And at night?

The gravedigger shrugged. Night?

The place that is always one minute from high noon...

Anyone ever leave here and not through the cemetery?

The gravedigger shook his head. His movements, too, were limited, Raphael saw. Shoulders, head. The hands either digging or resting. Never.

Hes good, then?

Hes invincible.

Raphael woke up. No cemetery. No gravedigger. The desert remained.

How do you beat someone like that? The rules of the dream were the gunslingers rules. You couldnt change the dream and give Raphael, say, a machine gun. Or a cannon. Or a bullet-resistant body. The dream was Stephen Cohens dream, the gunslinger of Chelems dream.

The rules. There was only one way to fight the gunslinger. At high noon, in the town square, by the clock-tower. Guns drawn.

And then he began to think. There was a way. Maybe. He thought of the old films.

He went and talked to Michal. She was looking into the distance, into the desert, towards the town. She had a dreamy look in her eyes.

Michal!

She shook her head, stood up, and opened the camp bed above the sand for him. Raphael sighed. He hated going into the field.

He climbed into bed and curled up in the blanket. Wheres Teddy?

What? Michal said.

Teddy, Raphael said. Wheres Teddy!

Michal sighed, said, Hold on. Looked in the back seat of the car and brought out a teddy bear with one eye missing.

Theres Teddy, Michal said, but Raphael no longer heard, nor did he see her look towards the town, sigh again and begin stepping towards Chelem, leaving light footprints in the sand, two heavy guns around her waist.

Raphael, instead, fell asleep. His sleep was immediate, and deep.

He slept, and in his sleep he dreamed.

* * * *

The Man With No Name walked in the desert. He wore a dusty poncho, and a wide-brimmed hat covered his face. He had been in the desert for a long time. He was searching for the gunslinger. He and the gunslinger had met in the past. The gunslinger had killed the Man With No Names sweetheart. If he ever had a name it was buried deep in the past. The Man With No Name planned to leave the gunslinger himself buried in the past. He had been searching for him for a long time. And now he had found him.

The town was before him. A wooden sign that creaked in the wind said Chelem.

He passed through the open gate. Main Street spread out before him. He saw a lone figure, a scared old man who approached him and began to timidly measure him from head to toe.

Measure him for a coffin.

The Man With No Name laughed, and he put a coin into the mans hand and walked towards the square. The clock at the top of the tower showed a minute to twelve. The sun was high in the sky. There was no shade.

The gunslinger waited for him in the square. The Man With No Name stepped towards him and stopped in the distance.

A firing distance.

You! said the gunslinger. You cant!

By the rules, Raphael said, and the Man With No Name repeated his words aloud.

I assume youre good, the gunslinger said, and he was talking now directly to Raphael.

The best, Raphael said through the man he had dreamed into being.

Then it would be an honour for me to kill both you and him, the gunslinger said.

The Man With No Name smiled and chewed on an unlit cigar. ...

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