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Never Seen By Waking Eyes
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Never Seen by Waking Eyes
by Stephen Dedman
They say that we Photographers are a blind race at best; that we
learn to look at even the prettiest faces as so much light and
shade; that we seldom admire, and never love.
Lewis Carroll, A Photographer's Day Out
The Reverend Charles Lutwidge Dodgson, the logician and photographer and
lesser-known mirror image of Lewis Carroll, first met Alice Liddell
when she was three. John Ruskin, a fellow lecturer at Oxford, was also
smitten with young Alice, and later became obsessed with twelve year old
Rose La Touche. Edgar Allan Poe married his thirteen year old cousin
Virginia. Dante fell in love with Beatrice when she was eight and a
half.
If you expect me to add my name to this list, you're out of your mind.
* * *
"He was terrified of the night," she said, softly. "Terrified of
dreaming, I think. Even beds frightened him."
I nodded. I don't remember any night-time scenes at all in either of the
Alice books, or Snark, or even Sylvie and Bruno, and the only
mention of a bed to come to mind was 'summon to unwelcome bedA
melancholy maiden! We are but elder children, dear, Who fret to find our
bedtime near.' The hunters of the Snark 'hunted til darkness came on',
with not a word of what happened afterwards, and Sylvie and Bruno
Concluded ends (and not a moment too soon) with the stars appearing in a
bright blue sky. True, 'The Walrus and the Carpenter' is set at
midnight, and features an oyster-bed, but the sun stays up the whole
time.
"How did you meet?"
Alice smiled prettily, without showing the tips of her teeth. "In
London, outside a theatre -- the Lyceum, I think. I'd seen him before,
but I had no idea who he was. When I told him my name, he said, 'So you
are another Alice. I'm very fond of Alices.'"
"When was this?"
"Winter. I don't remember the year, but he was about thirty, and he
hadn't written Wonderland yet, and I think Prince Albert was still
alive. 1860, maybe." I nodded. Dodgson was a compulsive diarist, but
many of his diaries disappeared after his death, like his letters to
Alice Liddell, and all of his photographs and sketches of naked little
girls.
* * *
I suppose it started in the darkroom, at home: developing old,
half-forgotten rolls of film is the safest form of time travel; you
don't need a license, or even a seat belt. This roll had been in the
Nikon for at least a year, and when I finally sat down with the proof
sheet and a glass of Glenfiddich, I was ready to see anything. Forty
minutes and two glasses later, I was still wondering why the Hell I'd
taken five shots of Folly Bridge. Granted that it's where the famous
rowing expedition and the story of Wonderland started, and that I don't
get up to Oxford as often as I'd like, it's been photographed more often
than Capa shot 'Death in the Afternoon'.
There was nothing mysterious about any of the other shots, at least to
me. On the proof sheet, they all look harmless enough -- a busy street
in Bangkok, far enough from Patpong to be safe; a beach near Townsville;
a park in Tokyo; the Poe Cottage in Philadelphia; a slum in Brasilia or
Rio. An extremely observant eye (such as Poe's) would notice a
particularly beautiful little girl in almost every shot -- never in the
centre, but always perfectly in focus. She isn't the same girl. She's
always the same girl. She always has dark hair, black or almost black;
pale skin; large eyes. Small, slight, almost elfin. The girl in
Townsville is probably no older than ten; the girl in Bangkok may be
twelve or twenty or anywhere in between. She isn't the same girl. She's
always the same girl. And her name is
I stared at the photographs of Folly Bridge; five shots, from slightly
different perspectives, but all from the St Aldates side. Long shadows
-- evening, probably just before sunset. And no girl. Where the Hell did
she go?
I slept badly, that night, but without disturbing anyone. My dreams were
obscene; you don't need the details, except that the girl from Folly
Bridge was . . . there.
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