[Go Igo Baduk Weiqi] Sakata Eio - Modern Joseki and Fuseki - Volume 1 - Parallel Fuseki (A).pdf

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M ODERN J OSEKI AND F USEKI
Volume One
Parallel Fuseki
by
Sakata Eio, Honinbo-Judan
translated and edited by
R ICHARD B OZULICH
T HE I SHI P RESS
B ERKELEY , C ALIFORNIA
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Published by The Ishi Press. Box 1021,
Berkeley 1, California, U.S.A.
© Copyright 1968, by The Ishi Press
All rights reserved according to international law. This book or any parts thereof may not be repro-
duced in any form without written permission of the publishers.
This book may be ordered from The Ishi press, Box 1021, Berkeley 1, California, U.S.A.
First Impression March 1968
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Contents
Foreword...............................................................................................................4
Preface..................................................................................................................5
PART I - Fuseki Type l: Black Shimari in the Upper Right Corner....................6
Introduction: The problem of a White kakari.......................................................7
CHAPTER 1: Kogeima Kakari............................................................................. 11
a) Sangen basami...........................................................................................11
b) Niken Takabasami.....................................................................................13
c) Tenuki........................................................................................................41
CHAPTER 2: Ogeima Kakari............................................................................... 61
CHAPTER 3: Ikken Takagakari............................................................................87
CHAPTER 4: Kogeima kakari : Ikken Basami...................................................111
PART II - Fuseki Type 2: San-san and Komoku.................................................123
CHAPTER 5: A New Fuseki with Black at San-san...........................................124
CHAPTER 6 Kogeima Kakari: Ikken takabasami..............................................138
CHAPTER 7: A Large Scale Fuseki Fig. 1: (1-4)...............................................168
Definitions of Japanese Go Terms...................................................................173
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FOREWORD
I was very pleased to learn that this book, entitled "Modern Joseki
and Fuseki", based on my writings, has been made available to Go
players throughout the world through the translation efforts of Mr.
Richard Bozulich, 3-dan.
I believe this is a wonderful thing for European and American Go
lovers who, though eager to become masters of the game, cannot
improve their skill due to the lack of proper text books on Go written
in English.
I hope that this book will succeed in this respect and I look for-
ward confidently to a time when Go will be as developed interna-
tionally as. it now is in Japan.
Sakata Eio
Honinbo-Judan
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PREFACE
The purpose of this book is to present for the first time in English a compre-
hensive and systematic study of modern even-game opening theory. This book is
the first volume in a two volume set and covers all the basic komoku josekis.
These josekis are studied in the context of professional games with appropriate
emphasis being made on the choice of joseki considering the overall situation on
the board. The main emphasis in the first volume will be joseki while in the second
volume emphasis will be on fuseki. These two volumes will form the first part of a
series of books on Go theory. In preparation is a two volume set on Chuban Sen
(Middle Game), one volume on the Complete Yose (End Game) and others dealing
with various phases of the game of Go.
The material for this book was obtained from the supplements to Kido which
appeared from September 1965 to June 1967 entitled `Sakata's Go School'. The
contents have been arranged and edited by the translator to avoid redundancy and
also to allow the material to flow forth in a logical, systematic and elegant order.
Hopefully this has been achieved, while at the same time retaining Sakata's origi-
nal meaning and intentions.
Many of the ways of playing discussed in this book are neither to be interpreted
or construed as the only way to play nor as absolutely good or bad moves unless
explicitly stated. These moves are given as those most commonly employed by
professional masters and it is the reasons why they have been adopted essentially
that we are discussing here. I would like to refer the reader at this point to an
article in the October 1967 issue of Go Review entitled "Way to Sho-dan" written
by Professor Ryuichi Akiba who has elaborated on this question in great detail.
At this point I would like to acknowledge my indebtedness to Nihon Kiin for
use of their facilities and to Messrs. Makoto Ito, Kiyoshi Kuihara and Kohei
Yoshida of the Nihon Kiin editorial staff' without whose kind assistance and en-
couragement this book would have never been possible. I must also express my
gratitude to Messrs. Mitsuru Nakada and Shunro Narazaki for their invaluable aid
during translation.
Richard Bozulich
Tokyo. 1965
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