Jon Schmidt - All Of Me.pdf
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All of me comp Final*
Side Notes:
Helpul Hints:
• You've probably never played a song like this before.
thing. That's one reason it's called "All of Me."
As in "Morning Light," I am inviting you to count 1 2 3 4 5 6 7 8
rather than 1 &2 & 3 & 4 &.
• The rhythm gets much easier at measure 31. (You may start there
if you wish.)
• Don't let five flats scare you. It's easy when you think of C and F
as your only white keys. Just lean to the left black key on every-
thing (except C and F, but they don't have black keys to lean to
• Level of difficutly: seventh easiest in the book (out of seven, ha ha)
anyway)
All of Me
(Sut's Fav)
-
[Fav: n.(fav) coll. for favorite; the one preferred]
Sut is a life-long buddy whose encouragement was a key factor as I was writing this song.
Facilitating a rubato yet fanfare-filled feeling
written by Jon Schmidt
is favorable at the first of this fine song
(from the album )
August End
(for a fun definition of rubato find page fifteen minus four)
©copyright 1996
5
1
3
5
1
2
5
5
(Why these numbers? see Helpful Hints)
123 4 56 78
123 4 56 7 8
12 3 4 5 6 7 8
1 2 3 4 5 6 7 8
Pedal ad-lib throughout
3
5
123 456 7 8
12 3 4 56 78
123 4 56 78
123 4 56 7 8
let left hand help
9
3
1 2 3 4 5 6 78
123 4 56 7 8
12 3 4 5 6 7 8
All of Me ©1996-CJS&JS
51
• Again the numbers in the first section are for the rhythm impaired.
It will have you playing with your forearms, for one
small hand:
small hand: let left hand help
12
1 2 3 4 56 78
123 456 78
poco rit
1234 5 6 78
fast (put "all of yourself" into it)
=176-208
Using the accents gives this part rhyme and reason.
(But get the underlying rhythm in your head first.)
15
a tempo
12 3 4 5 6 78
1 2 3 4 5 6 7 8
12 3 4 5 6 78
1 2 3 4 5 6 7 8
19
12 3 4 5 6 78
1 2 3 4 5 6 7 8
12 3 4 5 6 78
1 2 3 4 5 6 7 8
23
12 3 4 5 6 78
1 2 3 4 5 6 7 8
12 3 4 5 6 78
1 2 3 4 5 6 7 8
27
12 3 4 5 6 78
1 2 3 4 5 6 7 8
12 3 4 5 6 7 8
1 2 3 4 5 6 7 8
All of Me ©1996-CJS&JS
52
31
8 va . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
34
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
37
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
39
fingering or die
5
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
42
5
4
5
5
1
3
cresc.
All of Me ©1996-CJS&JS
53
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
44
46
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1
5
48
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
50
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
4
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
52
5
maximum page turning enjoyment.
All of Me ©1996-CJS&JS
54
Measures have been spaced for
accent simile
54
57
59
61
1
63
All of Me ©1996-CJS&JS
55
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