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Vivaldi: Genius of the Baroque
VIVALDI
MARC PINCHERLE
VIVALDI
Genius of the Baroque
Translated from the French
by Christopher Hatch
W • W • NORTON & COMPANY • INC •
New York
COPYRIGHT © 1957 BY W. W. NORTON & COMPANY, INC.
FIRST EDITION
This work was published in French under the title
Vivaldi
Copyright 1955 by Editions Le Bon Plaisir, Paris
Library of Congress Catalog Card No. 57–11245
PRINTED IN THE UNITED STATES OF AMERICA
FOR THE PUBLISHERS BY VAIL-BALLOU PRESS, INC.
Contents
Foreword
.............................................................................................................................
9
I. Vivaldi: The Man and His Career
...........................................................
13
Vivaldi’s Musical Environment ................................................ 18
Vivaldi’s Career ........................................................................ 37
Vivaldi the Man ........................................................................ 57
II. Vivaldi’s Music: Style and Form
.................................................................
64
Themes, Rhythm, Dynamics .................................................... 69
The Orchestra in Vivaldi’s Time............................................... 79
Vivaldi as Violinist.................................................................... 88
Vivaldi’s Treatment of the Orchestra...................................... 100
The Instrumental Forms: Sinfonia, Concerto Grosso,
Solo Concerto ......................................................................... 128
The Concerto as Conceived by Vivaldi .................................. 141
Vivaldi the Symphonist........................................................... 167
The Descriptive Music............................................................ 182
The Operas and Sacred Works................................................ 200
III. Vivaldi’s Music: Influence and Reputation
......................................
219
Influence in Italy..................................................................... 219
Bach and Vivaldi..................................................................... 224
Influence in Germany, France, and Other Lands.................... 244
Eclipse and Re-emergence...................................................... 258
Bibliography
.......................................................................................................
267
Index
.......................................................................................................................
269
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