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Bloom’s Modern Critical Views
African-American
Poets: Volume 1
African-American
Poets: Volume 2
Aldous Huxley
Alfred, Lord Tennyson
Alice Munro
Alice Walker
American Modernist
Poets
American Women
Poets: 1650–1950
American Women
Poets: 1950 to the
Present
Amy Tan
Anton Chekhov
Arthur Miller
Asian-American Writers
August Wilson
e Bible
e Brontës
Carson McCullers
Charles Dickens
Christopher Marlowe
Contemporary Poets
Cormac McCarthy
C.S. Lewis
Dante Alighieri
David Mamet
Derek Walcott
Don DeLillo
Doris Lessing
Edgar Allan Poe
Émile Zola
Emily Dickinson
Ernest Hemingway
Eudora Welty
Eugene O’Neill
F. Scott Fitzgerald
Flannery O’Connor
Franz Kafka
Gabriel García
Márquez
Geo rey Chaucer
George Bernard Shaw
George Orwell
G.K. Chesterton
Gwendolyn Brooks
Hans Christian
Andersen
Henrik Ibsen
Henry David oreau
Herman Melville
Hermann Hesse
H.G. Wells
Hispanic-American
Writers
Homer
Honoré de Balzac
Jack London
Jamaica Kincaid
James Joyce
Jane Austen
Jay Wright
J.D. Salinger
Jean-Paul Sartre
John Donne and the
Metaphysical Poets
John Irving
John Keats
John Milton
John Steinbeck
José Saramago
Joseph Conrad
J.R.R. Tolkien
Julio Cortázar
Kate Chopin
Kurt Vonnegut
Langston Hughes
Leo Tolstoy
Marcel Proust
Margaret Atwood
Mark Twain
Mary Wollstonecraft
Shelley
Maya Angelou
Miguel de Cervantes
Milan Kundera
Nathaniel Hawthorne
Native American
Writers
Norman Mailer
Octavio Paz
Oscar Wilde
Paul Auster
Philip Roth
Ralph Ellison
Ralph Waldo Emerson
Ray Bradbury
Richard Wright
Robert Browning
Robert Frost
Robert Hayden
Robert Louis
Stevenson
e Romantic Poets
Salman Rushdie
Samuel Beckett
Samuel Taylor Coleridge
Stephen Crane
Stephen King
Sylvia Plath
Tennessee Williams
omas Hardy
omas Pynchon
Tom Wolfe
Toni Morrison
Tony Kushner
Truman Capote
Twentieth-Century
British Poets
Victorian Poets
Walt Whitman
W.E.B. Du Bois
William Blake
William Faulkner
William Gaddis
William Shakespeare:
Comedies
William Shakespeare:
Histories
William Shakespeare:
Romances
William Shakespeare:
Tragedies
William Wordsworth
Zora Neale Hurston
Bloom’s Modern Critical Views
AMERICAN
MODERNIST POETS
Edited and with an introduction by
Harold Bloom
Sterling Professor of the Humanities
Yale University
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Bloom’s Modern Critical Views: American Modernist Poets
Copyright © 2011 by Infobase Learning
Introduction © 2011 by Harold Bloom
All rights reserved. No part of this publication may be reproduced or utilized in any
form or by any means, electronic or mechanical, including photocopying, recording,
or by any information storage or retrieval systems, without permission in writing from
the publisher. For more information contact:
Bloom’s Literary Criticism
An imprint of Infobase Learning
132 West 31st Street
New York NY 10001
Library of Congress Cataloging-in-Publication Data
American modernist poets / edited and with an introduction by Harold Bloom.
p. cm. — (Bloom’s modern critical views)
Includes bibliographical references and index.
ISBN 978-1-60413-275-5 (hardcover)
ISBN 978-1-4381-3653-0 (e-book)
1. American poetry—20th century—History and criticism. 2. Modernism
(Literature)—United States. I. Bloom, Harold.
PS310.M57A64 2011
811'.509112—dc22
2010041435
Bloom’s Literary Criticism books are available at special discounts when purchased in
bulk quantities for businesses, associations, institutions, or sales promotions. Please call
our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755.
You can find Bloom’s Literary Criticism on the World Wide Web at
http://www.chelseahouse.com
Contributing editor: Pamela Loos
Cover designed by Takeshi Takahashi
Composition by IBT Global, Troy NY
Cover printed by IBT Global, Troy NY
Book printed and bound by IBT Global, Troy NY
Date printed: February 2011
Printed in the United States of America
10 9 8 7 6 5 4 3 2 1
This book is printed on acid-free paper.
All links and Web addresses were checked and verified to be correct at the time of
publication. Because of the dynamic nature of the Web, some addresses and links
may have changed since publication and may no longer be valid.
Contents
Editor’s Note vii
Introduction 1
Harold Bloom
Paterson and Epic Tradition 43
Peter Schmidt
The Cantos of Ezra Pound,
the Truth in Contradiction 73
Jerome J. McGann
Marianne Moore: Idiom and Idiosyncrasy 103
Robert Pinsky
Taming the Socialist:
Carl Sandburg’s Chicago Poems and Its Critics 117
Mark Van Wienen
Modernism Comes to American Poetry: 1908–1920 131
Roger Mitchell
From Etymology to Paronomasia:
Wallace Stevens, Elizabeth Bishop, and Others 159
Eleanor Cook
Robert Frost and the Poetry of Survival 175
Jay Parini

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