2005 Sep - The New Mix Culturally Dynamic Architecture.pdf - Architectural Design Magazine - 39 Issues from 2005 - 2011 (AD Magazine Art) - hilakku

The New Mix:

Culturally Dynamic

Architecture

4 Architectural Design Individual backlist issues of 2 are available

for purchase at £22.50. To order and subscribe for 2005 see page 128.

Extreme Sites:

the ‘Greening’ of Brownfield

Emergence:

Morphogenetic Design

Strategies

The Challenge of

Suburbia

Volume 74 No. 2

ISBN 0470867094

Volume 74 No. 3

ISBN 0470866888

Volume 74 No. 4

ISBN 047086687X

Back to

School

4d space:

Interactive Architecture

Volume 74 No. 5

ISBN 0470870753

Volume 75 No. 1

ISBN 0470870753

Volume 74 No. 6

ISBN 0470090944

The 1970s is

Here and Now

Food +

the City

Design

through

Making

Volume 75 No. 2

ISBN 047001136X

Volume 75 No. 3

ISBN 0470093285

Volume 75 No. 4

ISBN 0470090936

Architectural Design

Vol 75 No 5 Sept/Oct 2005

ISBN 0470014679

Profile No 177

Editorial Offices

International House

Ealing Broadway Centre

London W5 5DB

T: +44 (0)20 8326 3800

F: +44 (0)20 8326 3801

E: architecturaldesign@wiley.co.uk

Front cover: Queens Theatre-in-the-Park,

Flushing Meadows Park, Queens, New York.

Original building: New York State Pavilion by

Philip Johnson, 1964. Extension by Caples

Jefferson Architects, 2005. Cover design ©

Caples Jefferson Architects, Rendering ©

Cicada Design.

Abbreviated positions:

b=bottom, c=centre, l=left, r=right

Editor

Helen Castle

Editorial and Production Management

Mariangela Palazzi-Williams

Art Direction/Design

Christian Küsters (CHK Design)

Design Assistant

Hannah Dumphy (CHK Design)

p 4 © Sue Barr; p 5 © Albert Vecerka/ ESTO ;p 6(t)

William Vassal; p 6(br) © Herzog & de Meuron;

p 7 © Paul Raftery/ VIEW ; pp 8-11 © Sue Barr; p

12 © Will Alsop Architects; p 13 © John Burrell;

p 14(t) © Greenhill Jenner Architects, photos

Charlotte Wood Photography; p 14(c&b) ©

Greenhill Jenner Architects; pp 16-22 © Julian

Olivas; p23 © Cicada Design Inc, Toronto,

Canada; pp 24 & 27(b) © Melanie Taylor, light-

ing designer, NBBJ ; p 26(t) © Jamie Horwitz; pp

26(b) & 27(t) courtesy OMA ;p 28(t) © Mikesch

Muecke; pp 28(b) & 29 courtesy Peter Walker

and Partners; pp 30-31 © Anton Grassi; pp 32-

37 © Teddy Cruz, Jose Jaime Samper &

Giacomo Castagnola; pp 38-39 & 43 © David

Goldblatt; p 40 © Harber Masson and

Associates; pp 41(t&b) © Brian Verwey; p 41(c)

48(b) © Cengiz Bektas; pp 48(t) & 49 © Nevzat

Sayin; pp 50 & 54© Amit Cohen and Sagi

Shuali; pp 51 & 52(main) © Ruth Palmon; pp

52(insert) & 53 © Ahikam Seri; pp 55, 57(t) &

58-61 © Anooradha Iyer Siddiqi; p 56 © Kerstin

Park-Laballa; p 57(b) © SN & NN Kanade, photo

NN Kanade; pp 62, 66(b) & 67-68 © Architect

Hafeez Contractor; p 63(t&cr) © Kazi Ashraf; pp

63 (b&cl), 64(t) & 65(c) © Rajeev Kathpalia,

Ahmedabad, India; p 64(c) © Md Rafiq Azam,

photo Shafiqul Alam; p 64(b) © Shakeel

Hossain; p 65(l) Ram Rahman; p 65(tr) © Uttam

Kumar Saha; p 65(br) © Kashef Chowdhury; p

66(t) courtesy Rajshri Productions, 2003; pp 70-

77 © Edward Denison; pp 78-80, 81(b) & 82-83

pp 84-85 & 88(t) © Earl Carter; p 86(t) © Terroir

Pty Ltd; p 86(b) © Greg Burgess Architects,

photo Jimmy Yang; p 87(t) © Nicholas Murray,

Melissa Bright, Kirstan Grant, Shelley Freeman,

Jonathon Podborsek, Hannah Mathews; p

87(c&b) © John Gollings; p 88(c) © Daniël Van

Cleemput, photo John Gollings; p 88(b) ©

Daniël Van Cleemput; p 89(t) © Kerry Hill/Albert

Lim KS ; p 89(ct) © Look Architects; p 89(cb) ©

Ivan Rijavec, photos John Gollings; p 89(b) ©

WOHA ;p 90(t) © Lyons Architects, photo John

Gollings; p 90(c) Kerstin Thompson Architects,

photo Jeremy Addison; p 90(b) © John Gollings;

p 92 © Society for the Preservation of

Weeksville and Bedford-Stuyvesant History; p

93(t) © Jean-Paul Bourdier; pp 93(c&b) & 95-

95© Caples Jefferson Architects.

Project Coordinator

and Picture Editor

Caroline Ellerby

Advertisement Sales

Faith Pidduck/Wayne Frost

01243 770254

fpidduck@wiley.co.uk

Editorial Board

Will Alsop, Denise Bratton, Adriaan

Beukers, André Chaszar, Peter Cook,

Teddy Cruz, Max Fordham, Massimiliano

Fuksas, Edwin Heathcote, Anthony Hunt,

Charles Jencks, Jan Kaplicky, Robert

Maxwell, Jayne Merkel, Monica Pidgeon,

Antoine Predock, Michael Rotondi, Leon

van Schaik, Ken Yeang

Contributing Editors

André Chaszar

Craig Kellogg

Jeremy Melvin

Jayne Merkel

pp 98-101 © MGM Mirage; pp 102–104 © Peter

Durant; pp 105-106 © MacCormac Jamieson

Prichard; pp 107, 108(t&b), 110-111, 112(b) &

113-114 © Hodgetts+Fung Design and

Architecture; p 108(c) © Benny Chan/Fotoworks;

p 112(t) © Lara Swimmer/ ESTO ;pp 115-117 ©

Page + Park Architects; pp 120-121 © Ian Abley,

www.audacity.org; p 122(t) © Airlight Ltd; p

122(b) © John-Paul Frazer & Jacques Abelman;

p 123 © Tachi Laboratory, University of Tokyo; p

124 © Ateliers Jean Nouvel; pp 125 & 126(t&c)

98+

Published in Great Britain in 2005 by Wiley-

Academy, a division of John Wiley & Sons Ltd

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PO19 8SQ, England, Telephone (+44) 1243 779777

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115+

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119+

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122+

Editorial Helen Castle

Introduction: Mixology Sara Caples + Everardo Jefferson

London Calling Jeremy Melvin

Crazy Quilt Queens Jayne Merkel

Fabricating Pluralism Jamie Horwitz

Tijuana Case Study – Tactics of Invasion: Manufactured Sites Teddy Cruz

House/Home: Dwelling in the New South Africa Iain Low

Cengiz Bektas and the Community of Kuzguncuk in Istanbul David Height

Building Traditions: The Benny W Reich Cultural Center for the

Ethiopian Community, Yavneh, Israel Ruth Palmon

Making Place in Bangalore Anooradha Iyer Siddiqi

Masala City: Urban Stories from South Asia Kazi K Ashraf

Twenty-First Centur y China Edmund Ong

Holl on Hybrids Everardo Jefferson

Australasia Leon Van Schaik

Weeksville Education Building Sara Caples

The New Mix:

Culturally Dynamic Architecture

Guest-edited by Sara Caples and Everardo Jefferson

98+

Interior Eye: Turning Japanese Craig Kellogg

102+

107+

115+

119+

122+

124+

Building Profile: Senior Common Room Extension, St John’s College, Oxford Jeremy Melvin

Practice Profile: Hodgetts+Fung: The Art of Remix Denise Bratton

Home Run: Westerton Road, Grangemouth Henry McKeown

Book Review: Expressing More Than Structure Kate and Ian Abley

McLean’s Nuggets Will McLean

Site Lines: Puerta of Dreams Howard Watson

Editorial Helen Castle

Brick Lane, London, 2005.

As I write this editorial at the end of July 2005, this issue of AD has a poignancy

that was never anticipated at its inception. In light of the London bombings, there

is a strong awareness that the costs for a society of a culture that does not

realise true diversity and dynamic interaction may just be too high. True

multiculturalism in the arts, however, should not be realised in a sense of political

expediency. It cannot be paid lip service as a convenient flash-in-the-pan

government policy. It requires the excitement and enduring energy of committed

designers and artists. The guest-editors of this publication, Sara Caples and

Everardo Jefferson, are such architects. They set up their practice, Caples

Jefferson Architects, in New York almost two decades ago, and since then have

been working with communities in the city on public building and nonprofit projects.

Their unswerving commitment to the non-commercial sector has paid off, as in the

last few years they have been awarded nationally by their peers. What, however, is

remarkable, is the fact that despite the uphill struggle of often working to the

tight budgets of charitable foundations and city authorities, their enthusiasm has

not waivered. This issue is testimony to that fact, as they have set out to explore

the possibilities of a rich vein of culturally absorbent Modernism, while also

acknowledging the need to employ the highly contemporary modes of ‘quick

switching, layering and reframing’. In this volume, Caples and Jefferson have

stretched out to a global network of people with similar preoccupations. Most

impressively, those such as Teddy Cruz in San Diego and Cengiz Bektas in Istanbul

have also made a vocation of transversing cultures. This is also underscored by

research into local contexts, which take in New York, London, South Africa,

Bangalore in southern India, China and Australia. In 2+ , LA -based architects

Hodgetts+Fung, with their invocation of ‘the art of the remix’, make an interesting

postscript to the opportunities that the ‘new mix’ can offer. 3

2005 Sep - The New Mix Culturally Dynamic Architecture.pdf

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