CVO_117.pdf

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No. 117, March 30, 2011
OPENINGS
WHAT’S HOT AND WHAT’S NOT?
XIIIIIIIIY
9R+LWQKVL-TR0
9ZPP+N+PZPP0
9-+N+P+-+0
9+-+PZP-+-0
9-+-SN-ZP-+0
9+-SN-VL-+-0
9PZPP+-+PZP0
9TR-+QMKL+R0
XIIIIIIIIY
Even sharper
theoretical battles
By IM Merijn van Delft & IM Robert Ris
Frequency
As expected, Aronian didn't give up his lead and
won the last edition of the Amber Tournament. We
checked out rounds 9-11 for you. Of course, we also
take a look at the European Championship in Aix les
Bains, where 172 grandmasters are participating.
WHAT’S HOT?
Score
In Popov-Svidler (Spanish Four Knights), Black did indeed play the
improvement 9...¤g4, neutralising the line (compare CVO 113). Anand-
Carlsen is a further example of a Ruy Lopez leading to a King's Indian, as
we discussed three weeks ago. In Guseinov-Nielsen, Black got a winning
position from the Najdorf Poisoned Pawn version we examined in CVO 105,
but lost anyway. We also cover some highly critical Najdorfs and Taimanovs.
In our Game of the Week , Topalov-Nakamura, we examine a French version
of the Poisoned Pawn variation, which starts with 8...£b6 in the diagram
position. Volokitin-Cornette was an exciting French Winawer with 17.g4 as
the new direction. In A.Zhigalko-Lupulescu and Nevednichy-Dreev trust
was again displayed in the Caro-Kann Poisoned Pawn. Kotronias keeps
winning with the Caro-Kann main line.
Cheparinov-Ter Sahakhyan confirmed our judgement from CVO 85 that
17...cxb2 is pretty dangerous for Black. Wojtaszek-Hracek (Nimzo-Indian)
and Potkin-Savchenko (Budapest Gambit) are very beautiful games and
Kramnik-Ivanchuk (Catalan) is an amazingly complex blindfold game.
More on the Ragozin and Grünfeld can be found below. Brand new King's
Indian study material was provided by Giri-Grischuk, Kramnik-Nakamura
& Volokitin-Reinderman.
Source: Megabase + TWIC, 2500+ only
All's been quiet on the Sicilian Sveshnikov front lately, and this must be because of the new positional main line 9.¤d5 ¥e7 10.¥xf6 ¥xf6
11.c4. Black seems to be holding theoretically, but apparently not to the extent that it satisfies
world class players with Black, as it did when Leko and Kramnik played it ten years ago.
Polgar-Edouard (11.c3) and Nisipeanu-Kotronias (11.c4) were excellent wins for White.
WHAT’S NOT?
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ChessVibes OPENINGS what’s hot and what’s not?
No. 117, March 30, 2011
The French Poisoned Pawn
It looks like every opening has its own poisoned pawn variation. They seem to have one thing
in common: theoretically they are often better than their reputations, but in practice the positions
are not always easy to play. In any case, Topalov won a nice game against Nakamura.
GAME OF THE WEEK
25.¦e1!
The ¦ has done its job on the b-file and decides
to hit a new target. 25.¦xe6? is premature, in
view of 25...£xb1+.
25...£c4 26.¦bxe6 ¥b4?
Another mistake. Black should have tried
26...£xc3 27.¥xc3 ¤e5 (27...¥c5 28.¥a5+)
28.fxe5 ¥xe6 29.exf6 ¢d7 30.fxe7 ¦b8 and
although White is winning after 31.¥f6! it requires
precise play on his part.
27.¥xf6+ ¤xf6 28.£xf6+ ¢c7
XIIIIIIIIY
9-+L+-+-TR0
9+-MK-+-+P0
9-+-+RWQ-+0
9+-+P+-+-0
9-VLQ+-ZP-+0
9+-+-+-+-0
9-+P+-+PZP0
9+-+-TR-+K0
XIIIIIIIIY
29.¦e7+?
Almost throwing the win away! Far simpler would
have been 29.£e5+! ¢b7 (29...¢d7 30.£g7+)
30.£g7+ £c7 (30...¢b8 31.¦b6+) 31.¦e7 and
further loss of material is inevitable.
29...¥d7 30.£e5+ ¢c6
30...¥d6 loses to 31.¦xd7+! ¢xd7 32.£xh8.
31.£xh8 ¥xe7 32.£a8+
Not 32.¦xe7?? 32...£f1#.
32...¢c7 33.£a7+ ¢d8 34.£b8+
Topalov noticed in time that his intended
34.£b6+ ¢e8 35.£d6? is met by 35...£f1+!
36.¦xf1 ¥xd6 and Black should hold.
34...¥c8 35.£e5 ¥c5
After 35...¥b4 36.c3! £xc3 (36...¥xc3 37.£e7#)
37.£xd5+ White is winning.
36.f5!
Bringing another soldier to the front!
36...£xc2 37.f6 £f5 38.£e8+ ¢c7 39.¦c1 ¢b6
39...d4 is most simply met by 40.£b5 ¢d6
41.¦xc5 £xc5 42.£xc5+ ¢xc5 43.f7 and wins.
40.f7 d4 41.£d8+ ¢b5 42.£c7 and Black
resigned, as he gets mated soon. 1–0
Topalov,V (2775) - Nakamura,H (2774)
Amber Rapid (Monaco), 22.03.2011
C11, French, Classical
Lubbock 2010.) 16...£d8 17.0–0 £c8 18.¦b3
£c4 19.¤e2 ¥e7 though Black didn t face too
many difficulties in Karjakin-Nakamura, Monaco
blindfold 2011.
14...b5?
The most consistent response, but the
subsequent forced line seems to favor White.
Hence, better is 14...£h4+! and now:
a) 15.g3?! £h3! (The £ can t be harassed by
the light-squared ¥ anymore.) 16.¥xd7+ ¥xd7
17.¦xb7 h5 18.£e2 ¥e7 with reasonable play for
Black, but not 18...h4? 19.g4 ¦c8 20.¦b3!.
b) 15.¥f2 £d8 (15...£g4!?) 16.¥b6 £h4+ and it s
questionable whether White can prove anything
here at all.
15.¥xb5 axb5 16.¤xb5 £d8
The inclusion of 16...£h4+ 17.¥f2 £d8 only
helps White, as the ¥ is no longer vulnerable on
d4.
17.£c3 £a5 18.¤c7+ ¢d8 19.¤xa8 £xa8
20.0–0 £a4 21.¢h1!
The tempting 21.¦b8? is refuted by 21...£xd4+!
22.£xd4 ¥c5 and Black is clearly better.
21...¥e7
21...£c4 22.£a5+! £c7 (22...¢e8 23.¦d1 £a6
24.£c7 £c4 25.¦c3 £xc7 26.¦xc7 is better
for White; 22...¢e7 23.¦d1) 23.£xc7+ ¢xc7
24.¦c3+ ¢d8 (24...¢b8? 25.¦b1+ ¥b7 26.¦cb3)
25.¦b1 and the a-pawn decides the game (a4/
a5/¦c6 etc.).
22.¦fb1
Again 22.¦b8?! is unfavorable for White, in view
of 22...£c4 and after the exchange of £s, Black
is able to coordinate his forces on the queenside.
22...f6 23.exf6
The point of Black s previous move is that after
23.¦b8 £c4 24.£a5+ ¢e8! the ¢ escapes to the
other side.
23...gxf6 24.¦b6 £xa2
24...£c4 25.£xc4 dxc4 26.¦xe6 would have
been very difficult to defend for Black, due to
White s strong passer.
1.e4 e6 2.d4 d5 3.¤c3 ¤f6 4.e5 ¤fd7 5.f4 c5
6.¤f3 ¤c6 7.¥e3
In CVO 105 we had a look at 7.¤e2.
7...cxd4
7...¥e7 is considered the main line nowadays.
8.¤xd4 £b6
A move with a dubious reputation, but perhaps
it s playable. 8...¥c5 used to be Black s main
option.
9.£d2 £xb2 10.¦b1 £a3 11.¥b5 ¤xd4
12.¥xd4 a6
The most fashionable continuation. The
alternative 12...¥b4 is hardly seen anymore,
because of 13.¦b3 £a5 14.a3 ¥e7 15.f5 and
White retains a nasty initiative.
13.¦b3 £e7
XIIIIIIIIY
9R+L+KVL-TR0
9+P+NWQPZPP0
9P+-+P+-+0
9+L+PZP-+-0
9-+-VL-ZP-+0
9+RSN-+-+-0
9P+PWQ-+PZP0
9+-+-MK-+R0
XIIIIIIIIY
14.¥a4!?
Evidently the former World Champion has been
inspired by an earlier game of his second, which
went 14.0–0? axb5 15.¤xb5 £d8 16.£c3 £a5
17.¤c7+ ¢d8 18.¤xa8 £xa8 19.f5 b6! and
Black consolidated in Cheparinov-Vallejo Pons,
Dresden 2008, as he is able to install his ¥ on
c5. One day later, Karjakin tried to improve upon
the present game by 14.¥xd7+ ¥xd7 15.¦xb7
£h4+! 16.¥f2 (16.£f2 £d8 17.¥b6 £c8 18.¦c7
£d8 (18...£b8? 19.£d4! was better for White
in Brkic-Bitalzadeh, Rijeka 2008.) 19.¦b7 £c8
20.¦c7 £d8 21.0–0 ¦c8 22.¦xc8 (22.¦b7 £xb6!)
22...£xc8 23.£d4 a5! 24.f5 ¥b4 and Black
obtained sufficient counterplay in Almasi-Meier,
TOPALOV - NAKAMURA
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ChessVibes OPENINGS what’s hot and what’s not?
No. 117, March 30, 2011
THIS WEEK’S HARVEST
Sicilian Najdorf, 6.¥g5 ¤bd7
XIIIIIIIIY
9R+L+KVL-TR0
9+P+-+PZP-0
9P+-+PZP-ZP0
9+-+-+-+-0
9-+Q+N+-WQ0
9+N+-+-+-0
9PZPPVL-+-+0
9TR-MK-+L+N0
XIIIIIIIIY
1.e4 c5 2.¤f3 d6 3.d4 cxd4 4.¤xd4 ¤f6 5.¤c3 a6 6.¥g5 ¤bd7 7.£e2 £a5 8.h4 h6 9.¥d2 £b6 10.¤b3 e6 11.g4
¤e5 12.f4 ¤exg4 13.e5 dxe5 14.fxe5 £c7 15.exf6 £g3+ 16.¢d1 ¤f2+ 17.¢c1 ¤xh1 18.¤e4 £xh4 19.£c4
In CVO 113 we pointed out the problems Black currently has after 7.¥c4!? and now more problems seem to be
coming from a different direction. If Black can be smart by first playing 6...¤bd7!?, then White can be equally
smart by first playing 7.£e2!?. Now 7...e6 8.f4 and 7...£c7 8.0–0–0 e6 9.f4 are transpositions to the Gelfand
Variation (6...e6 7.f4 ¤bd7 8.£e2). 7...b5 is recommended in the new Najdorf book by Ftacnik, but here the
novelty 8.a4! must be critical. 7...h6 8.¥h4 was tested in a few grandmaster games last year, but White seems to
be doing well there. The idea behind Black playing 7...£a5 is 8.¥h4 e5! 9.¤f5 d5! with a powerful initiative, but
in Vallejo Pons-Papaioannou, White played the clever novelty 8.h4!?. The similar 8.¥d2 £b6 9.¤b3 also comes
into consideration. After a move like 12.¦g1 the position resembles a Keres Attack. With the sharp 12.f4!? Vallejo
set the board on fire with a wild move sequence leading to the diagram position. As far as we can tell, 19...£h2
seems to maintain the balance, but it's definitely shaky.
Sicilian, Taimanov
XIIIIIIIIY
9-+R+-TRK+0
9+-WQPVL-ZPP0
9P+-+P+-+0
9+P+L+PSNP0
9-+-+-+-+0
9+-+LWQN+-0
9PZPP+-+P+0
9+-MKR+-+R0
XIIIIIIIIY
1.e4 c5 2.¤f3 e6 3.d4 cxd4 4.¤xd4 ¤c6 5.¤c3 £c7 6.¥e3 a6 7.£d2 ¤f6 8.0–0–0 ¥b4
9.f3 ¤e5 10.¤b3 b5 11.£e1 ¥e7 12.f4 ¤g6 13.e5 ¤g4 14.¤e4 ¤xe3 15.£xe3 0–0
16.h4 ¥b7 17.h5 ¦ac8 18.¥d3 ¤xe5 19.fxe5 £xe5 20.¤bd2 f5 21.¤f3 £c7 22.¤eg5 ¥d5
Vladimir Potkin is one of the world's top seconds, but at the European Championship he's proven himself to be a
great player in his own right by dominating the first part of the tournament. In the main line of the English Attack
vs the Taimanov Black has been suffering after 11.£e1, but Potkin is one of the few people to have wondered:
why not grab the pair of bishops with 14...¤xe3? People kept repeating each other by playing 14...0–0, but
after 15.¥c5 White can comfortably play for an edge. When White pushes his h-pawn up the board as quickly
as possible, as indeed happened in Ter Sahakyan-Potkin, Black suddenly sacrifices the ¤ on e5 for great
compensation. The calm retreat 21...£c7 by Potkin was the first new move and quickly led to a strong attack for
Black with a nice ¦ sacrifice. In the correspondence game Corbat-Pfiffner, 2008, Black immediately increased
the investment up to a ¦ with 21...£d5 22.¤c3 ¦xc3!? getting a brilliant pawn steam roller in the endgame. White
should probably stick to 17.¤d6, as in Mamedov-Geller.
Ragozin
XIIIIIIIIY
9R+L+-TRK+0
9ZPP+-+P+-0
9-+N+-+-ZP0
9+-+PSN-ZPL0
9-+PZP-+-+0
9+-WQ-ZP-VL-0
9P+-+-ZPPZP0
9+-+Q+RMK-0
XIIIIIIIIY
1.d4 ¤f6 2.c4 e6 3.¤f3 d5 4.¤c3 ¥b4 5.cxd5 exd5 6.¥g5 h6 7.¥h4 c5 8.e3 g5 9.¥g3 c4
10.¥e2 ¤e4 11.¦c1 £a5 12.¤e5 ¤c6 13.0–0 ¥xc3 14.bxc3 ¤xc3 15.¦xc3 £xc3 16.¥h5 0–0
The Ragozin is one of those openings where players keep on finding potential hidden resources for both sides. In
CVO 97 we covered Kramnik's investigation of the main line with the useful inclusion of ...h6. Instead of Aronian's
8.dxc5, more principled is 8.e3 which more or less forces Black to proceed with 8...g5 to justify the advance
of his h-pawn. In the blindfold section Topalov came up with the interesting refinement 12.¤e5!? over 12.0–0
which was seen in Riazantsev-Onischuk, Poikovsky 2010, but couldn't really impress, despite all the tactical
skirmishes. In the diagram position Topalov opted for 17.£f3, after which Aronian immediately went wrong with
17...¤d8, allowing the £ to invade on f6. He should instead have opted for 17...¢g7!, covering the f6 square,
when it's not evident whether White can really hope for an advantage at all. Apparently Nielsen had come to the
same conclusion, and he deviated four days later with 17.¥xf7. Subsequent play deserves further investigation,
but it seems White doesn't have sufficient attacking potential for more than a draw.
Grünfeld, Exchange
XIIIIIIIIY
9R+-+-+K+0
9ZPP+-SN-VLP0
9-+-+PZPP+0
9+-+-+-+-0
9-+-+-+-+0
9+LWQ-VLN+-0
9P+-TR-ZPPZP0
9+-+-MK-+R0
XIIIIIIIIY
1.c4 ¤f6 2.d4 g6 3.¤c3 d5 4.cxd5 ¤xd5 5.e4 ¤xc3 6.bxc3 ¥g7 7.¥e3 c5 8.£d2 £a5 9.¦c1 0–0 10.¤f3 ¦d8 11.d5 e6
12.¥g5 f6 13.¥e3 ¤c6 14.¥d3 exd5 15.exd5 c4 16.¥xc4 ¥e6 17.¦d1 ¤e7 18.dxe6 ¦xd2 19.¦xd2 £xc3 20.¥b3
Memorizing one's own analysis is one of the most important tasks of a professional player nowadays. In
Lupulescu-Bukavshin, the black player might have fallen into a variation which was fairly unknown to him, or
perhaps one he knew well but where he'd forgotten all the nuances. In the diagram position the talented Russian
went astray with 20...£a1?, which was strongly met by 21.¥d1! When entering that line you have to see that
after 21...¤f5 22.0–0, 22...¤xe3 isn't possible, because of the surprising 23.e7! Due to White's powerful e-pawn
and the discoordination of Black's pieces, White is clearly on top. It's worth going through the rest of the game,
where the Romanian GM shows the strength of the cooperation of White's pieces. Five rounds later in Pashikian-
Cornette, Black chose the correct 20...£c1!, which was already played once before in Potkin-Svidler. However,
White could then have claimed an edge had he played 26.¦d1. Hence Cornette's improvement, 22...£b4!, is
important for the evaluation of the line, as now 23.¦d7 allows Black to play 23...£b5! leading to a repetition of
moves. In analysis, I (RR) failed to improve on White's play.
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ChessVibes OPENINGS what’s hot and what’s not?
No. 117, March 30, 2011
IT'S YOUR MOVE
XIIIIIIIIY
9R+LWQ-TRK+0
9ZPP+-+PZPP0
9-+P+-+-+0
9+-+P+-+-0
9-+-+-VLN+0
9+-ZPL+N+P0
9PZPPWQ-ZPP+0
9+K+R+-+R0
XIIIIIIIIY
XIIIIIIIIY
9R+L+-TRK+0
9ZP-+N+P+-0
9-ZP-+P+PZP0
9+-VLQ+-+-0
9-+-ZP-+-VL0
9+-+-ZPN+-0
9PZPQ+-ZPPZP0
9+LTRR+-MK-0
XIIIIIIIIY
O
O
LAST WEEK'S SOLUTIONS
XIIIIIIIIY
9RSN-TR-+K+0
9+LWQP+PZPP0
9PZP-VLPSN-+0
9+-+-+-+-0
9-+PSNP+-+0
9ZP-SN-VLP+-0
9-ZP-+L+PZP0
9+-TRQ+RMK-0
XIIIIIIIIY
Ivanchuk-Carlsen, Amber Blindfold (Monaco) 2011
How to defend the pawn on h2? Ivanchuk had no trouble with that and played the cool 13.¢h1! ¤c6 The
refutation of 13...¥xh2 is surprisingly brutal: 14.f4 ¥g3 15.e5 ¤e4 and now the killer 16.¤d5! exd5 17.cxd5 ¤c5
18.d6 £c8 19.¤f5 regaining the piece with complete domination. 13...¥f4 may be relatively best. 14.¤db5!
and Carlsen could have safely resigned here. 14...axb5 15.¤xb5 ¥xh2 16.¤xc7 ¥xc7 17.c5 bxc5 18.¦xc5
d5 19.¦xc6 ¥xc6 20.£c1 ¥e5 21.f4 ¥xb2 22.£xb2 ¤xe4 23.¦c1 ¦ab8 24.£e5 ¥e8 25.¥d3 ¦b3 26.¥d4 f6
27.£xe6+ ¥f7 28.£a6 h5 29.¦c7 1–0
XIIIIIIIIY
9RSNLWQR+K+0
9ZPP+-+PZP-0
9-+P+-SN-ZP0
9+-+PZP-+-0
9-VLP+-+-+0
9+-SNP+NZP-0
9PZP-VLPZPLZP0
9TR-+Q+RMK-0
XIIIIIIIIY
Gashimov-Topalov, Amber Rapid (Monaco) 2011
Black's last move 8...h6 is a serious mistake. Instead he should have played 8...dxc4 like Gelfand did last year.
Now Black gets into trouble after 9.¤xd5! ¤xd5 9...¥xd2 10.¤xf6+ wins a pawn. 10.cxd5 ¥xd2 11.¤xd2 cxd5
12.£b3! A double attack on b7 and e4. Black is unable to avoid the loss of a pawn. 12...¥e6 13.£xb7 ¤d7
14.£a6 ¤c5 15.£a3 £b6 16.¦fc1 ¦ac8 17.¦c3 d4 18.¦c2 ¤a6 19.¦ac1 ¦xc2 20.¦xc2 ¤b4 21.¦c1 ¤xa2
22.¤c4 ¤xc1 23.¤xb6 axb6 24.£a4 ¦d8 25.¥f3 ¥h3 26.¥g2 ¤xe2+ 27.¢f1 ¥xg2+ 28.¢xg2 e4 29.£d1 exd3
30.¢f1 g5 31.¢e1 ¤c3 32.£xd3 ¦e8+ 33.¢f1 ¤e2 34.£xe2 ¦xe2 35.¢xe2 ¢f8 36.¢d3 ¢e7 37.¢xd4 ¢d6
38.g4 f6 39.¢c4 ¢c6 40.b3 b5+ 41.¢b4 ¢b6 42.h3 ¢c6 43.¢a5 ¢c5 44.b4+ ¢c4 45.f3 1–0
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