The UnSacred Texts of the Koton.pdf

NO PART OF THIS DOCUMENT MAY BE REPRODUCED WITHOUT THE EXPRESS

WRITTEN CONSENT OF THE PUBLISHERS

INTRODUCTION TO THE ELECTRONIC EDITION

The Unsacred Texts Of The Koton is rude, lewd and crude and is per-

haps the very voice of the Devil himself but don’t let that stop you from

reading it alone in a darkened room as the moon rises high in the virgin

night sky.

It is a strange fusion of alchemy, ancient wisdom and near pornographic heresy. In

other words, it has all the makings of a popular novel but in order to best understand

the work, an altered state of consciousness may be in order.

Rest assured that if this altered state is not self-induced you will soon feel the power-

ful effects of its madness and the publishers are not responsible for the consequences.

There is nothing inordinately evil or hateful in the text itself nor do we believe that the

text is hateful or even necessarily evil.

There is a very strong allegory within the text however and we urge the reader to find

that place within their consciousness to understand or grasp its hidden meaning.

As stated however this text is presented for information and perhaps entertainment

purposes only.

There is no justification for any acts committed in the name of this text nor is there any

material within this text which would hasten or encourage any acts of violence, subver-

sion or hatefulness or any wrongdoing whatsoever.

You may be prompted to ask us of course, as the publishers, what is our opinion of

The Unsacred Texts Of The Koton ?

Our answer is sincere. The alchemical material within the text is fascinating as is much

of the bizarre poetry and strange allusions.

We don’t see any evil in this book nor do we see anything that most people would ordi-

narily believe to be Satanic or subversive.

In this frequently bizarre and disturbing manuscript, we definitely see heresy and we

definitely see a lot of profane language but beyond that, the works of Satanic organiza-

tions and their ilk are much more negative and it is perhaps with that in mind that lends

credence to the work itself.

It’s amazingly harmless and even ends with an optimistic and powerful message. But

perhaps that’s what makes The Unsacred Texts Of The Koton most notorious and

most insidious because in case you haven’t heard, the Devil always lies and it is

through lies that we are all so easily seduced.

There are certain ancient books and scrolls that are described as apocryphal. They are

hidden texts or unknown or unrecognized works of wisdom and history.

Certainly just as the Necronomicon is of controvertible origins, so must be considered

The Unsacred Texts Of The Koton to be of debatable derivation and purpose but that

can be said of almost any philosophical work and of any work of legend. None of which

makes it no less shocking.

But as to their precise lineage of that only you can be the judge. And whether The Un-

sacred Texts Of The Koton are indeed the rantings, the ravings and the very words of

Satan himself…

That remains to be seen and we will ask you to be the final judge. Understanding of

course that one should not be quick to judge, lest you be judged yourself.

THE SIGNIFICANCE OF THE KOTON

The Unsacred Texts Of The Koton is comprised of some material that dates back thou-

sands of years and is inspired by the writings of histories that perhaps predate written

history.

The complete text presents both a disturbing and mystical treatise on the power of evil

and what appears to be a quest for a purified early Satanism or perhaps it’s something

else.

Most of the original scrolls of ancient wisdom have been long since damaged or de-

stroyed but the text here includes carefully restored alchemical texts and has been

transcribed for easier reading by modern English speakers. Unfortunately many of the

materials were compiled after significant damages inflicted by the Second World War.

However, it is both a privilege and an invitation to suffer eternal damnation to provide

this introduction to this most unsacred of works.

It is clear that the Koton is either allegorically or directly linked to Satan or is more than

likely what we would understand to be Satan in modern times. This devil of old or Le-

viathan is presented as a monster through whom we can better understood our true

nature and our selves.

Middle Eastern Mythology tells us that the Leviathan mentioned in JOB, and elsewhere

in the Old Testament, is the Hebrew name given to the Serpent TIAMAT, and reveals

that there was in existence either a cult, or scattered individuals, who worshipped or

called up the Serpent of the Sea, or Abyss.

Indeed, the Hebrew word for Abyss that is found in GENESIS 1:2 the Tehom, which

the majority of scholars take to be a survival of the name of the chaos-dragon TIAMAT

or Leviathan that is identified closely with KUTULU or Cthulhu within the pages are

mentioned independently of each other, indicating that somehow KUTULU is the male

counterpart of TIAMAT, similar to ABSU.

This monster is well known to cult worship all over the world. In China, however, there

is an interesting twist. Far from being considered a completely hostile creature, dedi-

cated to the erasure of mankind from the page of existence, the Dragon is given a

place of pre-eminence and one does not hear of a Chinese angel or saint striving to

slay the dragon, but rather to cultivate it.

The Chinese system of geomancy, feng shui (pronounced fung shway) is the science

of understanding the "dragon currents" which exist beneath the earth, these same tel-

luric energies that are distilled in such places as Chartres Cathedral in France, Glas-

tonbury Tor in England, and the Ziggurats of Mesopotamia.

In both the European and Chinese cultures, the Dragon or Serpent is said to reside

somewhere "below the earth"; it is a powerful force, a magickal force, which is identi-

fied with mastery over the created world; it is also a power that can be summoned by

the few and not the many. However, in China, there did not seem to be a backlash of

fear or resentment against this force as was known in Europe and Palestine, and the

symbol of might and kingship in China is still the Dragon.

In the West, the conjuration, cultivation, or worship of this Power was strenuously op-

poses with the advent of the Solar, Monotheistic religions and those who clung to the

Old Ways were effectively extinguished. The wholesale slaughter of those called

"Witches" during the Inquisition is an example of this and the shunning of anything akin

to moon magic or the worship of the mystical powers of the night.

For the orgone of Wilhelm Reich is just as much Leviathan as the Kundalini of Tantrick

adepts, and the Power raised by the Witches. It has always, at least in the past two

thousand years, been associated with occultism and essentially with Rites of Evil

Magick, or the Forbidden Magick, of the Enemy, and of Satan . .

This God of the Moon was called NANNA by the Sumerians. By the later Sumerians

and Assyrians, he was called SIN. In both cases, he was the Father of the Gods (of the

planetary realm, the zonei), and was depicted as wearing horns, a symbol familiar to

the Witches as representative of their God. The horn shaped crown is illustrative of the

crescent phases of the Moon, and were symbolic of divinity in many cultures around

the world, and were also thought to represent certain animals who were horned, and

worshipped for their particular qualities, such as the goat and bull. They also represent

sexual power.

Extreme sexual power through which all power is derived.

The fact that, in ancient Sumeria and Egypt, horns were solely representative of evil

gods, but of many different deities, was used by the Christian Church in their attempt to

eradicate pagan faiths.

It was a simple enough symbol to identify with the Author of Evil, Satan, which the

Church depicted as a half-animal, half-human creature with horns, claws, and some-

times a tail. The Church's use of the horns as a sort of archetype of Evil is quite similar

to the feeling many people have today with regards to the swastika used by the Nazis,

a symbol which has become the archetype of an evil sigil in the West.

The fact that it is a highly valued mystical and religious symbol in the East is something

that is not well-known. What is worse, the image of the Devil as perpetrated by the

Church is simultaneously representative of sexual energy, and can be safely compared

to Jung's archetype of the Shadow, the psychic repository of a man's innate maleness,

as the anima represents that part of a man which is feminine.

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