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The Drink Tank
Issue XIX
Bonfante Gardens: Where the Weird Trees Grow...
I love amusement parks and I love trees. There's a place in Gilroy
that combines the two in a way that I am just fascinated by. The
place is called Bonfonte Gardens, and it features some great botany.
You see, Bonfante Gardens is really based around one guy's lifetime
of work with trees. But these are not ordinary trees. These are
Circus trees!
In the 1920s, a fellow named Axel Erlandson started working with
trees. His technique, which is still not totally understood, was to get
trees to meld, to make strange shapes and forms. His first attempt
was to take four separate trees and graft them together into a single
tree. That was in 1925 and the tree is still alive and thriving today.
Axel first started his work in Hilmer, CA, nearish to Fresno. He then
moved them to a parcel of land in Santa Cruz County's beautiful city
of Scott's Valley. There was an amusement park there called Santa's
Village and another called The Lost World, or so such and the Circus
Trees fit right in on Highway 17. Sadly, after Axel's death in 1964, the trees were abandoned and
many of them died. This led to a grass roots effort to save them, which included trespassing to
water and feed them, and eventually got them purchased by Michael Bonfante for his planned
theme park
My mom said she wanted to take
me, The Little One and Gen out to
see the place. We got our passes
and headed in, passing the first of
the Circus Trees, simple hearts and
loops. The main entrance took you
through a thick grove of Sycamore
Trees that grew over the walk way.
Like most amusement parks, the
first thing you see when you've
made it through the entry is the
Carousal. This was a small one, brought up from LA,
but it's beautiful. The other thing we noticed, pretty
immediately, was that there was a huge event where all
the Mexican radio stations around San Jose came up
and had music and did live broadcasts. This was odd,
though I was hoping that I'd get to hear some Mariachi.
Alas, this did not happen. I've always said that my
wedding and my funeral will have one thing in
common: Mariachis playing Jethro Tull's Aqualung.
Happily, neither of those days was that Sunday.
Evelyn, being five, instantly wanted to go on the rides.
Most of the rides are agriculturally themed, so she
wanted to ride the Strawberry Ride first. Gen, a
strawberrholic, seemed to be dreaming of what she
could do with a berry the size of the ride cars.
Top Photo: The Four-Legged Giant
Middle: The Carousel (Evelyn is wearing
the pink sweats)
Bottom: A Dance Contest at one of the
Mexican Radio booths
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The Drink Tank
Issue XIX
Surrounding the rides were huge numbers of plants. Flowers and
shrubs and trees and you name it. There was a ride where you went
into an artichoke and there were artichoke plants outside. A garlic
ride had garlic growing around it. The entire park incorporated the
horticulture instead of just making it dressing for the rides. The
effect was quite beautiful. After we rode the Strawberries, we
headed in and found the first amazing Circus tree. This one was
called The Basket Tree. Basically, it was six trees made into one
with 42 separate connections between them. This was a marvel.
Evelyn, far more interested in the ride beyond it, didn't even look at
it. Gen, who thinks my tree love makes me a dendraphile, looked
briefly and wandered on. I stared at the thing for a long
time, walking around to see all the different connections.
This tree was probably the most impressive in the park
when it came to placement (in the middle of a circle in a
high-traffic area) and very close to that level in
complexity. As you can see, the tree is supercomplex
and took nearly 10 years to complete as he had several
failed and half-succeeded attempts that were impressive
in their own right. We ate (deep fried foods that did a
number on my stomach) and then went on the water ride
that did nothing but take you past beautiful flower beds
and topiary work. This was gorgeous, but I think even I
had a hard time accepting that we waited 30 minutes to
ride.
As we got off the boats, we walked around. There was a beautiful pond with a series of waterfalls.
The whole thing made me wonder which was bigger: this pond with it's four waterfalls or the pool
at the Daugherty place in Henderson! It's gorgeous, and Evelyn didn't much like it. In fact, she
got grumpier and grumpier the longer we kept looking at the landscaping, as you can tell in the
photo below. This is a place designed for kids that can be difficult to take kids to.
The most interesting tree has to be the Oil Rig tree. It's in a bad location,
and it's not nearly as large as the Basket tree, but the number of loops,
grafts and the precision of it really made it my favourite. As you look at it, it
changes as you get different sides of it. The tram ride around it gave the
best look at the tree and the intricate work that
went into it. Sadly, only one of my photos of it
came out. I wondered if they ever did walk-
throughs for the seriously interested so that they
could get up close and personal with the tree
and perhaps talk with a Tree Curator (is there
such a thing?). I'd have loved to gotten a ten
minute talk and up-cloe look at this one, but it
wasn't in the cards.
Top: Evelyn and Gen on the Strawberries
Below that: The Basket Tree with my Mom and Evelyn
Left: The Oil Rig Tree
Right: A Grumpy Evelyn ('Stop looking at that tree!' she
said)
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The Drink Tank
Issue XIX
We walked around and looked at things. Their tropical greenhouse,
called the Monarch Garden, was very nice, though I've been to far
more impressive ones, even this close to home. They did have a
number of butterflies in a cage, along with a few caterpillars that
were about to start their chrysalis development. They would be
released into the garden at the end of the day. They were really
beautiful, though they weren't monarchs.
The best ride had to be the train that took you around. Evelyn
liked it and I got my chance to look at a couple of
trees that were only visible from the train and all
the other plants. My mom liked it because she
didn't have to walk. After we got off again, I went
around and checked out the trees again. I had
no idea these were as cool as ther turned out to
be. I had seen them on TV once, back in 1997,
but seeing them was 100 times better.
We headed out right as The Little One hit her
wall. I was amazed by the trees and Evelyn had
a good time, even if she bratted-out towards the
end. I highly recommend taking in Bonfante
Gardens if you're in San Jose with a day to do
nothing but look at trees.
Follow-On: ArborSculpture
Now, Bonfante Gardens claims that the process of growing trees
like Erlandson did has been lost. I figured that was a load of hooey
when we drove out and there were small trees growing tied to an
arch of steel, forming a small tree arch. I started looking around
and there are a number of people working on tree sculptures
around the world.
Probably the best known of these ArborSculpturalists is Richard
Reams. He's an Oregonian who was inspired by a visit to the Tree
Circus as a child. In his spirit, he began creating trees in various
shapes. The trees that most impress me are the chairs and
benches. His works are amazing, and he seems to make works
that are more elegant than many of the Circus Trees, which are
grand scale events. It's like the Circus Trees are The Phantom of
the Opera while Reams' work is an Ibsen play.
The two most impressive international works seem to be from
Australia and Israel. The Australian trees are quite beautiful, right
up there with the Reams' stuff, but they also have a better eye for
decoration. Peter Cook has been growing trees like these for years
and has several pieces at the World Expo in Japan. Aharon Naveh
does pieces that are cruder in Israel, but they are also larger. His
works most remind me of the Circus Trees.
I'm impressed with all the work these folks have done. I hope I
get to see more of them over the years. I almost wanna go out and
start planting myself. I said almost.
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The Drink Tank
Issue XIX
Comments and Complaints
Sent to garcia@computerhistory.org
By My Gentle Readers
Eric Mayer- http://www.journalscape.com/ericmayer
Hi,
Wow, I keep overlooking these Drink Tanks they pop up so fast. Some great stuff, particularly in
issue 15, the mythical comics fanzine and your dad. (A carny? Really? Sounds very interesting -
particularly if you aren't doing it probably...) As for him and Niekas...I'm not surprised someone
could think so highly of a particular fanzine. During several years of my life Donn Brazier's TITLE
was hugely important to me. I was variously aimlessly drifting through school and out of work,
with no discernable future, obviously out of step with the world (which had as little use for me as I
for it) but when TITLE arrived every month, filled with folks who seemed to value creativity and
literacy and shared my curiosity about things...not to mention didn't treat me and what I had to
say like dirt...well, that helped me get through some hard times.
Such is the joy of fanzines. It's odd, since my Dad was never closely involved with the
editors of fanzines or fanzine fandom, I didn't expect him to have formed such close ties
with a title. Then again, with my Dad, nothign is shocking. And he has some great stories
about his days with the games tents and almost getting fired for not using the 'fixes' on his
games more often.
Our society concentrates so much on whatever is *BIG*. Whatever appeals to the most people,
sells the most, is read by or watched by the most.
But the most important things in our lives are not measured that way.
Obviously people you know, for instance, however limited their fame, are more important to you
than celebrities. But the same can be true of art. Things that appeal only to a few may appeal
much more strongly to those few than any mass appeal stuff ever could. So to a few people a
fanzine can be a lot more important than the latest bestseller is to anybody.
Amen. There are some fanzines that will always have a place in my heart, Granfalloon for
example, and those places aren't really held by many books (though there are a couple of
novels that I can truly say helped change my life). A fanzine can be a powerful tool,
effective in a way most other media isn't due to the personal feel.
As for baseball...when I was a kid the most exciting day of the year (outside of Christmas) was
when the new Strat-O-Matic cards arrived in the mail. I have pretty much avoided computer
baseball games as potential time blackholes. One thing I have noticed when I've sampled them is
that at a certain point accuracy of simulation starts to detract (for me) from the fantasy quality. It
becomes a little too real somehow.
I love Stat-o-Matic cards. I have a bunch of them. There are a few really good simulators,
my fave being Baseball Mogul, but I can see what you're saying.
Have you run across SBS baseball?
http://sbs-baseball.com/
Very simple but cool freeware with practically every team, going back into the 1800s, plus a
growing library of minor league teams, Japanese teams etc. Not nearly as accurate as commercial
games but lots of room for imagination.
Eric
I can see that I am going to be spending a lot of time with this one. I love Japanese
Baseball, so this one is just about perfect.
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