Anton Lavey - The Satanic Bible.pdf

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Copyright ©1969 by Anton Szandor LaVey - All rights reserved, which includes the right to reproduce this material or portions
thereof in any form whatsoever except as provided by the U.S. Copyright Law.
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Called "The Black Pope" by many of his followers, Anton LaVey began the road to High
Priesthood of the Church of Satan when he was only 16 years old and an organ player in a
carnival:
"On Saturday night I would see men lusting after half-naked girls dancing at the
carnival, and on Sunday morning when I was playing the organ for tent-show evangelists
at the other end of the carnival lot, I would see these same men sitting in the pews with
their wives and children, asking God to forgive them and purge them of carnal desires.
And the next Saturday night they'd be back at the carnival or some other place of
indulgence.
"I knew then that the Christian Church thrives on hypocrisy, and that man's carnal
nature will out!"
From that time early in his life his path was clear. Finally, on the last night of April, 1966 -
Walpurgisnacht , the most important festival of the believers in witchcraft - LaVey shaved his
head in the tradition of ancient executioners and announced the formation of The Church Of
Satan. He had seen the need for a church that would recapture man's body and his carnal desires
as objects of celebration. "Since worship of fleshly things produces pleasure," he said, "there
would then be a temple of glorious indulgence..."
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INDEX
- INTRODUCTION by Burton H.Wolfe ............................................................................... 5
- PREFACE ......................................................................................................................... 11
- PROLOGUE ..................................................................................................................... 12
- THE NINE SATANIC STATEMENTS .............................................................................13
(FIRE)
BOOK OF SATAN
- The Infernal Diatribe -
(I, II, II, IV, V) .......................................................................................................... 14
(AIR)
BOOK OF LUCIFER
- The Enlightenment - ..................................................................................................... 21
I. Wanted!: God - Dead or Alive
II. The God You SAVE May Be Yourself
III. Some Evidence of a New Satanic Age
IV. Hell, the Devil, and How to Sell Your Soul
V. Love and Hate
VI. Satanic Sex
VII. Not all Vampires Suck Blood
VIII. Indulgence... NOT Compulsion
IX. On the Choice of a Human Sacrifice
X. Life After Death Through Fulfillment of the Ego
XI. Religious Holidays
XII. The Black Mass
(EARTH)
BOOK OF BELIAL
- The Mastery of the Earth - ........................................................................................... 59
I. Theory and Practice of Satanic Magic:
(Definition and Purpose of Lesser and Greater Magic)
II. The Three Types of Satanic Ritual
III. The Ritual, or “Intellectual Decompression”, Chamber
IV. The Ingredients Used in the Performance of Satanic Magic:
1. Desire
2. Timing
3. Imagery
4. Direction
5. The Balance Factor
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V. The Satanic Ritual:
1. Some Notes Wich are to be Observed Before Beginning Ritual
2. The Thirteen Steps
3. Deviced Used in Satanic Ritual
(WATER)
BOOK OF LEVIATHAN
- The Raging Sea - ................................................................................................... 81
I. Invocation to Satan
II. The Infernal Names
III. Invocation Employed Towards the Conjuration of Lust
IV. Invocation Employed Towards the Conjuration of Destruction
V. Invocation Employed Towards the Conjuration of Compassion
VI. The Enochian Keys and The Enochian Language
(The nineteen Keys will be listed here in chronological order):
The First Key (Enochian - English)
The Second Key (Enochian - English)
The Third Key (Enochian - English)
The Fourth Key (Enochian - English)
The Fifth Key (Enochian - English)
The Sixth Key (Enochian - English)
The Seventh Key (Enochian - English)
The Eighth Key (Enochian - English)
The Nineth Key (Enochian - English)
The Tenth Key (Enochian - English)
The Eleventh Key (Enochian - English)
The Twelfth Key (Enochian - English)
The Thirteenth Key (Enochian - English)
The Fourteenth Key (Enochian - English)
The Fifteenth Key (Enochian - English)
The Sixteenth Key (Enochian - English)
The Seventeenth Key (Enochian - English)
The Eighteenth Key (Enochian - English)
The Nineteenth Key (Enochian - English)
AFTERWORD by “The Webmaster” ..................................................................................107
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INTRODUCTION
Burton H. Wolfe
On a winter's evening in 1967, I drove crosstown in San Fransisco to hear Anton Szandor LaVey
lecture at an open meeting of the Sexual Freedom League. I was attracted by newspaper articles
describing him as "the Black Pope" of a Satanic church in which baptism, wedding, and funeral
ceremonies were dedicated to the Devil. I was a free-lance magazine writer, and I felt there might
be a story in LaVey and his contemporary pagans; for the Devil has always made "good copy", as
they say on the city desk.
It was not the practice of the black arts itself that I considered to be the story, because that is
nothing new in the world. There were Devil-worshipping sects and voodoo cults before there
were Christians. In eighteenth-century England a Hell-Fire Club, with connections to the
American colonies through Benjamin Franklin, gained some brief notoriety. During the early part
of the twentieth century, the press publicized Aleister Crowley as the "wickedest man in the
world". And there were hints in the 1920s and '30s of a "black order" in Germany.
To this seemingly old story LaVey and his organization of contemporary Faustians offered two
strikingly new chapters. First, they blasphemously represented themselves as a "church", a term
previously confined to the branches of Christianity, instead of the traditional coven of Satanism
and witchcraft lore. Second, they practiced their black magic openly instead of underground.
Rather than arrange a preliminary interview with LaVey for discussion of his heretical
innovations, my usual first step in research, I decided to watch and listen to him as an unidentified
member of an audience. He was described in some newspapers as a former circus and carnival lion
tamer and trickster now representing himself as the Devil's representative on earth, and I wanted
to determine first whether he was a true Satanist, a prankster, or a quack. I had already met
people in the limelight of the occult business; in fact, Jeane Dixon was my landlady and I had a
chance to write about her before Ruth Montgomery did. But I had considered all the occultists
phonies, hypocrites, or quacks, and I would never spend five minutes writing about their various
forms of hocus-pocus.
All the occultists I had met or heard of were white-lighters: alleged seers, prophesiers, and
witches wrapping their supposedly mystic powers around God-based, spiritual communication.
LaVey, seeming to laugh at them if not spit on them in contempt, emerged from between the lines
of newspaper stories as a black magician basing his work on the dark side of nature and the carnal
side of humanity. There seemed to be nothing spiritual about his "church".
As I listened to LaVey talk that first time, I realized at once there was nothing to connect him
with the occult business. He could not even be described as metaphysical. The brutally frank talk
he delivered was pragmatic, relativistic, and above all rational. It was unorthodox, to be sure: a
blast at established religious worship, repression of humanity's carnal nature, phony pretense at
piety in the course of an existence based on dog-eat-dog material pursuits. It was also full of
sardonic satire on human folly. But most important of all, the talk was logical. It was not quack
magic that LaVey offered his audience. It was common sense philosophy based on the realities of
life.
After I became convinced of LaVey's sincerity, I had to convince him that I intended to do some
serious research instead of adding to the accumulation of hack articles dealing with the Church of
Satan as a new type of freak show. I boned up on Satanism, discussed its history and rationale
with LaVey, and attended some midnight rituals in the famous Victorian manse once used as
Church of Satan headquarters. Out of all that I produced a serious article, only to find that was
not what the publishers of "respectable" magazines wanted. They were interested in only the freak
show kind of article. Finally, it was a so-called "girlie" or "man's" magazine, Knight of September
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