Red Death.pdf

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RED DEATH
WHITE FIELDS
By Mig Jimenez
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I feel that the year 1943 is especially
important for the modeller, because
we can find so many interesting ideas
and much inspiration from which to
make our models. For example on
Soviet vehicles the winter camouflage
can be seen to have worn very quickly
and roughly, and with a premature
spring this would be hastened by the
soldiers’ attempts to scrub off the
whitewash. With the return of warmer
weather the snow quickly melted,
producing very muddy conditions
where armoured vehicles found it hard
to operate. As a result, the infantry
had more opportunity to engage the
enemy with the knowledge that an
armoured counterattack would be
unlikely.
On the Trans-Caucasian front, elite soldiers
of the Soviet Naval Infantry operated very
effectively-for example, Senior Marine V.S.
Ponomarenko killed more than 580
Germans behind enemy lines in January of
1943. In this diorama, I have tried to show
one of these soldiers directing the advance
of a T34 of the 52nd Red Army. The naval
infantry did not normally fight along with
armoured units but in some cases where
they knew the enemy rearguard area very
well they served with them as support or
reconnaissance. In any case, these
soldiers were considered as genuine
heroes and they were respected and
admired by all of the other armies. One
man in particular, V.V. Tselikov, was
honoured with the Gold Medal of Hero of
the Soviet Union.
Although the main topic of this scene is
the T34, I wanted to highlight this
interesting history of a mostly unknown
subject for many modellers.
The Red Death
The remains of the Pz. IV F/2 symbolize the
Red Death in this diorama, as German
tanks were often the victims of ambushes
by the Russian tanks. At this stage of the
war, Pz. IVs started to appear painted in
the new dark yellow colour scheme, and
they were now being armed with the
powerful 75mm L/48 instead of the shorter
L/43 gun barrel. However, the mobility of
the T34 on the snow remained a great
advantage over the Pz. IV. This Panzer was
penetrated by several projectiles in the
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chassis, causing a strong interior explosion
that split the tank into two parts, which is
characteristic of many destroyed Panzer
IVs. It would soon have been covered by
snow and mud, which, in conjunction with
the heat of the explosion and fire, would
cause extensive corrosion.
Although this Pz. IV is only a secondary
component in the diorama, it is still
necessary to make it with a lot of care and
attention, because each element that we
put in a diorama contributes a lot of
information to the observer. We should
study any abandoned or destroyed vehicle
that we include in a diorama, and to build
it with as much detail as possible. I have
seen many times beautiful dioramas with
magnificent figures and perfectly built and
painted vehicles, but the general scene
was not quite as convincing as it might
have been because the author used a 20
year-old model to represent a destroyed
tank. It is necessary to take great care with
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these elements and to realise that the
observer is more attracted by the
destroyed vehicle than the rest of the
diorama. This is especially true if the
diorama is to be entered in a competition.
of the kit turret for the longer L48 version
by Jordi Rubio. Everything was assembled
in a little over 2 hours.
diorama or model that we make is a
personal interpretation that may not always
be understood by other people. Those of
us who are lucky enough to be able to
explain our ideas in a magazine have the
opportunity to justify to others why we
used a particular colour and not another, or
why we put this tank in this position, etc.
However, the great majority of modellers
cannot explain their own dioramas and so
they can meet with bad results or
experiences. To overcome this, it is
necessary to research as much as
possible in order to bring their work as
close as possible to reality. It is the only
way to be understood by others, using a
common language: -modelling. It’s easy to
imagine a white snow covered field with
100 T34 advancing, but later it is
necessary to know how to translate that
The White Fields
My head was full of images of dozens of
white T34s advancing through numerous
remains of German tanks….“A white
avenger with a red death”. Maybe too
poetic, but it is often my main inspiration
source. In my opinion, a diorama can be
an interpretation of ideas, sensations or
imagined experiences. Maybe for this
reason there are many problems among
many modellers. When a modeller
receives harsh criticism, even if
constructive in nature, from another
person, he can feel very offended and find
it hard to accept. This is because each
However, we cannot always spend our
money and our time buying a new PzIV, a
complete interior and all the accessories,
when that PzIV is only to be used as a
complement. This was my situation, and
so I decided to look for a simple position in
which to place the upper part of the tank,
so that it would not be required to create a
complete interior. For that I used the PzIV
F2 turret from my company, Mig
Productions and some parts of a Dragon
PzIV F2 kit that I would never use. I
replaced the main weapon & muzzle brake
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image into a small diorama. This the big challenge, but to
me it is also the most rewarding achievement in modelling.
1st Step: Documentation and Assembly
The T34 probably had more variation than any tank that
has existed, so it can be difficult to be sure that our model
is completely correct in detail. The object should be to
research the subject thoroughly in order to ensure that the
model we build is a true representation of a vehicle, which
was actually built, and to avoid glaring or not so obvious
errors.
Pic1) These books were used to research the upgrade of
our T34, they contain a lot of information on this tank.
Pic2 to 9) The Aber PE is necessary if we want make our
model ultra realistic-we can make damaged fenders or
boxes, and also the rear grille. To bend the etched
components I used the Etch Mate tool of Mission Models,
at the time it was the only tool that allowed the user to
bend very long parts. If the entire Aber photoetch set is
used, a very accurate T34 will result. However many
modellers tend to only use those parts that allows a model
to be visually enhanced to their satisfaction rather than
spend a great amount of time using every single part,
which can be tiny and barely noticeable on a finished
model.
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2nd Step: Working in a Winter Camo
In my opinion, the winter whitewash painting of any vehicle
is one of the most difficult techniques to master, but also
one that is very rewarding. Contrary to a grey or green
camouflage where the modeller can work quickly with the
weathering on that colour, the white camouflage needs a
lot of work and elaboration to achieve an acceptable base
colour. The technique to paint these types of colours
consists of applying numerous layers of superimposed
colours. This means that we should combine layers of
green colours with white colours. It is a very slow and
exhausting work, but the result is very realistic.
Pic11) With acrylic paint, we must paint the white areas, as
irregularly as we can while trying not to cover all of the
green areas.
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